When you build characters from the outside in, they become, oftentimes they become like 'Saturday Night Live' characters or they become like caricatures of the character.
I started on 'Saturday Night Live' the same time Conan started on 'Late Night.' We just had a relationship because I would be upstairs in the studio and whenever he couldn't get a guest - which was often back then since he was just starting out - he would just call me down to be a guest.
By the time I would have graduated, at 22, I was a writer and featured performer on Saturday Night Live.
I think 'Saturday Night Live', starting in the 1970s, really gave women an outlet to be funny. A lot of those women went on to have film careers, from Kristen Wiig now to Tina Fey and Gilda Radner.
I wanted to be on 'Saturday Night Live' since I was ten.
I dropped out of college my junior year to do saturday night live, and I didn't even consult my parents. They were very supportive because they had no choice.
I had auditioned for 'Saturday Night Live' two or three times before and never really saw myself there. I looked up to Belushi and Bill Murray and Aykroyd and I never saw myself as in their world.
Well, I loved variety in television, I loved sketch comedy. At 'Saturday Night Live,' I stayed almost seven years.
I mean, sitcoms shouldn't be doing 'Saturday Night Live.' You can't just do bit after bit after bit. You have to string it together with tight writing and performances. Hollywood seems to have forgotten how to do this.
Saturday Night Live' was like a university for funny.
I took my portrait that Kaufman did of me home from the Saturday Night Live TV set.
I just play to progressive audiences. You know, if they're watching Discovery Channel, History Channel, that kind of thing, "Monty Python" have already laid the groundwork. They're known around the world. People like that kind of surrealist, left-field humor, and that's what I do. And "Saturday Night Live," a lot of American humor. "The Simpsons," above all, the weird, left-field humor, which I love. And sardonic. So that's all I'm doing. I find that audience, and they're in every developed country around the world.
The things I did on Saturday Night Live are going to stay as Saturday Night Live. You've never seen Eddie Murphy do a Gumby movie. There's a lot more new material inside of me.
I've wanted to be an actor since I was eight years old and I did TV commercials when I was a kid. When I was eleven Saturday Night Live came on and I thought, "Oh God, I'd love to do that." I saw the Pink Panther movies and thought, "God, I'd love to have a comedy series; I'd love to have a character I'd created that becomes a series." I've now pretty-much done everything I've wanted to do since I was eight years old and it's a wonderful feeling, I've got to say.
We're shaking up a format, which I think is always a good thing. The thing about [2011 Oscar hosts] James [Franco] and Anne [Hathaway] is, they've both hosted Saturday Night Live, and they both did a good job at it. So they are accustomed to working with short rehearsal time, and live, lots of pressure, rewrites, things like that. They can make quick changes, which is very advantageous, and they're skilled comedians.
It's a real democratic time for comedy, and I think my special is a sign for that. You don't have to just be a classic stand-up to get a special, or you don't just have to be on Saturday Night Live to do characters and sketch on TV. The web has allowed me to show that there are different ways to make people laugh, and the special is a combination of those things.
I actually love 'Saturday Night Live,' like a sports fan watches their favorite team to see how they're doing. I know the players and the writers, I've known several people on that show for a number of years.
The only two TV shows I saw do that, where they don't warm them up and you can really bomb, was Saturday Night Live - and that's why it gets a lot of heat, too. Obviously it gets criticism fairly, too. But a lot of it is because Lorne [Michaels] lets the audience decide and doesn't force them to laugh.
I completely understand why a businessman would fire me from 'Saturday Night Live'. Because he was seeing Jay Leno kill 10 minutes a night, doing his monologue with wall-to-wall laughs and applause, then I do 10 minutes a week to, sometimes, breathtaking silence. He's just listening for the laughs.
Then Saturday Night Live spawns... well, everything right down to American Pie 9, where all humor has to be irrelevant, which can get a little tiring.
I wanted to come to Chicago. I also wanted to do "Saturday Night Live." And then I got to a place where I didn't want to do those things anymore.For the sketch comedy thing, I got cast on "MADtv," and that will kill any man's desire to do comedy.
I left 'Saturday Night Live' without a film to go to, and I'd filmed 'Old School' while I was in my last season of the show, and that hadn't come out yet. I was a free agent, in a way, but I knew it was time to leave the show and test the water.
Maternity leave is over for Tina Fey of Saturday Night Live. She'll be back behind the Weekend Update anchor desk for this week's episode, her first show since giving birth to daughter Alice on Sept. 10. I had to get back to work, .. NBC has me under contract; the baby and I have only a verbal agreement.
[ Hosting Saturday Night Live ] paved the way for Parks And Rec and The Grinder, the Comedy Central Roast, and that whole side of my career.
We know that the president [Donald Trump] watches "Saturday Night Live" because he tweets about it. He doesn't like it, but he keeps watching it.
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