I can tell you, having been in court today in New York, that the requests for the video outtakes have been dropped.
David Fincher is a longtime friend. As a director, my wife had worked with him as a makeup artist when he would do Madonna videos years before, and his child and my oldest child were in preschool together, so we're kind of dad-friends through that, too.
Naturally the smart thing to do to solve your economic woes is to demonize the Democrats. And of course, Sarah Palin is more than happy to oblige. She's been saying that Obama hangs out with terrorists. And you know, I think the evangelical lady who's in a video getting blessed by a witch doctor, who's married to a secessionist, and can't name a newspaper -- she's right, Obama is scary.
Directing music videos is all about capturing images.
I know how to make other women look beautiful: from hair to makeup to wardrobe. So, I feel that I have a gift with imaging, and that's kind of fundamental to the music video process.
We're into tech stuff, gadgets, phones, video games. We'll treat a video game premiere like a movie premiere. I'm just going to be honest with what I like and what I do. What I enjoy. We're not going to hide the fact that people are on the Internet all day. I think a lot of shows don't really mention that.
Whenever I'm around my guy friends, I'm always playing video games. I've always enjoyed the graphics side of them, how they look.
We [musicians] are comfortable in front of the camera doing music videos, and it's almost a form of acting when we're doing music videos. We're acting out our own thoughts and what we've written down on paper.
I think pro-athletes should be forced to use steroids. I think we as fans deserve the greatest athletes science can create! Lets go! Anything that will make you run faster, jump higher! I have High-Definition TV! I want my athletes like my video games! Lets go! I could care less if you die at 40. You hate life after sports anyways. I'm doing you a favor.
It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today's children have substituted television viewing and, most recently, video games.
[Kids today] think "Grease" is just one long music video. So they watch it over and over again the way we, when we were kids, we listened to albums.
We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past--the portrayals of family life on such television programs as "Leave it to Beaver" and "Father Knows Best" and all the rest.
... there hasn't been a serious life-style trend since the couch potato was sighted, in about 1986, on one of its rare forays to the video store. Cocooning remains a significant mass enterprise, encouraged by the availability of five hundred new cable channels and microwavable popcorn.
I am not a fan of video games, I had to learn a lot about them. I would love to play video games, but I don't want to go around shooting people, and ripping off their heads, and it's just gross.
Pinball games were constrained by physical limitations, ultimately by the physical laws that govern the motion of a small metal ball. The video world knows no such bounds. Objects fly, spin, accelerate, change shape and color, disappear and reappear. Their behavior, like the behavior of anything created by a computer program, is limited only by the programmer's imagination. The objects in a video game are representations of objects. And a representation of a ball, unlike a real one, never need obey the laws of gravity unless its programmer wants it to.
You used to have to beg and be the busboy to do standup. I got on Community because people saw my videos on YouTube, which were free.
Looking back, [R.E.M.]videos, by in large, have always been art films. I'm thinking of "Losing My Religion." That's a landmark piece.
I've never been a big fan of the music-video style of editing movies that crept in the last few decades. I like stuff that's able to take its time.
I feel like I have a pretty eclectic taste in music and art, so for every song I can see a different kind of video.
Growing up, I was a typical high school kid when YouTube first came out, and I was just watching a whole lot of videos of guys in the league I'm playing with now, guys that aren't in the league, and guys that came before me, just watching the moves that they do, and going out in my backyard and trying them. I did it almost every single day. And I didn't do any crazy dribbling drills or any two-ball dribbling drills. I'm really not good at two-ball dribbling. Nah, never did that. I just went out and tried the moves that I saw.
In an age of social media and content being key, it's important to change the mold where you have $100,000 to $150,000 for one video. I hired some guys that are young, just out of college, and we used some new, far-less-expensive cameras and technology to make videos.
'Avatar' was gorgeous. There are good stories in there, but when used in other movies they're similar to those violent video games. Characters using deadly weapons. The children follow these movies.
The latest report is that Osama bin Laden has shaved his beard, is wearing Western clothes and has had plastic surgery. Isn't that amazing? The guy has made just two videos and he's already gone Hollywood.
There's a new Osama bin Laden video. He's the only person that is looking thin during the holidays. How does he do it? I think he's going to Jenny Craig.
I grew up playing 'Mortal Kombat' as a kid. I was always a fan of the video game. Saw the movies as a kid as well.
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