I have my moods, but I can always see something beautiful.
I like being married to another writer. You get to trade ideas. You get to talk shop. You get to complain. You get to gossip. And you don't have to explain why you're in such a bad mood when your work isn't going well.
To be honest, I wasn't crazy about the kind of poetry I found in high school English books. I didn't get really excited about poetry until I discovered Lorca in college. If it wasn't for surrealism, I'm not sure I'd have become so involved in poetry. I was attracted by the extravagant imagery and elements of fantasy. This was in the '70s and it seemed to fit the psychedelic mood of the times. I found it liberating.
When people ask me about drugs and alcohol, I say "Yeah, I went to rehab, I went to a mental hospital, I've been to jail." The main lesson you can learn is do drugs and alcohol when you are in a good mood, not when you are in a bad mood, and find balance in anything you do.
Here's the positive scenario: that something has been going wrong in American society. You see it in wage growth, opioid abuse, many other social indicators, as you know. Sometimes it's better to get the bad reaction to that over with quickly while your civil society still is strong and you can react and respond and protest, and you know, four or eight years from now, make another decision, and maybe it's better to have that happen in 2017 than 20 years later when some of our problems are worse and our national mood is worse.
You are doing something over here and over there someone is telling you a joke, or giving you an important piece of information about sanitation, and no matter how weird the other subject is, there is a connection, or you can make a connection. I’ve always loved history and history is collage, it is a juxtaposition of the good and the bad and the strange, and how you place those sentences together changes the whole mood of a history.
When somebody else calls you exotic, exotic is a box - it's the stereotype of snake charmers and face jewelry. You're just that stereotype. But I don't get offended anymore. I used to get offended by things that were said to me, or how I was seen. Now I educate. If I get pissed off, I'll educate in a sassy way. Other times I educate in a Gandhi-like way. You know - I have my moods.
Politics becomes a part of a writer's working life. The writer's protagonists are born in the context of the feelings that this atmosphere evokes. How can writers separate themselves from these feelings and create protagonists that come from Mars? Even writers who only write about psychological or internal issues or about love are writing under their prevailing atmosphere, and their writings will take on the hue of the time, place, and mood of their environment.
I've never met anybody who enjoys every moment of making a movie as much as Pierce Brosnan. He doesn't stress out too much, he is always in a good mood. And he has little rituals throughout the day, which he does with a lot of style - almost like he is celebrating life, not just the work. He has to have his special cup of tea, in nice china, not Styrofoam.
I think that what I do is a form of pathetic fallacy, the literary trope in which nature is in sympathy with the mood of the story. I connect the physical setting and props in the story to the emotional state of the characters.
I don't follow trends - it's more of an instinct thing. Honestly, I'm kind of my own worst client. I wake up and go, "I have nothing to wear!" But that's what makes it interesting. I ask, what would make me feel good? I think it's a constant challenge because clothes are so personal. For me, my clothes are related to my mood. If I feel like I'm not wearing the right thing, I don't feel confident. I think it's in everybody's psyche.
My questions did surprise some people. Others didn't bat an eye. That happens with all my books - I'll read them in a certain mood and think, "Gosh, what was I thinking that day? This is really kind of odd." But on other days it seems totally normal to me.
My question is, if you think this stuff is fake news, why watch it? There's no value in it. Unless you're entertained by it and you have boundaries and the stuff's not gonna affect your mood, fine and dandy. But if it's gonna frustrate you, make you mad, you're not missing anything turning it off.
I'm not encouraging massive boycotts of turning off the news. That's what the left does. I'm just telling you my own personal experience. I'm just in a much better mood. I'm in a good mood anyway, but I'm in a much better mood day in and out. I look at things entirely differently not watching that crap. It's all I'm telling you.
I wanted us to be careful about, going to the corner diner, interviewing three people and saying, "here's the mood of the public."
I wanted to be a visual artist, but I realized I was more affected by what I read than by what I saw. I would go to a show at a museum and look at a painting and say, 'Oh I wish I owned that,' and that would be the end of my relationship with a painting. With a short story I would read or with an author I would discover I could be haunted. It would affect my mood and affect the way that I saw the world. I thought, wow, it would be amazing to be able to do that.
Relations between India and America should not be seen within the limits of just Delhi and Washington. It's a much larger sphere. The good thing is that the mood of both Delhi and Washington is in harmony with this understanding. Both sides have played a role in this.
The thing that interests me far more than anything is creating music, songwriting and arranging, and in that context drumming itself is a means to an end. I think it's really easy to forget that - I'd sooner play something musical than flash, and as I can't play anything flash, I try to be musical. Drums can set a mood, create an impression, as much as anything else.
Actually, when you're doing something you love, even when you're busy and it's hectic you don't feel the need to relax. I never used to take holidays and it would upset ex-wives and girlfriends, but working has me in a better mood than doing nothing.
I have always tried to sense the mood of the people, their needs, their attitude toward ways to solve problems, their priorities. That's mainly what I go by. And I think that's the most important thing in any person's work, in the work that the people of Russia entrusted in me.
Frequently, I go straight into the studio and see what's around. I might hire a couple of instruments that I've never used - maybe a particular type of electronic organ or an echo unit. Then I just dabble with sounds until something starts to happen that suggests a texture. The texture suggests some kind of mood, and the mood suggests some kind of lyric. That's like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
Sometimes to get in the "musical mood," I'll just turn on music really loud, or go drive around and listen to music, or learn a song that I really like on guitar or piano. That gets me in the right frame of mind to proceed.
The lion's share of my work is revision, 85%? I revise forever, combing over lines, listening and listening to them in different hours and moods so that I feel they are finally right for me.
You know, if I'm in a bad mood, I always look at the chessboard, just to find something that can cheer me up.
I don't really have a favorite artist - I mean, I really love Drake - but it depends on my mood. I like anything that makes me feel good.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: