There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
I stopped making films to look after animals.
I think that Mos Def is the best actor, but when you talk about rappers in films, I don't really think the quality of the acting is most important because most rappers are put in movies because of the personality and people want to see that.
The Australian film industry is a small industry, so you have to really be flexible within working in different mediums. A lot of actors work in theater, film, and television, because there's not much opportunity in terms of employment there.
I did a short film called 'Disco' and won an award for Best Supporting Actor at an indie film festival, and that was nice. Hopefully there's lots more to come.
I've always said that if anything - whether it was film or television - was something I responded to, then I was open to it.
I just want to do films 'cause I like being someone else. My music is kind of like my diary. I'll always do that... I just feel like the music industry isn't as positive as I'd like it to be.
I always sort of create practical problems so that I don't have to see a film I've just done. I'm too vulnerable, too fragile. People see your work, and there's nothing you can do. You're completely exposed.
In voiceover, all you have to worry about is your voice and practicing with your voice and then being able to understand what the situation and whatnot is happening. And you have endless amounts of film to perfect the character.
The big studio era is from the coming of sound until 1950, until I came in ... I came in at a crux in film, which was the end of the studio era and the rise of filmmaking.
In film, you can have sad endings.
People say my films are dark. But like lightness, darkness stems from a reflection of the world. The thing is, I get these ideas that I truly fall in love with. And a good movie idea is often like a girl you're in love with, but you know she's not the kind of girl you bring home to your parents, because they sometimes hold some dark and troubling things.
The secrecy thing has gotten to be more and more prevalent in films, and maybe that's good. It's nice to go see a film and not know anything about it. Sometimes I feel like we know too much about films.
I want to become a superstar, but for that, I first have to be a super actorThe word 'superstar' these days is used for anybody who delivers a Friday hit. Amitabh Bachchan and the Khans have worked for many years. They have also given back to society. I am just 14 films and six years old in the industry. I know I'll achieve it in a few years from now and I'm arrogant enough to say that,but now isn't the time.
I sign a film according to my instincts and everything in each department must be appealing be it story, character etc.
When I was sixteen and knew nothing about art, I sat through almost six hours of Andy Warhol’s Empire. I did not understand it but thought: this is in a major museum, it must be important, what is going on here? I stayed until the museum closed. His Screen Test films are some of my favorite works made this century, but you need to give them back the time they took to be made.
Multiplicity was a movie that tested really well. People seeing the movie really liked it, but then the studio couldn't market it. We opened on a weekend with nine other films.
There's no such thing as an anti-war film.
All film directors, whether famous or obscure, regard themselves as misunderstood or underrated. Because of that, they all lie. They're obliged to overstate their own importance.
Every generation deals with the breaking down of its tradition, and I think that they rediscovered the film.
I know why I make films -cinema is a mode of expression that allows you to express all the nuances of a thing while including its opposites. These are things that can't be quantified mentally; yet they can exist and be juxtaposed. That may seem very contradictory. Cinema allows you to film these contradictions.
I should like to make films that are not lowering to the spirit. A new building can be very harrowing, I should like to give people a chance to whistle.
Cowspiracy may be the most important film made to inspire saving the planet.
I'm always honored, but I think for every 100 of those that come along, one of them is actually going to happen. And, the fact that this was an offer on a major film that had a start date, was pretty impressive.
Like a cross between Paul Auster's The Book of Illusions and Janice Lee's Damnation, The Absolution of Roberto Acestes Laing is at once smart and slyly unsettling. It is expert at creating a quietly building sense of dread while claiming to do something as straightforward as describe lost films—like those conversations you have in which you realize only too late that what you actually talking about and what you think you are talking about are not the same thing at all. With Rombes, Two Dollar Radio deftly demonstrates why it is rapidly becoming the go-to press for innovative fiction.
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