TV has a longer narrative, and TV's more like short stories. So there's less rules with TV; you can make it a little bit different. [With] movies, the medium has more constraints, so it was just about what stories are the most cinematic and the best resolution.
Songwriters are expanding time rather than compressing time. My short stories tend to be old fashioned, with a beginning, middle and end.
I am drawn to writing books about magic and the supernatural because those are the types of books I like to read. I've written many short stories with realistic settings, and I certainly wouldn't rule out realistic novels in the future!
Considering that "literary fiction" is a sub-genre that's not quite the same as "literature," either, it follows that the short, semi-humorous bits posted online for all to see are something absolutely other, uniquely themselves compared to canonical short stories, for example, and so it'd probably be best to call it something other than "online lit" since I honestly think very little of it can compare to so-called "literature."
I like to write short stories more because I never met a writer who wasn't lazy. And a short story is, by its very definition, short. It is something that generally you can turn out in a week to two weeks depending on how well it goes for you. But, at the same time, it gives the same satisfaction of creating a complete world.
In college I wrote for the university newspaper, and I had several short stories published in small press. I think it's just been a natural progression of where to go with the imagination and not have to grow up.
What you can do with a short story that you can't do with a novel is punch someone in the gut, in the best of ways.
Tom Kealey might be my favorite short story writer and this astonishing collection is long overdue.
The thing I like so much about short stories is that there isn't as much of an investment of time so I'm free to experiment more. If it doesn't work out, I've only lost a week or two of work. If I screw up a novel I've lost at least a year's worth of work. But the nice thing is that those experiments with short stories can be carried over to novels when the experiments do work.
A short story is like a kiss in the dark.
Do three things each night before you go to bed: read a poem, read a short story, read an essay.
The majority of American writers today have chosen passive non-resistance to things as they are, producing sloughs of poetry about their personal angst and anomie, cascades of short stories and rivers of novels obsessed with the nuances of domestic relationships - suburban hanky-panky - chic boutique shopping mall literary soap opera. When they do speak out on matters of controversy they attack not the evils of our time but fellow writers who may insist on complaining.
Writing a short story is a little like walking into a dark room, finding a light and turning it on. The light is the end of the story.
I never wanted to be an editor. I never wanted to be a boss. I just wanted to write, and it didn't make any difference whether it was fiction or nonfiction or short stories or whatever. I just - that's what I was destined to do.
Experiments with the "as if" of fiction are often more lively in poetry and criticism and other modes of writing than in weak short stories or novels.
I'm glad people see some of the stories that way. I see where they're coming from, although none of the stories are specifically intended to arouse. There is a gender divide on the short story "The Girlfriend Game" - women seem to consider it "sexy" but men usually find it uncomfortable.
Kelly Link's prose is conveyed in details so startling and fine that you work up a sweat just waiting for the next sentence to land. This is why we read, crave, need, can't live without short stories.
'The Blade Itself' was my first book. Probably I should've tried a few short stories first, but for some reason I decided to begin with Everest.
Composition is interesting because, in a sense, you always have to let it go. Unless you're a true composer/performer, you're always sending a PDF and then someone else makes it. It's like instructions for a short story, faxed to every English student who's studying it.
I started writing little short stories and poems as soon as I learned to read and write. I think I was six years old. And then when I got to be eleven, twelve, and into my teens, I was just listening to records all the time, and I got a guitar. I started to take guitar lessons when I was twelve.
I work on words, mostly, toward them being poetry or short stories, and then some of those become songs.
I'm one of those writers who started off writing novels and came to writing short stories later, partly because I didn't have the right ideas, partly because I think that short stories are more difficult. I think learning to write short stories also made me attracted toward a paring down of the novel form.
I'll give you the sole secret of short-story writing, and here it is: Rule 1. Write stories that please yourself. There is no rule 2. The technical points you can get from Bliss Perry. If you can't write a story that pleases yourself, you will never please the public. But in writing the story forget the public.
I see a correlation between short stories and songs, because of their length and for what they're meant to evoke. Combine certain words with melodies and it all becomes very moving.
With short stories, the story-teller must have a story to tell, not merely some sweet prose to take out for a walk
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