An artist has to be humble, an editor must be officious, and a publisher must be somewhere out in the galaxy enjoying godhood. It was a caste system, pure and simple. And it was accepted that way. Nobody thought of contracts, nobody thought of insisting on better deals.
The artist is the lowest form of life on the rung of the ladder. The publishers are usually businessmen who deal with businessmen. They deal with promotional people. They deal with financial people. They deal with accountants. They deal with people who work on higher levels. They deal with tax people, but have absolutely no interest in artists, in individual artists, especially very young artists.
When I receive a new novel from a hopeful publisher - "hoping that I like the book as much as he does" - I check first of all how much dialog there is, and if it looks too abundant or too sustained, I shut the book with a bang.
I had an idea for a medical conspiracy thriller. Since it was non-horror, I didn't want the publishers and editors bringing a lot of baggage - my history as a genre writer in the SF and horror fields, for instance - to the novel when they read it. I wanted them to consider the book solely on its own merits. So I called myself Colin Andrews. I was tired of seeing my books at floor level. Not that Herman Wouk and Phyllis Whitney and William Wharton are bad company, but I wanted to be up at eye level for a change, where people with bad backs could get a chance to see my books.
I just hope that readers and publishers continue to appreciate good writing and good storytelling in all their various forms. And I hope that people continue to read books, even though we have so many other options for entertainment.
I started with small-press publishers, who were willing to publish all sorts of forms. I didn't move to the larger presses until they knew what they were getting in for.
As for the multiple editions, in the case of a truly great writer - Shakespeare, Emily Dickinson, Proust, someone with a canon - there is often a "variorum" edition of the work that presents its variants. I think publishing most other writing that way would be impossible, economically, for publishers, and very ill-advised for authors.
Most writers can write books faster than publishers can write checks.
Your turn Imagine that the world had no middlemen, no publishers, no bosses, no HR folks, no one telling you what you couldn’t do. If you lived in that world, what would you do? Go. Do that.
The real effect of the WTC calamity has been depressed spirits, anxiety, and uncertainty among publishers, and of course those emotions are not restricted to publishers.
By preventing a free market in education, a handful of social engineers - backed by the industries that profit from compulsory schooling: teacher colleges, textbook publishers, materials suppliers, et al. - have ensured that most of our children will not have an education, even though they may be thoroughly schooled.
Madly, futilely, I wrote novel after novel, eight in all, that failed to find a publisher. I persisted because for me the novel was the supreme literary form: not just one among many, not a relic of the past, but the way we communicate to one another the subtlest truths about this business of living.
But every fool describes, in these bright days, His wondrous journey to some foreign court, And spawns his quarto, and demands your praise,-- Death to his publisher, to him 'tis sport.
At forty my faculties may have closed up like flowers at evening, leaving me unable to write my memoirs with a fitting and discreet inaccuracy, or, having written them, unable to carry them to the publisher.
The most evil person I ever met was a toss-up between Pablo Picasso and the publisher-crook Robert Maxwell.
Critics have found in the narrative a veneer of erudition that cloaks nothing more than a James Bond-style romp, albeit a highly addictive one. His publisher has described it as 'a thriller for people who don't like thrillers'. One newspaper put it thus: 'It is terribly written, its characters are cardboard cutouts, the dialogue is excruciating in places and, a bit like a computer manual, everything is overstated and repeated - but it is impossible to put the bloody thing down.
I do not like the reappearance of the Jesuits.... Shall we not have regular swarms of them here, in as many disguises as only a king of the gipsies can assume, dressed as printers, publishers, writers and schoolmasters? If ever there was a body of men who merited damnation on earth and in Hell, it is this society of Loyola's. Nevertheless, we are compelled by our system of religious toleration to offer them an asylum.
The syndicates take the strip and sell it to newspapers and split the income with the cartoonists. Syndicates are essentially agents. Now, can you imagine a novelist giving his literary agent the ownership of his characters and all reprint, television, and movie rights before the agent takes the manuscript to a publisher? Obviously, an author would have to be a raving lunatic to agree to such a deal, but virtually every cartoonist does exactly that when a syndicate demands ownership before agreeing to sell the strip to newspapers.
Books are savaged and careers destroyed by surly snots who write anonymous reviews and publishers can't be bothered to protest this institutionalized corruption.
All my writing-life people kept telling me that I should stop writing short stories and start writing novels: my agent, my Israeli publisher, my foreign ones, my bank manager - they all felt and keep feeling that I'm doing something wrong here.
I had a talk with the president of my publisher, and he averred that e-books are dropping off . So I wonder if the potential advantages are really going to happen as quickly as they ought.
I've never signed a contract, so never have a deadline. A deadline's an unnerving thing. I just finish a book, and if the publisher doesn't like it, that's his privilege.
We are not only a civilization of amateur photographers; we are amateur curators, editors, and publishers.
I don't use the term 'miracle' lightly. I don't believe in God, or reincarnation, or destiny, or the Publishers' Clearinghouse Sweepstakes.
Never submit an idea or chapter to an editor or publisher, no matter how much he would like you to. Writing from the approved idea is (another) gravely serious time-waster. This is your story. Try and find out what your editor wants in advance, but then try and give it to him in one piece.
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