I never liked writing concluding paragraphs to papers - where you repeat what you've already said with phrases like 'In summation', and 'To conclude'.
An ending was an ending. No matter how many pages of sentences and paragraphs of great stories led up to it, it would always have the last word.
When you're writing for newspapers you have all these parameters. You can't swear, you have to use short paragraphs, all that. If you stay within those parameters, you have lots of freedom because you're writing for the next day.
When I was eight years old, I wrote a paragraph-long short story about a goat on my mother's hundred-pound, black-and-white-screen laptop. The story came about largely because I liked the way the word 'goat' looked on the page, but I decided then and there that I wanted to be a writer. That desire never changed.
I'm pretty disciplined to keep the momentum of a story going by writing everyday, even if it's only a couple paragraphs or a page or two.
I usually do at least a dozen drafts and progressively make more-conscious decisions. Because I've always believed stories are closer to poems than novels, I spend a lot of time on the story's larger rhythms, such as sentence and paragraph length, placement of flashbacks and dialogue.
We're well past the end of the century when time, for the first time, curved, bent, slipped, flash forwarded, and flashed back yet still kept rolling along. We know it all now, with our thoughts traveling at the speed of a tweet, our 140 characters in search of a paragraph. We're post-history. We're post-mystery.
A lot of times you get people writing wonderful sentences and paragraphs, and they fall in love with their prose style, but the stories really aren't that terrific.
As a writer, even as a child, long before what I wrote began to be published, I developed a sense that meaning itself was resident in the rhythms of words and sentences and paragraphs...The way I write is who I am, or have become.
Being a nerd, which is to say going too far and caring too much about a subject, is the best way to make friends I know. For me, the spark that turns an acquaintance into a friend has usually been kindled by some shared enthusiasm . . . At fifteen, I couldn't say two words about the weather or how I was doing, but I could come up with a paragraph or two about the album Charlie Parker with Strings. In high school, I made the first real friends I ever had because one of them came up to me at lunch and started talking about the Cure.
On the last day, when the general examination takes place, there will be no question at all on the text of Aristotle, the aphorisms of Hippocrates, or the paragraphs of Justinian. Charity will be the whole syllabus.
Ideas become powerful only if they appear in the flesh; an idea which does not lead to action by the individual and by groups remains at best a paragraph or a footnote in a book.
During my last year of college I wrote the same ten pages over and over again. Those ten pages became the first few pages of my first novel. I can still recite the opening paragraph from memory - only now I cringe when I do it because they are - surprise! - a classic example of overwriting, in addition to being a more than a little pretentious.
I know that if I have been working on one paragraph and I have written it three times, it goes in the bin. Unless it comes straight out, it is wrong, it is awkward, it does not fit.
I begin by writing paragraphs that don’t have an immediate relation to a plot. The sound of the story comes first.
I never leave a sentence or a paragraph until I'm satisfied with it
What is easy to read has been difficult to write. The labour of writing and rewriting, correcting and recorrecting, is the due exacted by every good book from its author, even if he knows from the beginning exactly what he wants to say. A limpid style is invariably the result of hard labour, and the easily flowing connection of sentence with sentence and paragraph with paragraph has always been won by the sweat of the brow.
If enough money is involved and enough people believe that two plus two equals five the media will report the story with a straight face always adding a qualifying paragraph noting that mathematicians however say that two plus two still equals four.
It gave me no chance. He (Nolan Ryan) just blew it (strikeout #5,000) by me. But its an honor. I'll have another paragraph in all the baseball books. I'm already in the books three or four times.
The process of composition, messing around with paragraphs and trying to make really good prose, is hardwired into my personality.
I wanted to understand things and then be free of them. I needed to learn how to telescope things, ideas. Things were too big to see all at once, like all the books in the library-everything laying around on all the tables. You might be able to put it all into one paragraph or into one verse of a song if you could get it right.
With Salvage the Bones, Jesmyn Ward has written the best sort of novel-a beautiful, important book that's both unflinching and tender, heartbreaking and triumphant. A lyrical and riveting testament to the strength of the human spirit, as well as the power of family and community. Ward's paragraphs are like songs, lifting us even as the authenticity of this world and these characters keeps the ground in clear sight. This is an extraordinary book by an extraordinary writer.
Once I got started, I wanted the life of a writer so fiercely that nothing could stop me. I wanted the intensity, the sense of aliveness that came from writing fiction. I'm still that way. My life is worth living when I've completed a good paragraph.
You kill yourself and you make a big old sacrifice and try to get your revenge. That all you're gonna end up with is a paragraph in a newspaper. In the end, it does nothing. Nothing changes. The world goes on and you're gone. The best revenge is to live on and prove yourself.
Ideally, I would create a book so interdependent and self-sustaining in its parts, so wondrously connected word by word and paragraph by paragraph, so charged with the joy of language, that it would actually float three or four inches above any table where you try to set it down.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: