Whatever’s inside making me what I am, it’s like film. Film only works in the dark. Tear it all open and let in the light and you kill it.
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David Mamet was great to work with. He was everything that I thought he would be as a director. He's incredibly articulate, an easy collaborator. Extraordinarily knowledgeable about film and writing.
You can fail in films because you don't have the talent, or you have too much humility, or you lack ferociousness. I'm a gangster. If I want something, I'll grab it.
Good films are not made by accident, nor is good photography. You can have good things happen, on occasion, by accident that can be applied at that moment in a film, but your craft isn't structured around such things, except in beer commercials.
I really think music and movement - dance, you know - and literature inform my visuals. I think film is also based in dance. The relationship between me, the camera and the actor is always a dance.
I'm not an actor - and I've got 64 films to prove it!
Rather, it is the opening or the interruption that allows us to experience what is hidden, and to accept with our hearts our given situation. When film does this, when it subverts our absorption in the temporal and reveals the depths of our own reality, it opens us to a fuller sense of ourselves and our world. It is alive as a devotional form.
Danish film is spreading in a fantastic way.
I'm a big fan of film for one reason: because it is visual.
If you're not bruised up, then you're not doing an action film in a real way.
I saw 'Clueless' probably when I was about 8 or 9 years old. And, I had certain films that I would fall asleep so it was 'Clueless' for quite a long time, and I used to just watch it every single night and knew every single line, every single quote.
I always approach film as a fan.
Carmen Jones was the first all-Negro film that became a great box-office success. It established the fact that pictures with Negro artists, pictures dealing with the folklore of Negro life, were commercially feasible. This was a sign of growth that had occurred in the United States and throughout the world.
My ideal role would be the lead in a film with a director that I really appreciate and admire.
There's a freedom there and an understanding of my career and the things I've done. I'm seen here as primarily a comic actor, which is OK, but I can go to New York and I do something that's very emotional. It would be lovely at some point to do something like that on film.
Ever since Poltergeist terrified me when I was 12, I can't watch horror films, I'm a real wuss.
I get bored with the same old film coming out every weekend. It feels like it's the same story all the time, and the same visuals, and the characters' dilemmas are remarkably similar.
I love theatre - it's where I started - and I've directed a play myself. I'm not sure if I want to direct a film, but certainly, as an actress, I'm always thinking, 'Surely this must be my last film.'
Keeping it all normal and keeping us together is my first priority. Then I fit films into my life.
I think all industries are sexist in nature and I don't think the film industry is any different.
I did some theatre. I had some smaller roles in a couple TV shows and films. I used to think I did a lot of acting, but my 'career' started when I started Homeland.
I'm glad movies aren't going to please everybody, they can't. But what they have to be is recognisable. I don't equate myself with a master painter, but I think you can recognise my films.
There are a lot of actors out there who've made one or two films and who never work again.
Mind you, Roman Holiday - which is kind of a romantic comedy - is one of my favorite films, and I think Audrey Hepburn is absolutely phenomenal in that movie.
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