In his life, Donald Trump's had a great track record of failure, bankruptcies, running from Vietnam, everything like that.
All empires eventually destroy themselves. That's the record of history.
I'll let the record [Who You Selling For] speak for itself. I don't want to get too in-depth with my personal opinions of it and where the songs came from because I think it messes with the listener to know the inside mindset of the writer. For example, I watched a Pink Floyd documentary the other day, and I learned that "Shine on You Crazy Diamond" was about [frontman] Syd Barrett. I didn't want to know that!
The published record will show that many in Chicago have mixed feedback on the President's [Barack Obama] role as organizer.
As I write in the book, I do not regret either of my votes for President [Barack] Obama, nor my support of him when he ran for the Senate before that. I get excited as I ever did when I see that black man on Air Force One. But I won't settle for symbolism, and our President's record should be open for analysis.
I can go write an absolutely saccharine pop record with a really catchy lyric for another artist that could become a hit without meaning anything to me, but that's more the science laboratory, that's the other thing.
Just wait and see this stuff play out as it does. But if, for example, why would he say some human activity linked to climate change when he has gone on record as saying that he doesn't believe it and we're gonna get people out of the EPA who do and we're gonna stop playing games with this. Why would he say it? [Donald Trump] wants to build a bridge with the opposition. This is why you don't see me at Trump Tower going up and down the elevators.
Did the record [Danger] do well? I believe it did what it should have. It showed the hip hop community that Tony Sunshine is doing well and looking great.
I have over 150 or 200 records recorded. We have so many EP's and LP's. It's just picking the best records to put the best possible album together.
[Jack Johnson] really helped me make the record, put it out, and then let me tour with him for two years. He really helped me out.
It wasn't that we were afraid of the Church or the Vatican. The record company thought people might find the title offensive. They asked me if I would change ["A Deal with God"].
I remember when I signed with Kedar Entertainment through Universal Records. It was my first record deal and it's the one I still have now. At that time, there had been a couple of opportunities I was almost given, but at the last minute the giver came back and told me it couldn't happen.
Now my record deal helps me to do things for free or give more time to my community than I could otherwise.
Despite the fact that David Petraeus is now very highly regarded in foreign policy circles because of his record in both Republican and Democratic circles. It`s all pretty extraordinary.
If you ignore somebody's record and only focus on something that happened 25 years ago when all they were doing even then was trying to stand up for a minority group that felt excluded and discriminated against, then I don't - I think that is a distortion of a person's record. I mean, a person's record is full, not just the parts that you want to use against them.
Donald Trump has said he wants to keep Medicare and Social Security the way they are. Congressman Price along with most Republicans are on record supporting voucherizing Medicare. So there are going to be some conflicts to resolve there.
A lot of reasons I didn't do records with people is because I never wanted their light to reflect on me.
History rewards all research. And history fails to record one single instance in which the white man - as a people - did good. They have always been devils; they always will be devils, and they are about to be destroyed. The final proof that they are devils lies in the fact that they are about to destroy themselves. Only a devil - and a stupid devil at that - would destroy himself!
Of course it's super special to create your own records; it really is a part of my self.
I hadn't performed or been in the public eye for about 16 years. When my husband passed away, I was obliged to go back to work to take care of our kids. I also wanted to do a record in memory of him. So we did Gone Again. During that process, I had to be photographed and had to go back to doing articles and interviews.
[Some] times I'd have sound but no image. When Patti [Smith] was singing with her guitar, or doing something amazing with her clarinet, I'd just mess around and record the sound. So we'd use those sounds as another layer in the film [Dream of Life].
It was stone carvers in ancient Rome, scribes in the Middle Ages, all the way through Gutenberg to the present day. That's a pretty long track record. More likely we may reach a point where each one of us is a typographer with our own custom proprietary typeface.
Most of the writing that I do is a complete train of thought process. I'll just be walking down the street or sitting on the toilet or whatever and something will pop into my head and I'll record it on my phone and then over the next little while it'll develop a little more in my head.
From what I remember, I remember always being a big fan of Kardinal Offishall. He just had that different flow and different flavor. He put himself on the record and that's the type of energy that we love.
Just recently, the administration of Barack Obama, which has broken all sorts of records in regards to deportation, picked up a Guatemalan man living here [in U.S]. I think he had been living here for twenty-five years, had a family, a business, and so on. He had fled from the Mayan region and they picked him up and deported him. To me, that's really sick.
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