We are so habitually nostalgic by now that we anticipate looking back in the midst of enjoyment, look forward to watching the videos we're taking of our children even as we make them.
Bin Laden was 200 miles away from the area where all of these drone strikes were taking out his key leaders in al-Qaida. He was able to indulge in his hobbies... He was making occasional video tapes and audio tapes for release to the wider world.
Human beings don't want to just enjoy something by themselves. They want to share that emotion - they want everyone around them to enjoy it like they enjoy it or hate it like they hate it. That's what makes a video spread.
Maybe someday, if I work hard enough, entertainment will be a career for me, but right now making videos and uploading them to the Internet is just a hobby.
The cool kids have co-opted all the neat stuff ? computers, gadgets, video games. Theres no such thing as a computer geek anymore.
What we were trying very hard to do, just in the way we shot it, was to make it feel as if we're in that environment ourselves, just so we can get a grasp on what it is. A lot of our influence was about getting stuck on a level on any of those video games, where you find yourself caught and you can't get out, and it's maddening. We talked a lot about that.
When I was bullied, I could go home and it would stop. Now, you can go home and get a text, or you can put up a YouTube video and 200 people say horrible crap, or someone has launched a website about you. That stuff is really terrifying.
When I made YouTube videos, I am the one who's uploading it, I'm the one who's editing it, so I'm very in control of what I'm sharing and not sharing. Whereas in music, it's a lot more of pouring my heart out and kind of just putting it out there for the best.
I feel cool about making music and I feel secure pushing boundaries in my music. But things like videos and photos I find really difficult. I don't really like being in front of a camera - even though it is my job and I must act like I do.
When I like a musician I want to see a picture or a video of them.
If you're a host of a video show and you're on the cleanest show on television for eight years, people want to say, 'Well, that's what that person does.' That was the dilemma for me, career-wise.
People are always trying to find the next groovy thing, and it hasn't gone back to painting... I'd like it to go back to painting. I'm sick of all this photography and video. There's so much of it, it's almost annoying.
Sometimes my work needs to be photographic, sometimes it needs words, sometimes it needs to have a relationship to music, sometimes it needs to have all three and become a video projection.
The dominant problem of pictorial art since the nineteen-fifties is photography, and, by extension, film and video. The basilisk eye of the camera has withered the pride of handworked mediums. Painting survives on a case-by-case basis, its successes amounting to special exemptions from a verdict of history.
I grew up with video games. My generation kind of grew up with the Nintendo and the Sega Genesis. Then, I had a Dreamcast and, finally, the PlayStation. So yeah, I've always been a big gamer.
Very few American parents give a crap about how they raise their kids. They put minimal effort into it. Who told you it's a good idea to buy a developing mind a video game?
Basically Britney Spears' video is like a three an a half minute version of Glitter.
I have my website, The Ruckus, which is an Internet site, similar to the Funny or Die format, where people post funny videos. I get a chance to rate their videos; they get a chance to blog and kick it with me.
I recently saw Brooke Hogan's new music video, and I've got to say she looked hot.
Goat screaming videos are hilarious.
You can assume all photo and video is constructed as a fiction controlled by the person holding the camera and the person who is editing.
When we were kids, growing up in the sixties, the only images we had of ourselves were either still photographs or 8mm movies.... Now we have video, digital cameras, MP3s, and a million other ways to document ourselves. But the still photograph continues to hold a sense of mystery and awe to me.
I'm in between an installation artist, video artist and photographer. And when you work with nude bodies, you're immediately called a pornographer or a fashion photographer.
Kurt Cobain, when he did his videos, you look into his eyes and he couldn't even face the camera; he was in pain and I'm angry about Kurt. This guy didn't have to die.
I'm a very creative person, and you know when I hooked up with Benny Boom, I said I want it to be a different kind of video. I want it to be crisp, and I want it to relate, [and] not to be so far over people's heads. And that's when we came up with the p-t-d-d-d-d-d (camera flashes.) You know with the picture changing, and that's it.
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