In Tim's films, more than most, if you miss the tone, you don't get the film.
Negro writers, just by being black, have been on the blacklist all our lives. Do you know that there are libraries in our country that will not stock a book by a Negro writer, not even as a gift? There are towns where Negro newspapers and magazines cannot be sold except surreptitiously. There are American magazines that have never published anything by Negroes. There are film studios that have never hired a Negro writer. Censorship for us begins at the color line.
It was such an interesting character and the film really explored his friendship with Bond and how it all went wrong, so it was a very personal journey for both characters.
It's the difficulty we had with Mr. Bean, actually, when it went from TV to film. You certainly discover that you need to explain more about a character.
I like some of the early silent films because I love to watch how actors had to play then. What would interest me today is to do a silent film.
I hate being cold and I hate being wet and around 80% percent of this film I was cold and another 60% I was cold and wet, so it wasn't the best shoot for me.
I am not greedy. I do not seek to possess the major portion of your days. I am content if, on those rare occasions whose truth can be stated only by poetry, you will, perhaps, recall an image, even only the aura of my films.
Becoming a producer enables you to empower yourself, to make the film that you want to make. I have desires to make movies - I have movies I'm developing, and things that I'm interested in.
That would be getting up at 5 am... I don't understand why film's shoot such brutal hours. I think it'd be worth it to not be so strictly cost-effective and have an 8 hour day. The film's would benefit in the end.
Well, I wouldn't say that this experience had any influence on my decision to do this film about Andy, because Andy was apolitical. Andy was never political.
In that sense, film is superior, but the difficulty is your lack of control as a writer.
I hope we're all kind of influencing each other now to keep the quality up on those things. They seem to be getting better and better and better as there's not only sort of a film geek audience, there's also a general interest in the overall film consuming population.
I saw a very good Hollywood film the other day. It was about Cole Porter.
A lot of student directors used to pick other students to be in their graduate films, so. I ended up doing a couple of them just for fun. Eventually, I got an agent through a friend and I did some commercials; then I got Knots Landing.
I'll never forget the first screening at the Berlin Film Festival. As soon as the film ended there was an outbreak of booing, which made us look at each other with some surprise.
They filled our lives so much, the films they were in made us laugh, think and cry. Through their work they shared a piece of our soul. We will miss them with the sadness with which we miss an old friend.
I can't believe 50 years have gone by since that film was released. I blinked and suddenly here I am. We all really felt blessed and as for me; how lucky can a girl get. Great music does more than enhance a film, it cements our memories in the film going experience.
The film world is a crazy place to be. You sit around all day waiting for the phone to ring. Are people talking about you or aren't they?
Everything about filmmaking tries to distract you from that first fine rapturous vision you have of the film.
As a black actress you've got to work doubly hard. But it doesn't ever get me to the point where I give up on myself. It just motivates me to be more prepared, focus and disciplined. That's why I care so much about doing black films and making sure that we represent and are represented correctly.
There's no point in making a film out of a great book. The book's already great. What's the point?
Take a film of Jacques Tati like Mon Oncle which has something quite new - for me, unique - in it.
I thing for female filmmakers a big issue is making their second and third films. You see the statistics, and the dropoff on the second and third [films] , are dire.
When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
When did "sentimental" become a pejorative barb? I do not at all share the notion that a piece of music, or a poem, or a film that bypasses the brain and aims straight for the heart . . . should automatically be heaped with scorn. I think it is symptomatic of a sad and dangerous impoverishment of spirit.
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