Do me a favor, guys. Don't drink so much that you become the guy that goes into the bathroom and moans while taking a leak. See, the women in the room, they might not know what we're talking about; every dude knows.
When I go onstage, I don't know what I'm going to say. I don't know what's going to come out of my mouth. It's one of those questions where any and everything is possible. I literally could be talking about somebody I was hanging out with two seconds ago or something from the news. Literally, there's really no rhyme or reason for it. I want to be free flowing like that.
You know what the bodega is? It's the little Latin store, and they try to act like it's a grocery store. It has two aisles. And the guy, he always tries to help me, 'You looking for the bread?' I was like, 'Dude, I can see it right here, alright.' He's like, 'Hey, hey, it's in aisle two.' That's all you got, what are you talking about?
I'll drive down the street, and I'll practice improv. I will sit there at a red light and see two guys talking to each other, and I will just start playing both characters. I can't hear them, but I can see their mouths moving, so I'll just put words in their mouths.
I'm sure back in the Greek days or the Roman Empire days, when guys fought in arenas and were fighting lions, people were talking smack. Every era in history has someone talking smack. No way you can have talent and not proclaim your victory.
I'm not a big guy. I'm not a menacing guy. I'm not an intimidating guy. I may look that way, but just spend two seconds talking to me, and you know that's not who I am - not as a person, as a character. It's not who I intend to be.
I hang out with people who are amazing parents and really value a rich living. I'm not talking about monetarily. I'm talking spiritually and mentally, and we help make sure that each one is on their game for their spouses.
I would love to play a 1940's style fast-talking reporter lady. That's probably the dream.
My watch say I made it, my chains say I'm rich. Diamonds in my mouth got me talking cash s**t.
We're talking about an extremely prolific poet and songwriter and lyricist. That stuff comes off the top of her head. She [Joni Mitchell] will write exactly what she lives. If she puts some money in the soda machine, she'll write about putting money in the soda machine. "Dry Cleaner from Des Moines," on the Shadows & Light album, was about sitting next to a dry cleaner from Des Moines, playing a slot machine.
It was sexually a very different thing when [the models] worked with men. They felt a charge... I caught them when they were relaxed, natural, and I spent a lot of time talking to them about their husbands, their lovers, their babies.
Photography came as a substitute. I was painfully shy and found talking to people difficult; a camera in hand gave me a function, a reason to be somewhere, a witness, but not an actor.
The relationship I have with my mother now, and photographing her in front of the grave, it opens up discussions, and dealings with the conversations with my mother about, when I was little, how we lived and about suicide and talking about it, so it's something positive, it brought us more together, because people might never discuss that. Some families never go near certain subjects because it's too hurtful or too close or too dangerous. But within doing these photographs, I also wanted to open up a conversation with her about certain things about life.
Photographers do themselves a disservice by talking too much about the equipment they use. Consequently people don't take them seriously as creators in their own right. When people talk to writers about their work, they ask about their ideas and inspirations. When they talk to photographers, they ask about what cameras or film they use. That's wrong - as wrong as asking a writer what pencil and laptop he uses.
The measure of a conversation is how much mutual recognition there is in it; how much shared there is in it. If you're talking about what's in your own head, or without thought to what people looking and listening will feel, you might as well be in a room talking to yourself.
You have to assume that you're talking to the most intelligent, tuned-in audience you could ever get. That's the way you're going to get the best out of people. Whether they know you or not shouldn't matter for comedy. They should get to know you pretty quickly. and they should be having a good time pretty quickly.
I grew up in a house where there was lots of teasing and language play and laughter; it was very important. When I was a teenager, you wouldn't go to a bar and find lots of televisions everywhere. People were talking. Talk was the mental fire you would gather around in the evening. It occupied a big part of your existence.
Prayer is talking with God about what we are doing together.
Let me explain something to you. Look around here. How many people do you count? Sixty, eighty, eighty people? Greeks, Germans, Italians, French, Americans. Tourists from everywhere. Eating, drinking, talking, laughing. And from Bombay - Indians and Iranians and Afghans and Arabs and Africans. But how many of these people have real power, real destiny, real dynamic for their place, and their time, and the lives of thousand of people? I will tell you - four. Four people in this room with power, and the rest are like the rest of the people everywhere: powerless, sleepers in the dream.
So many people think that practicing an art is a good way to make a living. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. I'm talking about singing in the shower, I'm talking about dancing to the radio, I'm talking about writing a poem to a friend.
I think you kind of hope for people gush over movies, but I think the opposite is great sometimes, too. I'd rather have a movie that you're angry about and that you're talking about the next day, than something you forget about when the popcorn goes into the trash.
Jesus is humble, and His servants must not be proud; but Jesus was never mean or cowardly, nor must His servants be. There was no braver man than Christ. He could stoop to save a soul, but He would stoop to nothing by which His character might be compromised or truth and righteousness insulted. To preach the Gospel boldly is to deliver it as such a message ought to be delivered. Blush to preach of a dying Saviour? Apologize for talking about the Son of God condescending to be made man that He might redeem us from all iniquity? Never!
There's something really terrible about having your BlackBerry next to your bed or having your laptop in the living room when you're talking to someone. The biggest source of stress in my life is the screen, the blogging.
I don't talk for the sake of talking. I do become intoxicated with sound. When I open my mouth, it's to say something.
If you're actually talking to someone who's been through a disastrous number of years, that only means one thing: They survived it.
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