Writing is a form of herding. I herd words into little paragraph-like clusters.
[Glenn] Thrush's emails to [Hillary] Clinton campaign chairman John Podesta were splashed across screens in newspapers nationwide. Thrush was criticized for sharing a half dozen paragraphs of a draft of a story for Podesta to rebut. Some reporters do just that. Other newsrooms have policies discouraging or forbidding it. Thrush says he does the same for Republicans.
The written word is the only anchor we have in life. How extraordinary would it be if we had even three or four paragraphs written honestly about their lives by our ancestors?
I feel that in the past, my style has shown itself to be capable of handling dark and light in the same paragraph, or even in the same sentence. That's something I almost take for granted. I think it was more a concern to get the details right and persuasively recreate the world I was trying to write about.
The word 'career' and 'actor' really don't fit in the same paragraph, let alone sentence. There is no career structure for actors.
My favorite books have a personality and complexion as distinctly drawn as if the author's portrait were framed into the paragraphs and smiled upon me as I read his illustrated pages.
There is no such thing as a natural sentence but there is such a thing as a natural paragraph and it must be found.
A sentence is not emotional a paragraph is.
A man who is careful with his palate is not likely to be careless with his paragraphs.
A favorite strategy was the paragraph-terminating: Right? Followed immediately by Wrong. This linear invitation to a mugging was considered a strategy of wit.
there are people who are born superficial ... They prefer not to have to deal with more than a limited number of oversimplified ideas - they prefer the book reviews to the books, the headlines and the leading paragraph to the full report, the generalization to the facts, and the negative to the positive.
If you are reading a large newspaper, all spread out on the table, your cat will come and sit on the very paragraph you are reading, the talented cat draping her tail with miraculous precision over the very line you're not finished with.
I used to do miserably in English literature, which I thought was a sign of moral turpitude. As I look back on it, I think it was rather to my credit. The notion of actually putting writers' words into other words is quite ridiculous because why bother if writers mean what they mean, and if they don't, why read them? There is, I suppose, a case for studying literary works in depth, but I don't quite know what 'in depth' means unless you read a paragraph over and over again.
I imagine an America that can actually change. That we become a nation that prospers again but without pillaging the resources of nations that make their people hate us. That we become a nation that, as the constitution says in its preamble, its very first paragraph, 'promotes the general welfare' of its people.
When in doubt, always start a new paragraph.
Come back, paragraphs. America needs you.
I used to write poems more when I was younger, but I haven't in a long time. I just write ideas and paragraphs and go from there.
No woman will ever satisfy me. I know that now, and I would never try to deny it. But this is actually okay, because I will never satisfy a woman, either. Should I be writing such thoughts? Perhaps not. Perhaps it’s a bad idea. I can definitely foresee a scenario where that first paragraph could come back to haunt me, especially if I somehow became marginally famous.
Words create sentences; sentences create paragraphs; sometimes paragraphs quicken and begin to breathe.
If I didn't know the ending of a story, I wouldn't begin. I always write my last lines, my last paragraph first, and then I go back and work towards it. I know where I'm going. I know what my goal is. And how I get there is God's grace.
The book was in her lap; she had read no further. The power to change one’s life comes from a paragraph, a lone remark. The lines that penetrate us are slender, like the flukes that live in river water and enter the bodies of swimmers. She was excited, filled with strength. The polished sentences had arrived, it seemed, like so many other things, at just the right time. How can we imagine what our lives should be without the illumination of the lives of others?
The famous passage from her book is often erroneously attributed to the inaugural address of Nelson Mandela. About the misattribution Williamson said, "Several years ago, this paragraph from A Return to Love began popping up everywhere, attributed to Nelson Mandela's 1994 inaugural address. As honored as I would be had President Mandela quoted my words, indeed he did not. I have no idea where that story came from, but I am gratified that the paragraph has come to mean so much to so many people.
Good communication does not mean that you have to speak in perfectly formed sentences and paragraphs. It isn't about slickness. Simple and clear go a long way.
My God, this novel makes me break out in a cold sweat! Do you know how much I've written in five months, since the end of August? Sixty-five pages! Each paragraph is good in itself and there are some pages that are perfect. I feel certain. But just because of this, it isn't getting on. It's a series of well-turned, ordered paragraphs which do not flow on from each other. I shall have to unscrew them, loosen the joints, as one does with the masts of a ship when one wants the sail to take more wind.
You know well that government always kept a kind of standing army of newswriters who, without any regard to truth or to what should be like truth, invented and put into the papers whatever might serve the [government] ministers. This suffices with the mass of the people who have no means of distinguishing the false from the true paragraphs of a newspaper.
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