I get annoyed with rushing. Then I get in a bad mood - I'm so cranky. I hate being late.
I wrote on the Grammys, and a few times for Garry Shandling when he was hosting. I couldn't have enjoyed those gigs more, because I would get to collaborate and try to make people I looked up to laugh, but for the most part, when you're as talented as they are, what they really want is someone who can type fast and whose presence makes them feel in the mood to write and spew and be creative, and I was a good person to have in the room.
I bring people on to the movies to type and to help punch up and look at things. But a lot of it is, you want fun people to be around, to put you in a good mood, to try and access your creative place.
Even the mood of a lot of people, my dad gets on me a lot because he's like people love answers but I'm more for questions, ask the right questions.
Your thoughts and actions not only influence your mood, but the moods of all you cross paths with. Thinking lovingly. Do lovingly. Be a messenger for love.
Herzog and Malick both have this very unique naturalist intentionality to their process. It's about creating the mood, creating the focus and having discipline, but not prescribing what the performance was supposed to be. Neither of them are really directing their actors into a performance.
I've become really interested in the landscape but not as landscape but more as it relates to mood and how we live and how the outside impacts on the inside. I didn't really look at the outside world during the years I was photographing the Ballad as I was locked inside my house and I lived totally inside.
If I'm not in the mood to deal with you, then I just don't deal with you. I look at it like, me not dealing with you could save me a lot of trouble - me forcing myself to deal with you could bring me a lot of trouble. So I just play it by ear.
If the extrovert watches and listens a bit more, the introvert's true mood will become more evident.
All my work at Armani is based primarily on my personal vision of style, and while I differentiate between the look and mood of my various labels, I am never overly concerned with being 'on trend.'
A sort of angry populism here in the UK and across Europe, a sort of anti-political mood and what then steps into that place? In one episode [of Black Mirror] you won't have seen, there's a very simple gaming gadget that turns out to be a monstrous idea, which I suspect we will end up doing for real.
I don't think I'd call [mood] a major force, but it is important as far as hitting the right notes or nuances with a character or scene.
For example, if it's a sad scene, I need to feel that way, at least to a slight degree and for a short while, to get it right. Which is why I sometimes listen to music when I'm revising. Music creates moods for me quicker than any other medium.
My hope is that no matter your mood there is [on a Joyride albom] a song on there that speaks to you.
I had a mini marathon once I landed the role - going from 'Splendor in the Grass' to 'Bonnie and Clyde' to 'Shampoo' to 'Reds.' I watched them back to back. I found that when you're in the mood for 'Reds,' you're not in the mood for 'Shampoo.'
Because we're always more woundable when caught at exactly the time where we're in the mood for that particular product or service - and as Big Data increasingly are able to pick up on clues revealing desire - automated systems are increasingly able to hit at exactly those moments, across those channels we move - with an offer matching exactly what we're desiring.
Lots of people will contact me on Friday night, male and female. Everyone likes me because it's always a fun time being with me. I'm the life of the party, really. It doesn't matter the situation because I'll always bring the mood up.
I miss the old Kanye, straight from the 'Go Kanye, Chop up the soul Kanye, set on his goals Kanye, I hate the new Kanye, the bad mood Kanye, The always rude Kanye, spaz in the news Kanye...
Vogue is not a practical magazine, it provides sensations, feeling, moods, you like the photos.
The goal was to create a mood, an atmosphere, and I think we have achieved that. We wanted people to not only get in touch with this character but also with themselves [in Wyatt Earp and the Holy Grail].
I still have a lot to learn. I just have two cats, and when I'm in a bad mood - you know, it would be very easy to throw a cat across a room.
The music I listen to while writing is really scene-specific. It's just a great motivator, a way to put myself in the mood.
To me, lighting really sets the mood for a room. A 40 watt bulb in a cheap lamp is the same as a 40 watt bulb in an expensive one.
Even the pictures I was doing at college - a little narrative based on a butterfly catcher, or a chimney sweep - the images were always telling stories. They were all scenarios and moods which I storyboarded and worked through - it's exactly what I do now.
I used to write when I was in the mood or felt inspired. Anymore, I write whether I feel inspired or not. It's a discipline. So that's definitely different. It's part of maturing as a person and as a professional.
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