I will not accept your guidance and critique unless you are supportive and nurturing. On the other hand, you need to be continually demanding.
Now, as when I made films that were too autobiographical, the problem is how to escape naturalism. If you tell a strictly true story, because the way you are telling it is false, it creates naturalism. But I become a naturalist. And to become a naturalist is something I avoid. It is fake life - that is the problem. It is because we are familiar with situationnisme, and the critique of the spectacle, et cetera, which is a very fair criticism. People who have no life, and who watch this fake life on a screen - it's a very alienated situation. And that's what situationnisme is about.
We need voices that help us critique our social, political, and economic views through Kingdom lenses. The women and men who compose the global body of Christ can help challenge us in very important ways.
But anyone can write, right?'" Conner asked. "I mean, that's why authors get judged so harshly, isn't it? Because technically everyone could do it if they wanted to." "Just because anyone can do something doesn't mean everyone should," Mrs. Peters said. "Besides, anyone with an Internet connection feels they have the credentials to critique or belittle anything these days.
Patriotism is best exemplified through auto-critique.
What’s looming in the shadows of our ignorance and denial is a critique of civilization itself.
Utopias are presented for our inspection as a critique of the human state. If they are to be treated as anything but trivial exercises of the imagination. I suggest there is a simple test we can apply. We must forget the whole paraphernalia of social description, demonstration, expostulation, approbation, condemnation. We have to say to ourselves, How would I myself live in this proposed society? How long would it be before I went stark staring mad?
From time to time I have wished to do more work in philosophy of religion, but the demands and challenges have been such that it needed more work than I had time for. I sneaked a chapter into my book on loyalty that touched on some issues in the area. Maybe in the future I will try responding to Philip Kitcher's excellent critique: Life After Faith: The Case for Secular Humanism - it gets closer to me than much of what is produced in the field.
I think it actually strengthens your critique when you aren't just "no" on everything.
What stands most explicitly as critique in Nietzsche's late work in not a development from earlier interests but a return to two problems of enduring personal involvement for him, those of Wagner and of Christianity. Der Antichrist , to take one case, is not a response to a resuscitating public interest in Christian religion; it is primarily a renewed attempt to resolve for himself the question of piety.
I can critique the bad; I can take the good, and I can add whatever I want.
My manners also came from when I was in college and began participating in critiques. You have to speak with someone respectfully about their work and be honest and open, without hurting them.
I don't think the entertainment business in general will ever just be okay with how people are. I think we're in a business that critiques everything we do, and you kind of just take it with a grain of salt. I look at my grandmother, and I think she's aged beautifully, so I hope that I could be a smidgen of how she's aged. There's nothing you can do. All you can do is take of yourself and do the things that make you feel good and make you healthy and age appropriately, but there's always going to be people out there are going to say something, and there's nothing you can do about it.
Don’t get high off praises, and don’t get too low on critiques.
The pornographers did a kind of stealth attack on our culture, hijacking our sexuality and then selling it back to us, often in forms that look very little like sex but a lot like cruelty.
Any time having international interviews is a language barrier, you don't know how much you need to simplify what you're saying for it not to be damaged in translation. But culturally, there are some interesting phenomena. I get the feeling that the way rock music gets described in Germany, it is all like Rolling Stone circa 1975, taken to the 10th power. If you're a rock musician, you're part of the counterculture. Your music is like a critique of everything that is wrong with America.
As a political activist you run the risk of having to settle for one compromise or another in order to achieve your goals. Artists face the obvious accusation of elitism. The fundamental principle of my work is that it critiques capitalism in very specific ways. I am not interested in generalized political rhetoric. Instead of "aestheticizing" political issues, I try to challenge ingrained perspectives.
Campaigns and elections are not a game. They're not a game. They're about trying to change America. We're the wealthiest country in the history of the world. We should not be having Flint, Michigan, or African-American communities all over this country where schools are failing. Those are the issue we got to pay attention to and not at this as come kind of silly game. And that is the critique that bothers me. That's what bothers me about media coverage.
He who stands aloof runs the risk of believing himself better than others and misusing his critique of society as an ideology for his private interest. While he gropingly forms his own life in the frail image of a true existence, he should never forget its frailty, nor how little the image is a substitute for true life. Against such awareness, however, pulls the momentum of the bourgeois within him.
Tom Hart, David Lasky, Ed Brubaker, Megan Kelso, Julie Doucet. These people lived comics. The people in Seattle got together every week to draw and critique each other's work. Outside of art school, I never did that. When I came back from that trip, I had a physical, palpable sense of being self-conscious. It was the first time I'd drawn where I was like, "Holy cow, people are going to read this. They're going to like it, or they might not like it. Maybe I really should make my drawings a little more solid, or really think about what I'm doing. Maybe this shouldn't be so sloppy."
Beginning with a critique of my own limbs, which she said, justly enough, were nothing to write home about, this girl went on to dissect my manners, morals, intellect, general physique, and method of eating asparagus with such acerbity that by the time she had finished the best you could say of Bertram was that, so far as was known, he had never actually committed murder or set fire to an orphan asylum.
I do think Hillary Clinton, I mean the Clintons, I`ve got a lot of critiques of the Clinton foundation. I do think they bend the law. But Hillary Clinton accepts the concept of legality, she accepts that courts are supreme, laws must be complied with and the power of the state is not to be used for persona revenge or personal enrichment. And that`s something - not something I trust Donald Trump to do.
My black-and-white work is more of a celebration and the color work became more of a critique of society.
It was like a dam of musical critique had broken. Imasu turned on him with eyes that flashed instead of shining. "It is worse than you can possibly imagine! When you play, all of my mother's flowers lose the will to live and expire on the instant. The quinoa has no flavour now. The llamas are migrating because of your music, and llamas are not a migratory animal. The children now believe there is a sickly monster, half horse and half large mournful chicken, that lives in tha lake and calls out to the world to grant it the sweet release of death.
Since Copernicus, man seems to have got himself on an inclined plane-now he is slipping faster and faster away from the center into-what? into nothingness? into a 'penetrating sense of his nothingness?' ... all science, natural as well as unnatural-which is what I call the self-critique of knowledge-has at present the object of dissuading man from his former respect for himself, as if this had been but a piece of bizarre conceit.
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