You look at somebody's work as an actor and you can see their emotional life being fed into it and you can kind of feel them through it.
Sadomasochism is an institutionalized celebration of dominant/subordinate relationships. And, it prepares us either to accept subordination or to enforce dominance. Even in play, to affirm that the exertion of power over powerlessness is erotic, is empowering, is to set the emotional and social stage for the continuation of that relationship, politically, socially, and economically.
Religion is (a) a pre-scientific system of explanation and technology; (b) a source of meaning, direction and emotional expression in life; (c) a means of social control; (d) a means of coping with uncertainty and death.
We came to recognize that our initial thinking about the keys to educational reform was wrong. The key variables weren't pedagogical. They weren't financial. They weren't curricular. They weren't research. They weren't any of the usual things we've always talked about as the engines of change. The variables were deeply emotional and cultural.
When we understand the privilege of what it means to be an athlete, we are in touch with, and rejoice in, our physical, mental, and emotional strengths and our endless possibilities.
When writers are self-conscious about themselves as writers they often keep a great distance from their characters, sounding as if they were writing encyclopedia entries instead of stories. Their hesitancy about physical and psychological intimacy can be a barrier to vital fiction. Conversely, a narration that makes readers hear the characters' heavy breathing and smell their emotional anguish diminishes distance. Readers feel so close to the characters that, for those magical moments, they become those characters.
Any athlete has massive reserves in their body and their emotional landscape.
The reason writers are such fragile beings, Marcus, is that they suffer from two sorts of emotional pain, which is twice as much as a normal human being: the heartache of love and the heartache of books. Writing a book is like loving someone. It can be very painful.
Branding is not merely about differentiating products; it is about striking emotional chords with consumers. It is about cultivating identity, attachment, and trust to inspire customer loyalty. Chinese brands score low on attributes such as “sophisticated,” “desirable,” “innovative,” “friendly,” and “trustworthy.”
A birth we embark on a good journey, seeking a destination of happiness. The journeys on our life-road facilitate development of our emotional, mental, physical and spiritual states-of-being, into a way of true power and wisdom. The Heart-center power, expressed as happiness and love, will guide us upward on a path away from frustration, bitter toil and travail. These journeys are directed inward, not outwardly in material mementos of ego and possession. The lesson is relearning that which has been suppressed and forgotten, in ourselves, since our earliest childhood.
Suddenly it all seemed luminously clear. Love had very little to do with fear and emotional sabotage; love had to do with trust.
Content is the emotional and informational bridge between commerce and consumer.
Friendship has no civil, and few emotional, rights in our society.
Any human act that gives rise to something new is referred to as a creative act, regardless of whether what is created is a physical object or some mental or emotional construct that lives within the person who created it and is known only to him.
I gave up Christianity at about 14. Came back to it when getting on for 30. Not an emotional conversion; almost purely philosophical. I didn't want to. I'm not in the least a religious type. I want to be let alone, to feel I'm my own master; but since the facts seemed to be just the opposite, I had to give in.
Headlines can be strengthend by the inclusion of emotional words like darling, love, fear, proud, friend and baby.
When you have done the spiritual growing up you realize that every human being is of equal importance, has work to do in this world, and has equal potential. We are in many varied stages of growth; this is true because we have free will. You have free will as to whether you will finish the mental and emotional growing up. Many choose not to.
The Earth faces environmental problems right now that threaten the imminent destruction of civilization and the end of the planet as a livable world. Humanity cannot afford to waste its financial and emotional resources on endless, meaningless quarrels between each group and all others. there must be a sense of globalism in which the world unites to solve the real problems that face all groups alike.
Contemporary art is based on that an artist is supposed to go into art history in the same way as an art historian. When the artist produces something he or she relates to it with the eye of an art historian/critic. I have the feeling that when I am working it is more like working with soap opera or glamour. It is emotional and not art criticism or history of art.
Although my doctors informed me that I suffered a cerebral concussion, as well as shock, I do not seek to escape responsibility for my actions by placing the blame either on the physical and emotional trauma brought on by the accident, or on anyone else. I regard as indefensible the fact that I did not report the accident to the police immediately.
I'm an emotional player ... I like to leave it out there.
Artistic form is congruent with the dynamic forms of our direct sensuous, mental, and emotional life; works of art are projections of "felt life", as Henry James called it, into spatial, temporal, and poetic structures.
Nature, as man has always known it, he knows no more. Since he has learned to esteem signs above symbols, to suppress his emotional reactions in favor of practical ones and make use of nature instead of holding so much of it sacred, he has altered the face, if not the heart, of reality.
There is scarcely room for doubt that something in the psychological relation of a mother-in-law to a son-in-law breeds hostility between them and makes it hard for them to live together. But the fact that in civilized societies mothers-in-law are such a favourite subject for jokes seems to me to suggest that the emotional relation involved includes sharply contrasted components. I believe, that is, that this relation is in fact an 'ambivalent' one, composed of conflicting affectionate and hostile impulses.
I've seen people that get onstage and sing while they have tears running down their face - I can't do that. When I cry, it starts like in my throat, so when I have something that's really emotional, sometimes if I access that too much, I can't finish the song.
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