People think I'm an artist because my films lose money.
If my films make one more person miserable, I'll feel I have done my job.
When you make the film, there's a big difference between when you're in your own home at the typewriter, and when you're standing on a mountain, or on a street corner, and buses are coming by-it's a different reality. You make a million changes that were never in the script, but that reality dictates.
You make a film and always hope you're going make "Citizen Kane" or "The Bicycle Thief." You make the film, and for one reason or another, one clicks and one doesn't, but it's out of your control completely.
My films are therapy for my debilitating depression. In institutions people weave baskets. I make films.
I do the movies just for myself like an institutionalized person who basket-weaves. Busy fingers are happy fingers. I don't care about the films. I don't care if they're flushed down the toilet after I die.
American films, it's a money-making industry. And in France, you can find great respect for cinema as art.
The film studios learned to our dismay but to their pleasure that if they spent $200 million making a film they could make half a billion on it. So they were not interested anymore in quality films... They can't afford to be that risky at those prices. Consequently you're getting a lot of remakes, sequels, dopey comedies full of toilet jokes...
If my films don't show a profit, I know I'm doing something right.
Music has always helped my films. In 'The Curse Of The Jade Scorpion,' you can hear 'Sunrise' by Glenn Miller, an idol of my childhood, in the surprise ending. I like mixing comedy with suspense and action.
Writing is great because in the writing you never have to... First of all you never have to leave your home. And you never have to meet the test of reality when you're writing.
I never wanted to or expected to make a film outside of New York. New York became very, very expensive. The same $18 million spent in Barcelona or Rome goes much further there.
I always thought it would be very funny if I was a blind film director.
I've never been satisfied or even pleased with a film that I've done. I make them, I'm finished, I've never looked at one after. I don't like them because there's a big gap between what you conceive in your mind when you're writing and you don't have to meet the test of reality. You're home, you write and it's funny and beautiful and romantic and dramatic, and then you have to show up on a cold morning, and you don't have enough of this and this goes wrong and you make the wrong choice on something and you screwed up and you can't go back.
I don't why whatever works and whatever doesn't. You just make the film that you enjoy making at the time, and you think there's a good chance that people might enjoy the story. You're surprised pleasantly when they do. It's just luck.
I don't think my film style has changed. I'm doing the same kind of jokes I did when I was younger.
I think Hollywood has gone in a disastrous path. It's terrible. The years of cinema that were great were the '30s, '40s, not so much the '50s...but then the foreign films took over and it was a great age of cinema as American directors were influenced by them and that fueled the '50s and '60s and '70s.
I'm sure there are people in Hollywood, whose main drive in film is to make money, who will feel that any use of the word hijacking or any reference to anything violent or remotely associated with the terrible tragedy that occurred will lose customers for them. And that will be the only criterion that will matter and so they'll force the minions that work for them to remove these things from their movies, or not make movies about that subject.
I have a limitless amount of great music at my disposal and it's very, very pleasurable because when the music goes on the film it's amazing how much it livens up the film and gives it an emotional kick in the pants, sort of.
I've been lucky because my films have consistently made a profit, almost all of them have made a profit. Never a huge profit, but nobody gets hurt. And therefore I get a lot of freedom.
I usually want to crawl into the ground after I make a film, almost invariably.
Real life is generally much duller and inevitably sadder, most of the time. In film, you control everything that's going on, so you can indulge the most fantastic, romantic, escapist feelings and fantasies. You can do anything you want. That's why it's very seductive and pleasurable to earn your living making movies because you're not living in the real world.
I prefer the magic to reality, and have since I was 5 years old. Hopefully, I can continue to make films and constantly escape into them.
You make films whether they're dramas or comedies about neurotic people. Flawed people. Interesting personality traits. To make them about calm, stable untroubled people isn't interesting.
I enjoy the making of the film and it's something for me to do. If nobody ever comes to my films, if people don't want to give me money to make films, that will stop me. But as long as people come all over the world and I have an audience and I have ideas for films, I will do them for as long as I enjoy the process. And I like the whole process of making a film.
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