Im a B-list celebrity trying to give it an honest look. They see me do actual work. ... I try to be the viewer with a microphone.
It's good to be able to deal with it [anger] somehow other than drinking, fighting, crashing cars, hitting your kid, your wife, your husband, your whatever. Paintbrushes, pens, movie cameras, guitars, microphones, typewriters -- these are good things. Weights. These are positive ways, good ways to deal with anger, frustration, alienation, rage. 'Cause all the other ways do nothing but hurt people.
Singing into a microphone and learning to play an instrument and learning to do your craft, that's the most important thing for people to do. It's not about being perfect, it's not about sounding absolutely correct, it's not about what goes on in a computer. It's about what goes on in here [your heart] and what goes on in here [your head].
I'm only just learning what language to use when I want my microphone turned down, you know, because it's all so new to me. It can be quite difficult on a daily basis to communicate with the people I work with, so I'm just looking forward to knowing more.
I feel genuinely sorry for those who are so blinded by narrow partisanship that they cannot appreciate Limbaugh's energy, intelligence and satiric skill. They live in a box with bags over their heads. Though he and I hardly agree on politics (I voted for Ralph Nader last year and may go Green again in 2004), I respect Limbaugh as a political analyst and deft rhetorician who is a master of the microphone and who knows how to engage and challenge a vast audience.
It's been fascinating over the last few years, watching the high and mighty in business and politics fall precipitously-not because their plans didn't work, but because their character flaws undercut those plans. Whether the microphone caught them making racist comments or their greed overcame their common sense, who they were as people made all the difference-more than their résumés, their degrees, or even their past successes. If you fail at the art of being human and staying human, you recklessly court disaster.
I don't concentrate on technical things like where a microphone is placed and things like that. As a producer, I try to keep the initial feeling from when I first heard a song and make sure we do what were initially aiming for.
You know, I've never done karaoke, ever. It makes me nervous - I think it's the lack of the guitar and just a microphone.
I love a microphone and a big crowd; I'm an entertainer, I guess.
The piano sounds like a carnival and the microphone smells like a beer. And they sit at the bar and put bread in my jar and say, man, what are you doing here?
Yes, I always say that were a National League band. What I mean is, if you play an instrument, you have to sing. So I always call our drummer up. Even the drummer has to take a turn on the microphone.
Now any person who plays an acoustic guitar standing up on stage with a microphone is a folk singer. Some grandmother with a baby in her arms singing a 500-year-old song, well, she's not a folk singer, she's not on stage with a guitar and a microphone. No, she's just an old grandmother singing an old song. The term "folk singer" has gotten warped.
The camera or the microphone in the booth is merciless. If you don't believe what you're saying, it hears it. If you don't believe it, it sees it in your eyes, it hears it in your voice that there isn't the conviction there.
My experience tells me that any time you hear people laughing on a sitcom, it's the writers who happen to be closest to the microphones - not the audience.
People want leadership, Mr. President, and in the absence of genuine leadership, they'll listen to anyone who steps up to the microphone. They want leadership. They're so thirsty for it they'll crawl through the desert toward a mirage, and when they discover there's no water, they'll drink the sand.
Being on TV in front of people is a lot different than sitting in a dark room with a microphone. When I had my radio show, I was on four hours a day for 20-something years. If you put a live microphone in front of Mother Teresa for that amount of time, she'd piss somebody off.
To be a great band it's like you have that telepathy. You know when the bass player's in back of you without even looking. You know when your guitar player's coming up to you to lean up to you and sing into your microphone. You just know these things. You feel it. You feel the energy of it.
It's much easier to spend a lot of time making your microphone louder than it is working on making your message more compelling.
As you might imagine, if you're a teenager having a couple of people with microphones and guns always following you around, that could grate on them. But you know, they've handled it with grace and I give Michelle [Obama] most of the credit for how well they've done, but I also just think they are graceful, good young, young women.
I know the microphones and cameras are on me. They're looking at my gestures and taking it and running with it because of things that have happened in the past. It's very unfair.
I walk around and think about things. When I come across a thought that makes me laugh, I write it down. Then, at night, I say the thought to people through a microphone. I don't think about politics or pop culture very much, so those thoughts don't often make it to the microphone.
Our whole dream for our home was for it to be an artist's haven. So there are paint supplies; there's a piano with a microphone and a recorder right there to capture things right in the second. There's editing equipment. There are cameras. I think the only thing in our house that people would be surprised by is the efficiency.
There's a very old recording maxim that goes, 'Distance makes depth.' I've used that a hell of a lot-whether it's tracking guitars or the whole band. People are used to close-miking amps, but I'd have a mic out around the back, as well, and then balance the two. Also, you shouldn't have to use EQ in the studio if the instruments sound right. You should be able to get the right tones simply with the science of microphone placement.
To be successful in the world of art you must, of course, have talent, although very small talents have gone very far in this age. Just as the microphone gave volume to voices that had none, so does the science of press-agentry magnify limited skills into highly saleable properties.
I kind of disguise my limitations by hanging out with very talented people. The excitement of the collision between the microphone-twirling guy from 1966 to now is just a fantastic adventure. There aren't many of us left and I've managed to kind of cover my tracks pretty good.
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