If it isn’t for the writing, we’ve got nothing. Writers are the most important people in Hollywood. And we must never let them know it.
I did it [photojournalism] as something that was really rewarding to do, given the opportunity to express myself about something I cared about, and also to learn a lot by watching filmmakers I admired. In a sense, it was my film school. After doing it for a few years, I decided that the time had come to get it together and do some work of my own. So I stopped doing that and wrote some screenplays on speculation, because even though I wanted to direct, to direct you need a lot of money.
'Juno' really changed things for me and I get a lot of screenplays come in now, but I like to self-generate and I like to kind of pursue my own ideas. And I think the more personal the better.
Usually if you read a screenplay, no matter who's writing it, the bad guy is always written as a one-dimensional bad guy.
The way you write a screenplay is that you close your eyes and run the movie in your head and then you write it down.
After I sold my screenplay adaptation of 'Rain Fall' to Sony Pictures, I had no more creative involvement.
A screenplay is not a finished product; a novel is. A screenplay is a blueprint for something - for a building that will most likely never be built.
I don't card out my screenplays ever. I just have an idea I just sit down and write I don't edit.
I always say when you write a book, you're a 'one-man band.' Whereas, when you finish a screenplay, it's just a sketch.
When writing screenplays, it's a matter of remembering to leave off the page anything and everything that doesn't appear on the screen.
Whether I'm in front of the camera, behind the camera, at my computer writing a novel or a screenplay, as long as I get to entertain someone out there, I'm happy.
The screenplay is so well-written in a scruffy, fanzine way that you want to rub noses in it - the noses of those zombie writers who take 'screenwriting' classes that teach them the formulas for 'hit films.'
I look for an interesting and often times, fresh character. Something different that what is done all the time or than I've done recently. I look at who is directing. Those two variables as well as a third, which is the content and the quality of the screenplay. I look at the arcs of the scenes and characters and relationships.
Doing TV shows helps me a lot in my screenplay writing and filmmaking, especially since my TV shows are in different formats: comedy sketches, talk shows, debate programs, art variety shows, quiz shows. These enable me to meet interesting people with interesting stories and to learn about interesting subjects, all of which I can reflect into film.
I've been a screenwriter for twenty-five years. Every one of my books have been optioned for movies and I have written a few of those screenplays.
Normally you read a screenplay - and I read a lot of them - and the characters don't feel like people. They feel like plot devices or cliches or stereotypes.
I love making movies and hope to write my own screenplay someday and do some producing and be behind-the-scenes as well.
I don't generate a storyline and then fill it out in the course of writing. The story actually generates in the course of the writing. It's one of the reasons I've never been comfortable doing screenplays, because in order to get the contract for the screenplay, you have to sit down and tell them what's going to happen.
I think I've had pretty good experiences for the most part with the people who have directed my screenplays.
I do have some theatrical background. I've written plays and seen plays and read plays. But I also read novels. One thing I don't read is screenplays.
I present the nominees, well, not me the Voice of God, for Best Screenplay.
Really, when I write a book I'm the only one I have to please. That's the beauty of writing a book instead of a screenplay.
I didn't know anything about writing a screenplay, but somehow I ended up rewriting a screenplay.
I don't begin a novel or a screenplay until I know the ending. And I don't mean only that I have to know what happens. I mean that I have to hear the actual sentences. I have to know what atmosphere the words convey.
I was originally casted to be in the Superman movie but I read the script and realized that it was mysteriously similar to my screenplay for Zach Braff the Movie.
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