Every film should have its own world, a logic and feel to it that expands beyond the exact image that the audience is seeing.
The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn't.
Human beings share the same common problems. A film can only be understood if it depicts these properly.
The length of a film should be directly related to the endurance of the human bladder.
In feature films the director is God; in documentary films God is the director.
A film director is not a creator, but a midwife. His business is to deliver the actor of a child that he did not know he had inside him.
No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul.
And Later I Thought, I Can't Think How Anyone Can Become a Director Without Learning the Craft of Cinematography.
A hunch is creativity trying to tell you something.
It's really rare for film directors to be that interested in things other than themselves.
All I need to make a comedy is a park, a policeman and a pretty girl.
You have many years ahead of you to create the dreams that we can't even imagine dreaming. You have done more for the collective unconscious of this planet than you will ever know.
The realm of superstitions, fortune-telling, presentiments, intuition, dreams, all this is the inner life of a human being, and all this is the hardest thing to film.
The record producer is the music world's equivalent of a film director.
The film director, in many instances, has to swallow somebody else's decision about the final form of something. It's so hard as to be intolerable.
I've never wanted to be a fireman, in my life. I've never really wanted to grow up and be anything other than a film director.
All film directors, even the ones using 3-D today, want you to look at what they chose.
Because the writer must be a participant in the scene, while he's writing it — or at least taping it, or even sketching it. Or all three. Probably the closest analogy to the ideal would be a film director/producer who writes his own scripts, does his own camera work and somehow manages to film himself in action, as the protagonist or at least a main character.
I became a film director, but I wasn't successful with my first couple of films, so I had to turn to becoming a film critic to make a living.
Being a film director involves, above all, a lot of hard work and resolve and determination. The glamour doesn't come until the premiere and the thing is all long done.
A strong film director does leave you to your devices. A strong director allows you to be free and you trust that he's there and he will tell you if you've gone too far. A strong director allows you to be much more experimental and take greater chances than a director who isn't secure within himself.
To be a film director is not a democracy, it's really a tyranny. You're the head of the project, for better rather than worse. I write the film and I direct the film, I decide who's going to be in it, I decide on the editing, I put in the music from my own record collection.
In my career, I have played a gangster, an ex cop, a journalist and a film director. Yet, the label of a serial kisser refuses to leave me.
As a film director I like to have the actors create their own close-ups. It's an older style of filmmaking.
I didn't have the problem of finding myself at 45 on the wrong course - I always wanted to be a film director.
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