I used to dress up as a model for Halloween, like every year.
I very much related to the idea of sexual identity and how it doesn't have to be black and white. When I first came out, there would be butch people in baseball caps, and that wasn't me, and then there were girls in heels and dresses, and that didn't feel like that was me either. But after a while I learned there's a lot of ground in between.
Have I ever been horrified to see someone in my clothes? Many times, but I close my eyes and look the other way. That happens to everyone. What can you do? Go and tell her, 'Don't wear that dress again'? We designers always have fantasies in our heads, but the difficult task is to make them reality. Because you can be the best designer, but designing in your own place and with nobody wearing [your clothes], then what happens? You're nowhere.
The design of a dress, furniture, a house, a room, a street and a city are all the same process.
The European boys have small ideas but they sure know how to dress 'em up.
People are more interested in ideas than dress.
A woman should dress to attract attention. To attract the most attention, a woman should be either nude, or wearing something as expensive as getting her nude is going to be.
Our democracy, our culture, our whole way of life is a spectacular triumph of the blah. Why not have a political convention without politics to nominate a leader who's out in front of nobody? Maybe our national mindlessness is the very thing that keeps us from turning into one of those smelly European countries full of pseudo-reds and crypto-fascists and greens who dress like forest elves.
Sexual excitability is increased and leads to hasty engagements, marriages by the newspaper, improper love-adventures, conspicuous behaviour, fondness for dress, on theother hand to jealousy and matrimonial discord.
General, get up dress quick you are a prisoner!
Dress designing, incidentally, is to me not a profession but an art.
When I was nine years, growing up on the south side of Chicago, in the ghetto. The Robert Taylor Projects. I came home from school, I showed my mother a picture and said "Momma, that's you in the rocking chair. There's daddy over there." I said, "Momma, one of these days, I'm gonna be big and strong. I'm gonna be a football player. I'm gonna be a boxer. I'm gonna buy you a beautiful house and I'm gonna buy you pretty dresses." That's all I want to do in life.
My friend George and I were walking on the beach in Norfolk, and there were thousands of [razor-clam] shells. They were so beautiful, I thought I had to do something with them. So, we decided to make [a dress] out of them. . . . The shells had outlived their usefulness on the beach, so we put them to another use on a dress. Then Erin [O’Conner] came out and trashed the dress, so their usefulness was over once again. Kind of like fashion, really.
What I do is look at ancient African tribes, and the way they dress. The rituals of how they dress. . . . There's a lot of tribalism in the collections.
Yves Saint Laurent gave women power, Chanel liberated them and when I joined Lanvin, I thought 'what do I bring to women? One day, I received an SMS from a friend in New York - she was in a taxi on the way to court to face her arsehole ex-husband, and she said to me 'Alber, I am wearing a Lanvin dress, and I feel so protected.' That to me was the biggest compliment I ever received. To have a 500 gram piece of silk make her feel protected - that made me very happy indeed.
And this is what we called our childhoods. Little more than a dress rehearsal for adding our digits to the butcher's bill of war.
If you dress a new something in old habits, it’s easier for the public to accept it.
The picture of me is nearly finished, and I think it is magnificent. The green and blue of the dress is splendid, and the expression as Lady Macbeth holds the crown over her head is quite wonderful.
I believe someone should be able to dress according to the mood they're in. It shouldn't be forced and you shouldn't have to follow a trend.
Iconic clothing has been secularized. . . . A guardsman in a dress uniform is ostensibly an icon of aggression; his coat is red as the blood he hopes to shed. Seen on a coat-hanger, with no man inside it, the uniform loses all its blustering significance and, to the innocent eye seduced by decorative colour and tactile braid, it is as abstract in symbolic information as a parasol to an Eskimo. It becomes simply magnificent.
Child of woe is wane and delicate... sensitive and on the quiet side, she loves the picnics and outings to the underground caverns... a solemn child, prim in dress and, on the whole, pretty lost... secretive and imaginative, poetic, seems underprivileged and given to occasional tantrums... has six toes on one foot.
My friend told me he was going to a fancy-dress party as an Italian island. I said: 'Don’t be Sicily’.
I liked women as a shape to dress.
I dress women the way I see them and the way I envision them from day one, thus my customer knows that what she is looking for she will get.
I always have one foot in the street, so I know not everyone wants to dress like the women they see in music videos.
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