I've seen people that get onstage and sing while they have tears running down their face - I can't do that. When I cry, it starts like in my throat, so when I have something that's really emotional, sometimes if I access that too much, I can't finish the song.
By nature, I'm a very positive person, and because I'm happy in myself, and in my life, and I've got a great husband, and beautiful children, and I have a job that I love that calls for a certain amount of emotional expression, I get to realise a lot of my dreams and aspirations.
When a person has access to both the intuitive, creative and visual right brain, and the analytical, logical, verbal left brain, then the whole brain is working...And this tool is best suited to the reality of what life is, because life is not just logical-it is also emotional.
Obama dreams of a society without power relations, without the agonism that constitutes political life. Against such a position one might assert that justice is always an agon, a conflict, and to refuse this assertion is to consign human beings to wallow in some emotional, fusional balm.
I grew up with classical music when I was a ballet dancer. Now when I have to prepare an emotional scene, to cry or whatever, I listen to sonatas. Vivaldi and stuff. It's just beautiful to me.
If emotional issues remain unaddressed over long periods of time, sometimes they can manifest as physical blocks or disease.
Jesus showed patience and love to all who came to Him seeking relief for their physical, emotional, or spiritual illnesses and who felt discouraged and downtrodden.
I'm not emotional about investments. Investing is something where you have to be purely rational and not let emotion affect your decision making - just the facts.
I experience psychic phenomena, so people think I must be crazy. But you have to be accessible and intelligent to be a good actor. I might not have gotten the best grades in school, but I have a very high level of emotional intelligence. You have to be open to receive.
Kitsch parodies catharsis...It is in vain to try to draw the boundaries abstractly between aesthetic fiction and kitsch's emotional plunder. It is a poison admixed to all art; excising it is today one of art's despairing efforts.
High-class kitsch may well be "perfect" in its form and and composition: the academic painters were often masters of their craft. Thus, the accusation that a work of kitsch is based not on lack of for or aesthetic merit but on the presence of a particularly provocative emotional content. (The best art, by contrast, eschews emotional content altogether.)
Kitsch offers instantaneous emotional gratification without intellectual effort, without the requirement of distance, wihtout sublimation.
Every ambiguous, false, tearful, emotional exaggeration brings about that typically kitsch attitude which could be defined as "sentimentality."
You are dependent if you allow the weaknesses of other people to ruin your emotional life!
Antonio Gramsci said that social reformers should have pessimism of the intellect and optimism of the will. This means that one must have the intellectual ability to see how bad things are and the emotional ability to look forward with hope. It's a hard combination to sustain, but if you can do it, you can change the world.
It's so fun to be on a show where we're all on our toes, all the time. We're constantly texting each other and calling each other while we're reading and go, "Oh, my gosh, I can't believe you do that! Holy cow! This is crazy!" Sometimes it's a bit more procedural. Sometimes it's a bit more emotional. We get the best of all genres, in one little package.
For me, I like to show what guys are like when no one is looking and how we really are, and that we can be emotional and have these emotional lives. I think it would be great to do a film where we see some females and what's going on there when we're not around.
What draws me to theater and religion are these rituals made to make you feel emotion. It's so banal in an interesting way. In visual art it's about making you feel emotional, but it's more subtle.
We have this misconception about women in the military, that they don't wear make-up, but in reality, they're very feminine women. You can be a tough woman, and still be a very nurturing and emotional parent. It's just not always black and white like that.
It was great fun working with Pierce [Brosnan]. He taught me a lot in terms of professionalism and how to take care of yourself on these action movies. They're fairly long shoots and they're fairly physical and fairly emotional, so you have to maintain yourself and make sure you can make it all the way through. That's something I learned from him.
I think that it drives from an emotional connection with everybody that pulls you through all of those events, whether it's the events or what would be more the action, or I guess the visual effects side of it. So it always starts with me from - emotionally - 'Why do you care about the people who are going through what they're going through?' Because it takes a hell of a lot to put them through that. So you better care for them when they're doing it.
I'm totally into the emotional aspect of things.
On an emotional level, I don't want to be a guide. I want people to hear things and experience them their own way.
I'm a really emotional person so I cry for everything.
Sometimes when I'm writing I'll play Cole Porter, just because the rhythms and the lyrics are so perfect that it's like having a smart partner in the room. I have a huge collection of music that I listen to when I'm writing, and I also prepare a lot of music before I start directing. I put it all onto an iPod that I have with me on the set. It's helpful to the actors, because for an emotional scene, I'll play it and say, this is how it feels, to keep us in the zone.
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