When you get into statistical analysis, you don't really expect to achieve fame. Or to become an Internet meme. Or be parodied by 'The Onion' - or be the subject of a cartoon in 'The New Yorker.' I guess I'm kind of an outlier there.
I am a New Yorker, and 7:00 A.M. is a civilized hour to finish the day, not to start it.
Italian cities have long been held up as ideals, not least by New Yorkers and Londoners enthralled by the ways their architecture gives beauty and meaning to everyday acts.
Yet, as only New Yorkers know, if you can get through the twilight, you'll live through the night.
I'm a New Yorker. I like the big streets and the big buildings. It's a great place to walk.
When a New Yorker looks like he has a suntan, it's probably rust.
New Yorkers have this special spot in Central Park, where they do this 5K run, the minute the clock strikes twelve. I ran once, and I'll never do that again, either. But, it's awesome to watch those people run. It's such a great environment and place to be.
The strangest part of being so well known is definitely getting a New Yorker profile. It's a wonderful, strange process, like seeing yourself through a distorting mirror.
Hip hop started in NY so it's important that New Yorkers realise that to talk about NY music and its sound should not be a small-minded conversation. Music is supposed to evolve. It's supposed to be going through changes, it's not supposed to sound exactly the same as what it did when it started. NY hip hop has to be allowed to move on and grow and expand.
I've been writing for a long time, since the late '60s. But it hasn't been in the same form. I used to write scripts for television. I wrote for my comedy act. Then I wrote screenplays, and then I started writing New Yorker essays, and then I started writing plays. I didn't start writing prose, really, until the New Yorker essays, but they were comic. I didn't start writing prose, really, until the '90s. In my head, there was a link between everything. One thing led to another.
I am a Christian resident of New York City. I simply read things the other Manhattanites read (NY Times, New Yorker magazine, Wall Street Journal, and many of the books they read) plus all my Christian reading. I don't do anything special to understand skeptics. I also talk to a lot of skeptics and read things they point to.
The main thing I like about New Yorkers is that they understand that their lives are a relentless circus of horrors, ending in death. As New Yorkers, we realize this, we resign ourselves to our fate, and we make sure that everyone else is as miserable as we are. Good town.
I find the elitism and blatant provincialism of many (Manhattan-based) New Yorkers unattractive. Just as place can be an identity crutch that helps a person feel individual, place can be a crutch in poetry.
After the phone call from The New Yorker, I walked more than a mile to church to thank God. But then I told God I would talk to Him another time and darted home.
New York is Babylon : Brooklyn is the truly Holy City. New York is the city of envy, office work, and hustle; Brooklyn is the region of homes and happiness.... There is no hope for New Yorkers, for their glory in Their skyscraping sins; but in Brooklyn there is the wisdom of the lowly.
When a village ceases to be a community, it becomes oppressive in its narrow conformity. So one becomes an individual and migrates to the city. There, finding others like-minded, one re-establishes a village community. Nowadays only New Yorkers are yokels.
Ideas matter in New York. I am certain that more conversations in New York are about ideas than anywhere else. Not just vague theories, but ideas that New Yorkers have the will, and the clout, to do something about.
I fell in love with New York. It was like every human being, like any relationship. When I was a young New Yorker, it was one city. When I was a grown man, it was another city. I worked with many dance organizations and many wonderful people. In the '90s, it became kind of a hard and unwelcoming city in many ways. It became conservative, like the whole country.
I would absolutely identify as a New Yorker by nature. I grew up in Detroit. There was not a bone in my body that even considered staying in Detroit for the rest of my life.
I wasn't even in a newspaper office where I was getting assignments in competition with other people. I remember earlier, though, that I knew a young woman who had been published in the New Yorker, and I was so jealous of her. It wasn't exactly a personal competition. I just envied that accomplishment.
I'm always pointing things out to native New Yorkers that I think are weird about this place and their culture and all that. But I feel like my friends and family from California feel like I've totally "become a New Yorker."
I wasn't aware I'd write the novel when I wrote the New Yorker story either. And the narration of their construction in 10:04 is fiction, however flickering.
I'm aware of narrating certain experiences as they happen or obliterating those experiences with narrative and then those stories - not the experiences themselves - might become material for art. This kind of transformation shows up a lot in 10:04 because the book tracks the transposition of fact into fiction in the New Yorker stor
I get a little sick of these New Yorkers who want me to make some psychic thing, like 'The Left-Handed Gun.' They don't know anything about Western history.
New York is a place that can grind you down and spit you out. A true New Yorker doesn't get ground down, he gets polished.
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