Once in a while, a teacher gets rewarded with a brilliant student. My two years with Dan Szabo at the New England Conservatory were indeed a gift -- he is a pianist with unlimited potential and a composer that makes my heart sing. I deeply feel that he is an important musician for the coming years.
Painting is something that you need to do, if not every day, then certainly most days. It is almost like being a pianist: if you stop, you lose something.
Horror would not annoy a soldier any more than the sight of a hammer annoys a carpenter. It is sentimental to pretend that horror is not the tool of the soldier, just as the hammer is the tool of the carpenter. We live off death and the threat of death and we must take it calmly and use it well.... Eventually I came to enjoy killing, as a pianist enjoys the Czerny which keeps his fingers limber for the Beethoven.
Pianists call me a composer, composers call me a pianist. The classicists think me a futurist, and the futurists call me a reactionary.
My parents told me I would become a doctor and then in my spare time I would become a concert pianist. So, both my day job and my spare time were sort of taken care of.
I would have given my right arm to have been a pianist.
The people who raised me musically are my mother, who is a classically trained pianist, and my stepfather.
Pianists don't argue too much generally because we have a hard enough time just getting things right. Arguing is for string players.
My father was a stone mason, and a talented amateur pianist and vocalist.
Hearing Marilyn Crispell play solo piano is like monitoring an active volcano. She is one of a very few pianists who rise to the challenge of free jazz.
Real data is messy. ...It's all very noisy out there. Very hard to spot the tune. Like a piano in the next room, it's playing your song, but unfortunately it's out of whack, some of the strings are missing, and the pianist is tone deaf and drunk- I mean, the noise! Impossible!
That's a very high goal to have, study eight hours a day to be a concert pianist.
I consider the first 20 performances just learning the piece. Think about it this way: If you think about a pianist who plays a Schubert sonata through his whole lifetime - if you listen to Rubenstein or Horowitz playing their repertoire later in their life, you understand the richness with which they play that music, and how differently they must have played it when they were younger.
I ... started out to become a jazz pianist; in the meantime I started singing and I sang the way I felt and that's just the way it came out.
Liberace was certainly master and commander of the ivories ~ he is the only pianist I can watch or listen to without suffering a case of 'Stagefright Sympathy Sickness'.
The study of how substances alter gene expression is part of the field of epigenetics. Some chemical exposures appear to turn on and turn off genes in ways that disregulate cell growth and predispose for cancer. From this perspective, our genes are less the command-and-control masters of our cells and more like the keys of piano, with the environment as the hands of the pianist.
I actually think that many of the musicians who have something meaningful to say don't win competitions. An incredible pianist like Horowitz had so much to say, but he might not win anything in competition because of his wrong notes.
I was the first person in my family born in the United States. My mom is from Croatia, and my dad is from Iran. They met at music school in Belgium. I grew up as a pianist.
Some pianists seem to really remember the keys and not so much the notes they play. They want to learn until it's a physical habit that can be replicated. For pianists, this is much more of a problem than for other instruments, like the violin, where you actually have to think of the pitch.
Singers actually used to begin singing at a much younger age than they do now. I would say for me, I started late. But it's not unusual. I discovered I had a voice. I wanted to be a pianist when I was seven, and circumstances didn't allow that I studied it.
Why is a person who plays the piano called a pianist but a person who drives a racing car not called a racist?
Every concert pianist knows that the surest way to ruin a performance is to be aware of what the fingers are doing. Every dancer and acrobat knows enough to let the mind go, let the body run itself. Every driver of a manual vehicle arrives at destinations with no recollection of the stops and turns and roads traveled in getting there. You are all sleepwalkers, whether climbing creative peaks or slogging through some mundane routine for the thousandth time. You are all sleepwalkers.
My mother Elizabeth Ivey Brubeck was a pianist who studied with Dame Myra Hess and Tobias Matthey. As a child in California I used to listen to her play Chopin.
This was solidarity. The debutante having her toenails pedicured - the housewife buying carrots from a pushcart - the bookkeeper who had wanted to be a pianist, but has the excuse of a sister to support - the businessman who hated his business - the worker who hated his work - the intellectual who hated everybody - all were united as brothers in the luxury of common anger that cured boredom and took them out of themselves, and they knew well enough what a blessing it was to be taken out of themselves.
My mother was the first woman in the county in Indiana where we were born, in Jay County, to have a college degree. She was educated as a pianist and she wanted to concertize, but when the war came she was married, had a family, so she started teaching.
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