I had seen the films out of World War II, the great 82nd Airborne, the 101st, and all of those of you in the greatest generation and the service that you had provided.
In film, you can't go into analytical explorations because the audience will reject that.
I think the situation in Toronto is such that there are funding organizations which make it easy for a film to raise more money than it needs and very often that works against a film.
It's amazing that this is still news to people, but that affects the final outcome of the film. When people are treated well, and they're made to feel valued, they give 110 percent.
If you look at the game and everything, it's not quite like looking at an animated film, because that's total character. This, this is really movement, but it's got funny little things if you look for the humor. They're actually getting to the character.
In the 90's action pictures were all the rage. As a woman, I was fed up with them and I initially thought that the script was just another action film dressed up as a period piece.
I think that the episodes are like mini horror films really; the characters make bad decisions early on and these things just snowball for them and get worse and worse. And that's what I find funny.
I want to direct films, ultimately. Hopefully I'll have a fantastic career in acting and then go on to do that. That's my dream; that's the ultimate goal.
Because I could take this as an opportunity to create something that I pretty much guarantee nobody else was going to create in film.
There's a freedom there and an understanding of my career and the things I've done. I'm seen here as primarily a comic actor, which is OK, but I can go to New York and I do something that's very emotional. It would be lovely at some point to do something like that on film.
There are actors who spend 20 years working and still don't achieve what I've achieved so quickly. So I think my only course of action is to work as hard as I can, not just for the sake of the film, but also to prove to these people that I do have talent.
We were using a hand-held camera to film the scene when Morse collapses. The camera wouldn't start. Three times they said action and it still wouldn't work. To this day, they still don't know what was wrong.
I got involved in script development from the beginning. It was nice to see how a film gets made right from the beginning. It was quite hands-on for me.
I can say, hands down, 'Annapolis' is the most challenging film I've ever taken on.
I thought he was an interesting central figure, central character, one who is definitely not your typical central character figure in a film, who's easy to like. He's not easy to like. It forces you to involve yourself with what's going on.
No one turns down a film with Woody; it's something everyone wants in their career as an important moment. He's such a comedic genius, without question, so I was thrilled.
All of a sudden, those few pages of script that he had shown me with the weird images I could visualize all of that in my brain, and I knew that there was this mad little genius at work here and I really wanted to do the film.
Fahrenheit 9/11 took public domain information that should have been on the news every night and put it in a film that a lot of people went to see. But still Bush has never had to answer those charges.
I hope they get something of interest out of it, but I'd rather they all hate it and I like it, instead of vice versa... I make films to please myself first, and if the audience likes them, all the better.
In LA I was watching At the Movies with Ebert and Roper, it was, nice to see them differentiate between the subject matter and the art form of making the film, and they both gave it thumbs up, and I was kind of pleased at their honesty as far as reviewers go.
I'm not saying it isn't frustrating that my films haven't gotten a bigger release, but I'm really happy with them and if you just keep cranking and eventually, if you have a certain sensibility, some of your movies will hit and some just won't.
I'm not a film buff. I don't watch a lot of movies.
Like some of my other movies, 'Conquest Of The Planet Of The Apes' is also a very political film, and many critics still consider it even the best of all the Apes movies, because it conveys a series of political viewpoints.
I don't think any actor feels comfortable watching themselves in movies. You must be very narcissistic. The problem with your own opinion of yourself is that contrary to the normal spectators, when you watch a film you are in, you only watch yourself.
Wanting to be in a Western film won't get me very far. Unless the opportunity arose, it doesn't matter how much I want to be in one. But if an opportunity did arise, no actor would pass it up.
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