Don't be a jerk to other comics and don't let the business beat you down, stay positive and if you work your ass off you're going to get somewhere.
So we [with Kate DiCamillo] would act them out, we would toss ideas back and forth, we would laugh, we would argue. Sometimes it went really well, sometimes it was such a pain in the ass. Our other rule was that we wouldn't work on it at all when we weren't in the other's presence. It was really hard not to do that. We'd start going on email back and forth, 'What do you think about this, what do you think about that?' But, no, no, no, it had to be live. So we forced ourselves not to look at it except during those two-hour stretches when we were actually with each other.
People are unbelievably giving and caring and understanding of me because of what I do for a living and because actors tend to get their asses kissed everywhere they go, so I can be extra-understanding in a relationship.
I love pop music just as much as I like rap music, or ill-ass hip-hop music, or rock music.
We have to let nature put what's left together, and see what it can come up with to save our ass.
I want to live a really positive ass life. No matter what is in the media about me or what's said in the comments.
If we do a sequel, I want to beat somebody's ass!
I worked my ass off to earn what I have. You have to understand, not many people where I come from get to experience this kind of life.
What are a genuine pain in the ass are all the misconceptions and outright lies. I read somewhere that in 2004 I was homeless in Seattle and drinking heavily, which came as a shock since I've never been homeless and haven't had a drink since 1982. I've also heard SEVERAL times that I'm a card-carrying member of several white-supremacist groups, when the last group I belonged to was the Boy Scouts.
If you become a chef because you're obsessed by becoming a celebrity, getting my ass kicked and working my nuts off the way I did in France and getting pushed around those kitchens wasn't about becoming famous.
Somtimes I regret [that debut album was titled "Bad Azz" ], because people take it the wrong way. Everybody got a bad ways, and I'm a 'Bad Ass'... whenever I'm not good, so that's what I'm talkin' about.
Now I think liberals have gone from underreacting to Trump and saying that Trump is just a clown and a buffoon, and that Hillary Clinton's going to kick his ass, to now overreacting, and saying, "Oh my God, 60 million people consciously endorsed a white supremacist for president."
The boys have been running Washington for a long-ass time. We're talking 200-some-odd years.
When I wrote the book, I thought that I was the hero of my story. And in writing it, I came to realize over time that my mom was the hero. And I was, you know - I was just her punk-ass sidekick.
I had no administrative function at the New Yorker. I am what we used to call in construction back in Kansas City where I grew up "a dog-ass subcontractor."
I wrote an essay too, and mine started something like, "When I was asked to contribute to this book, I said, 'I could do a piece on [Larry] Kramer as a pain in the ass, but I suppose you have too many of those, as it is.'" And Sarah's began something like, "When I read about America's angriest AIDS activist, I can't believe they are talking about my sweet Uncle Larry."
The older I got, the more apparent it became that my mother was losing control over me. She fought back fiercely with black moods, silent treatments and martyrdom. And, of course, all she did was run my ass out of the house even quicker. The pressure was unbearable.
That particular story ["The Pyramid and the Ass"] was written during the dark days of the Bush years. George W. Bush had just been "re-elected" (or elected for the first time, depending on how you count the stolen election) and it seemed like the horror of his presidency would last forever.
In the story ["The Pyramid and the Ass"] there's this war against the so-called Buddhist Terrorists. As we find out, they're not really terrorists at all, just good folks trying to liberate people from technology and fight against an American government/corporation trying to coopt our souls. The inherent racism and Buddhist-phobia in the story plays into the present demonizing of Islam - and of our loss of knowledge about the great, spiritual history of the Sufis, for example, or the cultural heritage from the middle east.
I'm just worried that the technology I invented in that story ["The Pyramid and the Ass" ] will become real, and George W. Bush will be able to clone into a new body and be "re-elected" due to a clone-bill passed by him and his cronies. God forbid!
Team America must have been the biggest pain in the ass. And if we want to talk well-organized, they got Bill Pope, who is the DP on The Matrix, because he was just like, "I want to do something less serious."
It's sad that as crushed Millennials we live in the shadow of our parents, our fathers. We aren't willing to murder our government. It's like, come on, why is this scary? Jesus, every generation before you was willing to kick ass.
Hard times are really a fire under your ass to prioritize and think, "Okay, how can I challenge myself to put something in the world that wasn't there that can reach other folks and help them to process?"
Where's the activism? Nobody knows. And anyone who thinks they know, like Todd Gitlin, has their head up their ass. Nobody knows. The day before every revolution that's ever happened, that revolution was impossible. The day before Rosa Parks, that was impossible. The day after, it was inevitable.
Everybody was telling me to sit my ass down. Everybody was telling me to get a real job. Everybody was asking me, "What are you doing? You're ruining your life. You're embarrassing your family." That's all I got. So you can't listen to that. You have to listen to yourself.
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