The "If you build it, they will come" approach to filmmaking has always been helpful to me.
You know, the great thing about acting or, indeed, filmmaking in general, is that we're all given a reason to do research. You kind of have to, really, if you want to know what you're doing, but it opens up this whole new understanding.
Although filmmaking is collaborative and involves trust, ultimately it is the director who holds the whole picture together in their head.
It's dangerous to think too much about how a film will be received. Filmmaking is not a popularity contest. Some would disagree.
The biggest thing people tell me is that I'll be jaded real soon and that the allure of filmmaking will lose its magic. Not necessarily the fame, but that special thing you create onscreen.
I feel like when you do things with such a small budget, it actually makes you be more creative... and allows you to concentrate more on the story and the characters. I think that there is something about dirty, gritty and raw filmmaking that makes it feel a little more natural and makes it easier to connect with the action.
I've been having a lot of fun exploring different aspects of filmmaking, like writing and producing. There isn't a specific plan and I usually don't know what's going to be the next thing I do.
We have seven pillars of development. India has a cutting edge information technology industry. We are setting up a technology park. We would like to see technology penetration iin education. Besides, we would like to see cooperation in industries like fashion, filmmaking, ship-building, education, health and energy.
I would say that when I came into this chapter of my filmmaking career, starting with 'The Fighter,' there was this sense that you have to go from your instincts and you have to go from your gut, and you have to not hesitate and you have to not hedge.
If I can have the opportunity to go into an editing room, it's like the golden ticket for me. All I want is to learn about everything else in the filmmaking process. I just directed a music video which just came out and that'd sort of be the area of the field that I'm going to move into, I hope.
I think it’s important that nobody forgets that although Hollywood commercially dominates the world cinema, in fact what comes out of the filmmaking here is only a tiny slice out of the massive amount of operation that goes on around the world.
I like acting, but I like filmmaking better. I went to film school. I want to make films.
It's incredible to see the creativity, beauty and hardships people capture when filmmaking is opened up and shared with the world.
In the last ten years of watching films I have found that some of the foreign films I saw affected me most. One American film that stands out for me for its workmanship and artistry is 'Ratatouille.' It was an astonishing effort in filmmaking.
I discovered shooting and filmmaking around the time all of the software became affordable to anyone with a PC.
I think if you look at Sam Raimi and Jim Cameron, those guys know things about filmmaking that almost nobody knows anymore. They are students of film from when they handmade films themselves, you know cut films with their own hands and razor blades and tape.
When I first moved from photography to filmmaking, I was worried about how big I had to become. I was one person, or maybe me and an assistant, and I had these small cameras, and maybe a flash.
Jaws' was the definitive filmmaking turning point for me. It came out in the summer of '75 and I saw it an obsessive 55 times. They even ran a very embarrassing article about me in the local paper, about the weird kid who's seen 'Jaws' 55 times.
I learned very quickly that the hard thing in life is to make good films. Technically, filmmaking is the camera and the actor telling the story and that's what I'm more interested in doing.
People may be surprised at how hard and difficult filmmaking can be, having the creativity and the technical aspects together is very hard to do.
I suppose once in a while, a filmmaker makes a movie that's more than just a sum of its parts, more than good acting or good filmmaking. It's something else that has nothing to do with what you've done. This is in 1999, made by people in 1999 for people in 1999 about people in 1999.
A long-playing full shot is what always separates the men from the boys. Anybody can make movies with a pair of scissors and a two-inch lens.
I usually get involved in the interviews about the animators and the filmmaking in general, because I had a chance. I got to know, not only Marc Davis, but Frank Thomas, Artie Johnson, Ward Kimball, all these great animators, and just ask them all these questions about how they did certain things, what their trials and errors were, the ups and downs.
You never know what you have until you put it in front of an audience. That's the truth. That's the truth of filmmaking and that's why you make movies, for an audience to, hopefully, enjoy it.
I never know what my next move will be in Hollywood. It's such an unpredictable town. People get jaded and lost and I've been able to stay a float. I think the next logical step in my career would be to start my own filmmaking empire like (Harvey Weinstein) and (Bob Weinstein) did so many years ago. I think if only the unions weren't so strict in Boston, I'd set up shop there and make films of a certain quality you don't see represented these days. I'm full of ideas and dreams.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: