I hate it when bands change between records. They're thinking before they make music.
I didn't want to do a double album. I just felt like the last two records I made were like that, and a lot of records I was buying were like that, and it started to feel like it was too much music to digest at once.
I couldn't make a real drum'n'bass or dubstep record to save my life. But I can be influenced by them in small ways.
Anybody can make hood music or club records, that's not hard. But can you make music that touch people's souls. That's what I was out to do.
There are people who've prepared their whole lives for real heavy success and bask in it. They're so good at it and they obviously love it. I'm just happy to be making a record.
I never willfully want to write the same record twice, which is probably why I jump from project to project. But I can't ignore that there are things that inspire me, and I love celebrating those.
Learning how to record has been super empowering for me, because I spent so many years going into the studio and watching other people do it. I guess a lot of musicians have gone through this because now recording is really available for everybody.
If you look at our records, I stood up to corporate America time and time again. I went to Mexico. I saw the lives of people who were working in American factories and making $0.25 an hour.
There's nothing harder than making a mellow, clean record. It's really scary. I can see why people would never want to do it.
Everyone uses noise as a crutch sometimes - I've totally done it. But when you make a good-sounding record there's nothing there but you.
It is cool to have a label head that is also a songwriter, in a band, and produces records.
I'm training myself to go back to the way I used to record before electronic programs.
Demos are something you do in the early stages of your career, but when you get going, you just go in and record the song.
I'm 45 and I don't have time to spend two years of my life bringing in producers and dragging the record around the planet.
It seems like the record industry made so much crazy money in the 1960s that everyone wanted to get in on it. Now it's just become very corporate. So all of these people who despise music end up being in charge.
It never really interested me in the past but, for the first time, I wanted to make a pop record. I thought a good way of doing it would be to make songs that didn't really make sense to me as songs; songs that I couldn't just sit down and play in front of someone and then get them to play over it.
I think I've been a bit misunderstood; the first record was more timid than I wanted it to be. I don't like getting pinned down by sex or how I sound like because it's not who I am or what I want to be.
I want to do a stripped-down album. That style is actually where my heart is - storytelling and just letting the voice and the lyrics talk for themselves. I still want to write the perfect song and sing it in the most honest, undressed way. But I feel like I have to gather more experiences and more layers in my voice. I have to live more to be able to tell this tale. So I'm saving my folk record. I have a feeling nobody will understand it.
What really changed my life was watching the movie Juice and the opening scene - just hearing that record rotate. When I heard that I started getting serious about DJing and making beats and recording myself on the four-track.
I am a true believer that a record should not be a bunch of songs that sound exactly the same.
If you wait four or five years between records, it better be a masterpiece, you know? And if you keep putting them out, you're saying, 'Hey, here's 10 more songs'.
I've done quite a few records now, and I look back and think of them as documents of my musical journey.
So many people I was at school with have all ended up being musicians and putting records out.
When I first heard bands like Tortoise, it seemed to come off the back of that world, like let's make a record with three vibraphones and release it on a seven-inch with black-and-white artwork.
If you're not Jay-Z, a record leaking isn't going to affect you.
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