On 'The Guiding Light' I enjoyed working with Jamie Goodwin and Ellen Parker, who played my sister. I loved working with Jerry Ver Dorn and Jay Hammer. I mean, there's some great fun people that I've really enjoyed.
If CASA?s board, which includes such scientific experts as actress Jamie Lee Curtis, wants to tell the world that drinking is bad for you, that?s their prerogative? But there?s no excuse for political activism masquerading as science.
Even as a child, I just leaned towards the scary. I remember seeing Halloween, for the first time. I snuck into the theater and was sitting there with a group of friends in the front row, and I turned back to look at the audience. They were screaming and interacting with the screen and were interacting with Jamie Lee Curtis as she walked through that horrible night. I just thought, "I want to do that."
That's not precisely what I had in mind." Jamie, I had found out by accident a few days previously, had never mastered the art of winking one eye. Instead, he blinked solemnly, like a large red owl.
Looking into it a bit, Jamie found that the model used by Wall Street to price LEAPs, the Black-Scholes option pricing model, made some strange assumptions.
On Christmas Day I'll head off for a couple of laps around the Serpentine, or a trek around the whole of Hyde Park. Or I'll walk right across town, with Curtis, my son Jamie's bull mastiff.
We're creating a TV show of Scrooge, starring Jamie Farr, with Buddy Hackett as Scrooge. We're shooting in this Victorian set for weeks, and Hackett is pissed all the time, angry that he's not the center of attention, and finally we get to the scene where we've gotta shoot him at the window, saying, "Go get my boots," or whatever. The set is stocked with Victorian extras and little children in Oliver kind of outfits, and the director says, "All right, Bud - just give it whatever you want." And Hackett goes off on a rant. Unbelievably obscene.
Of the people who cook on television, I have admired people like Jacques Pepin, Julia Child, Mario Batali, Jamie Oliver and a few others because they are free of drama, display good taste and masterful technique, and use clear exposition to bring you up to speed.
One year I was given a birthday present I'll never forget - a cooking lesson from Jamie Oliver.
The movie Fifty Shades of Grey is considerably better written than the book. It is also sort of classy-looking, in a generic, TV-ad-for-bath-oil way. Dakota Johnson, who plays the virgin English-literature major Anastasia Steele, and Jamie Dornan, who plays Christian Grey, the wildly rich and sexually particular business titan who wants Miss Steele in his playroom, are exceedingly attractive actors with enviably supple bodies well suited to nakedness. And really, under the circumstances, movable parts matter more than acting skills.
Jamie' is what my mother gave me, and that takes the onus off of being big. Somebody thinks, 'Oh, Jamie - how threatening can he be?
Jamie Foxx does a good rendition of me. It's a real gift, mimicry of that kind, the tonal thing. It's sort of like having a talent for playing an instrument.
I was abducted by some aliens from space who kind a looked like Jamie Farr.
I most want to be remembered for being as great a mother to James and Lennon as my mum was to me and my brother Jamie.
'FlashForward' was on the outs when I was approached with 'Happy Endings.' I literally got the script on a Friday, and on Saturday morning I met with David Caspe, Jamie Tarses, and the Russo brothers. I took the role on that Saturday, and on Monday I was doing a table read. It all happened very fast, but it was super exciting.
I just love Jamie Foxx!
It's just I hate reading the description 'offbeat' about a character in a script, because I, along with Seth Green, Jamie Kennedy and a few others, have cornered the market on 'offbeat.'
Having a stage name is like having a Superman complex. I go into the telephone booth as Eric Bishop and come out as Jamie Foxx.
I don’t know what I saw. It could’ve been a hallucination. You get those from sniffing glue.” “You’ve never sniffed glue!” “I’ve smelled glue,” Jamie said after a pause. “In art class.
I thought I could make out Jamie's Highland screech, but that was likely imagination; they all sounded equally demented.
Angela had done a marvelous job, I tell you. The puke was everywhere except the toilet. The walls, the floor, the sinks - even on the ceiling, though don't ask me how she did that. So there I was, perched on all fours, cleaning up the puke at the homecoming dance in my best blue suit, which was exactly what I had wanted to avoid in the first place. And Jamie, my date, was on all fours, too, doing exactly the same thing.
No one in my family or my circle of friends had ever had to confront something like this. Jamie was seventeen, a child on the verge of womanhood, dying and still very much alive at the same time. I was afraid, more afraid than I'd ever been, not only for her, but for me as well. I lived in fear of doing something wrong, of doing something that would offend her. Was it okay to ever get angry in her presence? Was it okay to talk about the future anymore?
How did you ever get here, Maddie Brodatt?" "'Second to the right, and then straight on till morning,'" she answered promptly-it did feel like Neverland. "Crikey, am I so obviously Peter Pan?" Maddie laughed. "The Lost Boys give it away." Jamie studied his hands. "Mother keeps the windows open in all our bedrooms while we're gone, like Mrs. Darling, just in case we come flying home when she's not expecting us.
In a statement to the Associated Press earlier in the year, Jamie Lynn said she didn’t have a boyfriend. She said, ‘I’m keeping my options open.’ And by options, she meant legs.
Kieron Gillen and Jamie McKelvie's The Wicked + The Divine is a warp into the middle of a wildly imaginative mythology and I'm itching to read more.
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