I feel like it's really important for an actor to play different roles so people can see, "Oh, he can play that guy or he can play this guy." You're not just "THAT guy," that cowboy guy, that whatever guy. Then you are limiting yourself.
Every fight means everything. I have to stay focused no matter how high the stakes are or how low the stakes are, you have to stay focused and follow the game plan. At the end of the day it is going to be you and that guy in the ring and it's who wins the game will win the fight. That's what I learned.
Sometimes I just turn on the TV and I'm like, wait a minute, that guy [Donald Trump]? It's incredible that he did all those things and he still won. It's hard to process.
There's a version of Tony [from "I Don't Feel at Home in This World Anymore"] that I think could be heightened. Trying to find the balance. A lot of that comes from "Who is he?" I think we've all kind of met that dude. The comic book enthusiast, or someone who gets too excited about things, but his own enthusiasm tends to alienate him. I relate to it because I've seen that guy.
A lot of my colleagues are content to be character actors who are always in the background. I'm not that guy. I'm the guy who wants the limelight. Gimme the ball and I'll run it through a brick wall for you. I'll be your biggest soldier.
That guy [Floyd Mayweather] is throwing his money around like there is no tomorrow.
Most people, if you live in a big city, you see some form of schizophrenia every day, and it’s always in the form of someone homeless. “Look at that guy - he’s crazy. He looks dangerous.” Well, he’s on the streets because of mental illness. He probably had a job and a home...
The night we met-I'm not like that guy." His jaw was rigid. "I know tha-" He placed a finger over my lips, his expression softening. "So I don't want you to feel pressured. Or overpowered. But I do, absolutely, want to kiss you right now. Badly.
This week a man was arrested for jumping over the White House fence and trying to spray paint a political message. If that guy really wanted to get a message to the president, he could have just written it in an email to literally anyone.
I never want to be that guy at a dinner table saying, 'I wish I could have dessert.' I actually went through a stage when I would order dessert first.
Saying I was lucky negates the hard work I put in and spits on that guy who’s freezing his ass off back in Brooklyn.
I'm not big into the caveman look like some guys are. But I think it's pretty awesome that guys are more attuned to themselves and making beards a part of their style.
A silly comedy needs a straight guy, and that guy needs to be as straight as possible. The moment you start playing straight you're not straight anymore, you're bent straight, so it really requires the usual serious, straight-forward analysis and research, looking into it and finding the dramatic function, all of what you do until you feel you've collected enough points to safely and securely play the part.
Showing weakness will encourage your opponents. It inspires them. It encourages them to hit harder. To come faster. But when you don't show any fear, or when you don't show any hurt, you have the opportunity to discourage your opponent. You discourage your enemies. The bottom line is, if you think properly, you don't even have to think about all of that. All you have to think about is that guy across from me is human, and so am I. And he'll never out-work me. He'll never out-think me. And if you can't out-work me, and you can't out-think me, you'll never beat me.
Early in my career I was divided because I had the real self underneath: the lawbreaker, the anarchist, the person who swims against the tide, the outsider, the loner, all of that guy. He was my private self, and I had this other side that wanted to be liked in order to do all those things I dreamed of as a little boy. I didn't realize that those things didn't go together until later. And I'm quite sure that my use of acid and peyote helped me accept what was really going on inside of me instead of what I had imposed on myself.
I feel like I'm still learning the ropes of how television works. Obviously I have good folks surrounding me on different shows. It's funny because sometimes in film I'm sort of the third guy to the left, you can be as insane as you want to be as that guy.
As soon as you hear a fighter say, "I'm working smarter, not harder," you always want to bet against that guy. That mentality does not work. You have to work hard. And sometimes that means you are going to work too hard. You are going to decline. You are going to tear down your body and your muscle fibers. You are going to get sick.
I knew most of my radio listeners were lefty political people, and I decided definitively not to be that guy - not to address politics.
Most of the comics that I talk to I've never talked to for more than ten minutes ever. So 95 percent of the time you're really hearing the first conversation between me and that guy on the podcast.
If I were a teacher, I would like to teach freshman English - so I could be the Robin Williams type in Dead Poets Society. I wanna be that guy. I couldn't teach seniors because they'd be smarter than me.
I feel like you are this or that because other people say so. I wouldn't know how to play a psychopath. I don't think about it that way. You think about playing the scene but if the other people say that guy is crazy, then you are.
People associate long hair with drug use. I wish people associated long hair with something other than drug use, like an extreme longing for cake. And then strangers would see a long haired guy and say, "That guy eats cake!" "He is on bundt cake!" Mothers saying to their daughters, "Don't bring the cake eater over here anymore. He smells like flour. Did you see how excited he got when he found out your birthday was fast approaching?"
You know crazy straws - they go all over the place? These straws are sane. They never lost their mind. They say, "we're going straight to the mouth. That guy who takes a while to get there? He's crazy."
There's a guy in the audience with a distinctive laugh. I hope that guy is miked. The only problem with having a distinctive laugh is I know exactly when that guy isn't laughing. "Oh, distinctive laugh doesn't think that joke was funny!"
The only time I've ever been mistaken for someone else is - and this arguable still - when a person came up to me on the boardwalk of Ocean City, New Jersey and said, "You look a lot like that guy from computer ads" and I said, "There is a reason because I am that guy," and the guy looked at me for a minute, laughed and said, "That's a funny joke, but you really do look like him." He thought I was not me.
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