She [Hillary Clinton] is actually got the track record for doing the crazy things that Donald Trump talks about.
I can't wait until the record label feels like it's time for my album to come out, and then just disappear.
I'm going to keep proving people wrong, whether it's my record label, other artists.
The first listen is very important to me. Half of my favorite records just hit you in the face immediately with something memorable and within three-and-a-half minutes you know you've heard something really special. I want to make records like that, but it's a big challenge.
I'm happy to have the opportunity to record the records I want to - I'm very aware that that's a privilege.
People are buying more vinyl now than they did in the late '90s or 2000s. I like having different mediums of the record. It's always interesting to see how the tapes end up looking because they are so tiny.
I don't think there's a single child who's ever benefitted from being arrested for marijuana or for underage drinking; this does not solve the problem. It makes worse problems because a) it puts them into the system, and b) it gives them a potential criminal record to have to deal with and it can have consequences for school.
I definitely see myself making classic R&B records with somewhat of a trendy vibe to it. I definitely wouldn't say trap.
With every record, there's something you realize about it after the process is done. And you know that's almost always the case.
Which is a real heads-up about what Hillary's [Clinton] agenda is. We've seen Hillary flip-flop, but she's had a pretty consistent track record. Which is that she has been a very good friend to the banks, received enormous support from them.
I was against the war in Iraq.The record shows that I'm right. When I did an interview with Howard Stern.
We call for a new kind of offensive in the Middle East because our current approach has a track record and it's not a good one.
I've worked with 10 presidents. It's a record. I worked with Republicans and Democrats. All of them when it came to Israel were, movingly, friendly. From Truman, who was the first to recognize Israel 11 minutes after the U.N. resolution, to Obama. When it comes to the major issues of security and strategy, we are together, completely.
Once you feel that you've learned some skills and you know how to make records, the next thing is, "Do we ever get to make one that people will really like?" Because then we'll have something to do.
You can make records from now 'til doomsday, and there are something like 50,000 records released every year, but the public gets to hear very few of these. They just won't know. They might be great records, but how in the world is the public supposed to find out about them?
I'm much more into someone who is telling stories than somebody who is writing a record about their breakup. It's just more interesting for me.
I just like writing lyrics. I find a little satisfaction in performing live, making records. But primarily, I just try to write every day.
Speaking of failure, when we do our question and answer period, you look at what's happened with our Navy in terms of the number of ships and our armed forces generally, how they're so depleted, how they're at almost record-setting lows and in some cases absolute record-setting lows. It is very, very unfortunate and very, very dangerous for our country.
I struggled more with my identity. Let's be honest - early on in my first records, I didn't have the power to tell David Foster or other producers what to do.
The head of a record label sets up structures, but he also defines the sound of the label, which is to describe what is desirable, what fits and what is quality for that label and then to create an environment where that sound can thrive.
Anybody who's putting out records is probably not making money at it.
I think all musicians and producers, they know the real goal is to come up with a record that is entertaining and not boring, that's the goal. I think if everyone agrees that that's the goal then it doesn't matter who's the band and it doesn't matter who's the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.
If I have more creativity that I want to get out of me, I try to find other ways than pursuing solo records so much.
I'm a beat hoarder. I'll record five songs in a year and I still hoard beats.
Music is a conversation between people and their community, you know, people and - and deejaying, it is a way of amplifying that conversation and kind of putting that conversation on blast in a way. But at a very basic level, it's records talking to records.
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