Read! Read! Read! And then read some more. When you find something that thrills you, take it apart paragraph by paragraph, line by line, word by word, to see what made it so wonderful. Then use those tricks next time you write.
Media reporters have pointed out that the paragraphs in my Time column this week bear close similarities to paragraphs in Jill Lepore's essay in the April 22nd issue of The New Yorker. They are right. I made a terrible mistake. It is a serious lapse and one that is entirely my fault. I apologize unreservedly to her, to my editors at Time, and to my readers.
I think my prose reads as if English were my second language. By the time I get to the end of a paragraph, I'm dodging bullets and gasping for breath.
If you ask me to tell you anything about the nature of what lies beyond the phaneron… my answer is “How should I know?”… I am not dismayed by ultimate mysteries… I can no more grasp what is behind such questions as my cat can understand what is behind the clatter I make while I type this paragraph.
Public opinion is a compound of folly, weakness, prejudice, wrong feeling, right feeling, obstinacy, and newspaper paragraphs.
For me a paragraph in a novel is a bit like a line in a poem. It has its own shape, its own music, its own integrity.
Sometimes words are not enough. There are some circumstances so utterly wretched that I cannot describe them in sentences or paragraphs or even a whole series of books.
Force yourself to reflect on what you read, paragraph by paragraph.
Kid, not everything in life can be summed up neatly in a paragraph. No book has all of the answers. Not even the really good ones. You have to find the answers yourself sometimes.
Writing for children is murder. A chapter has to be boiled down to a paragraph. Every word has to count.
To what level does your patriarchal blessing reach in your life? Can you recollect the time you received it and recover any of the spirit of the occasion? Do you in quiet moments ponder it? Does Karl G.Maeser's phrase, "paragraphs from the book of our possibilities" rest upon you with a sense of mission so that, as President Heber J.Grant exemplified, "you "dream nobly and manfully" and prepare ceaselessly? Do you ever think of Heber C.Kimball's faith that you can "write your own patriarchal blessing" under inspiration, for, saith the Lord, "No good thing will I withhold...
And that's one thing that helps me is I learn it blandly, vanilla, then I don't try to act it too soon because you start to act it, and you kind of go away from what the next sentence is, what the next paragraph is. So get it down so it kind of can - it's in there so you can then, as I call it, dance on top of it.
I had some words with my wife, and she had some paragraphs with me.
Begin where you are. Read every word, every phrase, every paragraph of the mind, as it operates through thought.
Lagrange, in one of the later years of his life, imagined that he had overcome the difficulty (of the parallel axiom). He went so far as to write a paper, which he took with him to the Institute, and began to read it. But in the first paragraph something struck him that he had not observed: he muttered: 'Il faut que j'y songe encore', and put the paper in his pocket.' [I must think about it again]
Our patriarchal blessings are paragraphs from the book of our own possibilities.
On May 15, 1957 Linus Pauling made an extraordinary speech to the students of Washington University. ... It was at this time that the idea of the scientists' petition against nuclear weapons tests was born. That evening we discussed it at length after dinner at my house and various ones of those present were scribbling and suggesting paragraphs. But it was Linus Pauling himself who contributed the simple prose of the petition that was much superior to any of the suggestions we were making.
Hot women have to stop putting long paragraphs of text on their bodies. I know you think it's sexy but one thing that men never think is, "Gee, you know what would make this sex better? Having something to read."
The best moments involve a loss of control. It's a kind of rapture, and it can happen with words and phrases fairly often - completely surprising combinations that make a higher kind of sense, that come to you out of nowhere. But rarely for extended periods, for paragraphs and pages - I think poets must have more access to this state than novelists do.
I'm never going to write a whole paragraph describing what a living room looks like.
If it's commercial fiction that you want to write, it's story, story, story. You've got to get a story where if you tell it to somebody in a paragraph, they'll go, "Tell me more." And then when you start to write it, they continue to want to read more. And if you don't, it won't work.
You can write a 1st paragraph that continues the same thought you expressed in your headline. If you stop a reader with a headline about house paint, you can be sure of at least one thing about that reader: He wants more info about house paint. You will not lose him as long as you continue to give him what he wants.
There are times where I would keep three typewriters on a table, and I'd have three complete thoughts going. With computers, you make folders, files - I don't know about those things. I have sheaves of paper polluted with words and paragraphs. I found it a good tool for me. And it keeps your hands strong for guitar playing.
Improve writing skills: 1. Keep paragraphs short. 2. Use bold and CAPS to make points. 3. Start with a question or short statement. 4. Give me meat in the middle. All meat. 5. Make me smile, think, or act at the end.
Writing a novel- actually picking the words and filling in paragraphs- is a tremendous pain in the ass. Now that TV's so good and the Internet is an endless forest of distraction, it's damn near impossible. That should be taken into account when ranking the all-time greats. Somebody like Charles Dickens, for example, who had nothing better to do except eat mutton and attend public hangings, should get very little credit.
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