If I couldn't be a fiction writer, I would be a roller coaster designer for theme parks
Angels and Airwaves is a complete, pure reflection of who I am. The philosophy, the spiritualism, the esotericism, the idea of hope and space and the themes about life and grandeur that's all me.
Siphonophores do not convey the message a favorite theme of unthinking romanticism that nature is but one gigantic whole, all its parts intimately connected and interacting in some higher, ineffable harmony. Nature revels in boundaries and distinctions; we inhabit a universe of structure. But since our universe of structure has evolved historically, it must present us with fuzzy boundaries, where one kind of thing grades into another.
The major and almost only theme of all my work is the struggle of man with "God": the unyielding, inextinguishable struggle of the naked worm called "man" against the terrifying power and darkness of the forces within him and around him.
Like Rodgers and Hammerstein, I'm not afraid to deal with themes about the ups and downs of life, yet which are still entertaining, and you still feel these stories.
Loneliness is the theme, and I play it like a symphony, in endless variations.
I usually give a book 40 pages. If it doesn't grab me by then, adios. With young adult books, you can usually tell by Page 4 if it's worth the time. The author establishes the conflict early, sometimes in the first sentence. The themes of hope, family, friendship and overcoming hardship appeal to most everyone.
Art is the retelling of certain themes in a new light, making them accessible to the public of the moment.
The elegant study... is consistent with the themes of modern cognitive neuroscience . Every aspect of thought and emotion is rooted in brain structure and function, including many psychological disorders and, presumably, genius. The study confirms that the brain is a modular system comprising multiple intelligences, mostly nonverbal.
It is not extraordinary that the extraterrestrial origin of women was a recurrent theme of science fiction.
What is noble, lyrical, tender in the upper level shown is also with the servants, scoundrels, and scamps, as in a distorting mirror. This contrast seems to me a most appealing musical theme--to show love in its noble and crude forms, romanticism and crass realism mixed as in everyday life.
Critical (i.e., separating) methods apply only to the world-as-nature. It would be easier to break up a theme of Beethoven with dissecting knife or acid than to break up the soul by methods of abstract thought . Nature-knowledge and man-knowledge have neither ways nor aims in common.
I love the supporting characters because you get to do more, to be totally honest. It's been sort of a theme with me. In Son of No One, I think I might have seven lines in the entire movie because everything is happening to my character.
I think the great thing about theatre, and if you start in theatre, is that it does build a confidence in poetic themes and ideas.
We can ask for a dream of guidance on any issue that is facing us, and when we're lucky the dream can take us out of the boxes of the everyday mind's approach to that theme.
As I look back on my fondness for the outdoors, and specifically the elements in nature that I find visually stimulating, I am surprised at how often the theme of dead trees arise. I guess it's that each one seems to have a story of its own, representing many years of living through everything that nature could throw at them.
There is a popular superstition that "realism" asserts itself in the cataloguing of a great number of material objects, in explaining mechanical processes, the methods of operating manufactories and trades, and in minutely and unsparingly describing physical sensations. But is not realism, more than it is anything else, an attitude of mind on the part of the writer toward his material, a vague indication of the sympathy and candour with which he accepts, rather than chooses, his theme?
One of the many, many things I hate about war is how it trivializes the personal. The big themes, the broad sweep, the emergency measures, the national identity, all the things that a particular kind of man with a particular kind of power urge adores, these are the things that become important. War gives the lie to the personal, drowns it in meetings, alarms, sacrifices. The personal is only allowed to return as death.
I love that as a theme for women: Stop standing by! You've got to make stuff happen! You've got to create your own world because if you let other people do it, they're going to just screw you.
Few, as I have said, are the humorists who can induce this state. To master and dissolve us, to give us the joy of being worn down and tired out with laughter, is a success to be won by no man save in virtue of a rare staying-power. Laughter becomes extreme only if it be consecutive. There must be no pauses for recovery. Touch-and-go humour, however happy, is not enough. The jester must be able to grapple his theme and hang on to it, twisting it this way and that, and making it yield magically all manner of strange and precious things.
I put my pencil upon the paper, doubtfully, and drew little lines, considering my theme. But I would not long hesitate in this manner, for I knew that all creation must be chaos first, and then gestures in the void before it can cast out the completed thing.
Before seeing Truffaut 's Small Change, I was afraid it was going to be one of those simple, natural films about childhood which I generally try to avoid I'm just not good enough to go to them. But this series of sketches on the general theme of the resilience of children turns out to be that rarity a poetic comedy that's really funny.
If there's another thing that sportswriting teaches you, it is that there are no transcendent themes in life. In all cases things are here and they're over, and that has to be enough.
I have come to use the pan-Celtic history, which spans from 500 BC to the present, as a creative springboard. The music I am creating is a result of traveling down that road and picking up all manner of themes and influences, which may or may not be overtly Celtic in nature.
The subject matter covered in Carmina stays pretty basic: love, lust, the pleasures of drinking and the heightened moods evoked by springtime. These primitive and persistently relevant themes are nicely camouflaged by the Latin and old German texts, so the listener can actually feign ignorance while listening to virtually X-rated lyrics. (Veni Veni Venias! Come, come come now!)The music itself toggles between huge forces and a single voice, juxtaposing majesty and intimacy with ease.
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