We have a few things in common - smoking, drinking, and women. Photography just gets us out of the house. (To photographer Juergen Teller)
There are religions in which the representation of the world is banned as an usurpation of the power of a God, creator of all things. It is very possible that photography is a trick of the devil and each shot is a sin.
Photography... has lived under the tyranny of its subject matter: the object has exercised an almost total domination.
Every photograph is a fiction with pretensions to truth. Despite everything that we have been inculcated, all that we believe, photography always lies; it lies instinctively, lies because its nature does not allow it to do anything else.
Photography mirrored the [nineteenth century] will towards rigor, towards defining details, the need for miniscule description, the long-distance optics, for technology at the service of truth, for concepts of credibility, of objectivity, the need to archive, for the consolidation of institutions like the museum, in short, towards a need to control memory.
I need there to be documentary photographers, because my work is meta-documentary; it is a commentary about the documentary use of photography.
What I like so much about photography is precisely the moment that cannot be anticipated; one must be constantly on the alert, ready to acclaim the unexpected.
Photography came as a substitute. I was painfully shy and found talking to people difficult; a camera in hand gave me a function, a reason to be somewhere, a witness, but not an actor.
Photographing is an emotional thing, a graceful thing. Photography allows me to wander with a purpose.
When I photograph, I am always relating things to one another. Photography shows the connection between things, how they relate.
Before the first press pictures, the ordinary man would visualize only those events that took place near him, on his street or in his village. Photography opened a window. As the reader's outlook expanded, the world began to shrink.
The lens, that allegedly impartial eye, permits all possible distortions of reality... The importance of photography lies not only in the fact that it is a creation, but above all in the fact that it is one of the most effective means of shaping our ideas and influencing our behavior.
Yet it seems so easy to take a photograph! One forgets that, apart from the technical aspects, photography can be a mental creation and the affirmation of a personality. What is marvelous about a photograph is that its possibilities are infinite; there aren't any subjects 'done to death'.
Photography is the typical means of expression of a society founded on a civilization of technicians, conscious of the aims it has set for itself... Its power of exactly reproducing external reality, a power inherent in its technique, lends it a documentary character and makes it appear as the most faithful and impartial process for the reproduction of social life.
Photography has clarity in the same way that language has. A word is precise, but its meaning can change based on the words around it: think tank, tank top.
Celebrities were quick to understand that paparazzi could make icons of them. The more a star is followed and admired, the greater the adulation. So they raised the stakes, sometimes hiding when they don't even need to. Today, stardom is more ephemeral and it's photography that gives them their celebrity status.
Photography is a great adventure in thinking and looking, a wonderful magic toy that miraculously manages to combine our adult awareness with the fairy-tale world of childhood, a never-ending journey through great and small, through variations and the realm of illusions and appearances, a labyrinthine and specular place of multitudes and simulation.
The ultimate role of photography as a contemporary language of visual communication consists of its capacity to slow down our fast and chaotic way of reading images.
Of course [photography] cannot create, nor express all we want to express. But it can be a witness of our passage on earth, like a notebook.
[My mother] died a few months ago, and when she was dead I kissed her lips. For me it was a beautiful moment. From then on I started living with her, asking her from time to time if she was alright, if she was pleased with me. But these things are far greater than photography, and I probably shouldn't be speaking about them.
I embrace the abstract in photography and exist on a few bits of order extracted from the chaos of reality.
I believe that the medium of photography prevails entirely as an act of faith in the souls of those who love and practice it. And so every photograph becomes another subtle variation on the theme of the medium itself.
It occurs to me that at the beginning one works passionately to learn photography. This takes years, and the craft is usually formed during this period. Then as time passes one finds oneself more in the role of serving the medium... Then, as in the example of several masters that I have been privileged to know personally, it appears that by having devoted oneself totally to the medium, one becomes photography.
Photography, too, reduces the world to strips and rectangles; photographers scrutinize the surfaces of reality in hope of unlocking the potential for significance that is latent within them.
Photography has always been a simple medium, compared to painting in oil or chipping at marble.
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