How come they don't think you can handle a new story out of the blue on the TV news? They gotta make a little lame segue. "Hey, that's a big lotto jackpot! Speaking of lotto, there was a lot o' crime in the city today."
What I like to do and what I have to do are two separate things. I like to read, swim, watch TV, spend time with my family. But I have to work, so I do that.
I'm not into those shows like "hey everybody, gather round the TV, let's watch The Simpsons!" I'm not one of those guys: "I gotta get home, man, Family Guy's on! I gotta race to my TV before I miss the episode of Family Guy!" I'm not one of those guys.
When you see a black guy on TV, he's always a thug or always portrayed as someone that's in trouble. It spreads the message to everyone else that that's who we are. People often don't try to understand black men as a whole. We're creative, strong and influential.
TV depends very much on the pictures that you see on your television, and all the other things that come up on the screen, whether it be GFX, the studio or the pictures of the game.
I've always been fascinated, obsessed even, with books and TV shows about unsolved murders, cold cases, forensic science, mysteries, and so on. Many times when I get inspiration for my work, it's from something in one of these books or TV shows, or perhaps some newspaper article about a specific case.
When I landed in L.A. in early '89, William Morris decided to take me on to see if I could get any jobs. I was cast in a TV movie called Protected Surf, and made $30,000 in four weeks, and I decided I needed to take acting seriously, because I had never made that much money in a year, much less four weeks. That's when I decided I thought I could make a career out of it.
We may not have a sample size larger than one, or we may not have unlimited resources - it's a TV show, and we generally turn these things around in about a week or so.
I think it's all independent films. There aren't any! If they were looking for me when I was making Polyester, then it'd be perfect, but they're not. I'm not looking for that. TV is much bigger and better now; far more people see it.
There have always been and there always will be the peripheral sideline activities which are a form of entertainment, which is to say you pay a couple of cents and you see something freakish. That is what reality TV is.
Power is not just for TV sets and charging mobile phones. This electricity is critical to the industrial development of this area. If there is electricity, small scale industry will grow.
Ok so there's no TV shows, no movies going on fine, but I love going on stage and performing stand up so my situation is a little better than someone who's strictly just an actor or actress.
If you look at the whole world now it's just computer games, graphic novels, film, TV spinoffs, spinoffs of spinoffs like Deadpool spinning off of Wolverine. So I think that any kind of smart producer looks at all of those bases. Once it comes down to the integrity of it audiences are very smart, they smell that they're just kind of being played.
I just saw Twilight on TV, for the first time, a few days ago, and, when my song came on, I was just thinking that is so bazaar that I actually had a song in the movie.
In a culture of electronic violence, images that once caused us to empathize with the pain and trauma of another human being, excite a momentary adrenaline rush. To be numb to another's pain - to be acculturated to violence - is one of the worst consequences our technological advances. That indifference transfers from the screen, TV, film, Internet, and electronic games to our everyday lives.
During the past few decades, modern technology, with radio, TV, air travel, and satellites, has woven a network of communication which puts each part of the world in to almost instant contact with all the other parts.
More American young people can tell you where an island that the 'Survivor' TV series came from is located than can identify Afghanistan or Iraq. Ironically a TV show seems more real or at least more meaningful interesting or relevant than reality.
Twentieth-century culture's disease is the inability to feel their reality. People cluster to TV, soap operas, movies, theater, pop idols and they have wild emotion over symbols. But in the reality of their own lives, they're emotionally dead.
By the end of the millenium five men controlled the world's media. And the people rejoiced, because their TVs told them to.
I prefer that for my own satisfaction over radio, there's no audience. TV, there's no audience. I need the response of the audience, even if it's a silent response.
I've had it-the agencies, the winking, the networks, the ratings. Anyone who thinks TV is an art medium is crazy-it's an advertising medium.
Newsreader: A huge asteroid could destroy Earth! And by coincidence, that's the subject of tonight's miniseries. Dogbert: In science, researchers proved that this simple device can keep idiots off your television screen. [TV remote control] Click.
Nobody in TV makes as much money as Robert Redford, who likes to make movies for several million dollars only on the condition that they contain some sort of social message. I cannot take very seriously a social message delivered by an actor who is paid nine million dollars to deliver it, and who charges you five dollars to see it.
I stopped directing in 2001 for - oh, damn - four or five years, until I did the TV series 'Masters Of Horror.' I had been working steadily as a director since 1970. That's a long time. I was burned out.
Novels often have leisurely openings; a TV drama needs an arresting opening.
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