There's this cornucopia of potential, and it can't be realized until someone works their ass off for it. Even on a Nickelodeon sitcom.
The strangest thing about writing a sitcom, is never knowing if it will become anything but words on a page.
I did five episodes of Townies as Jenna Elfman's boyfriend. I was a guest star, but it was the first time I really got to play laughs in front of a sitcom audience.
We did monologues and scenes, and New York I did a scene from Amadeus and a monologue from Pounding Nails in the Floor With My Forehead by Eric Bogosian, and then in L.A. I switched the scene to This is Our Youth and did the same monologue. I was spiky-haired, super skinny. A lot of people were like, "You should come here and do a sitcom." That was the feedback that I got. Obviously it was quite a different journey than the one I've actually had, but I just listened to people.
I just love the subversion of dialogue in sitcoms, stand-up is monologue and that is entertaining for a lot of people but personally I find it a bit trying, which is a weird thing to say as a stand-up! I love people aping normal conversation and twisting it so it becomes hilarious.
As much as I loved [Al] Pacino and [Robert] De Niro and wanted to be a dramatic actor, I also grew up on sitcoms.
I really set out to do this traditional looking and traditional sounding multi-cam sitcom, but then make the world as elastic as an animated show could be. Make the world as surreal as we wanted it to be.
My career isn't gonna screetch to a halt because some guy in Westbury filmed ten minutes of the show. "Well, we were gonna give you the sitcom but saw that bit you did about the Mormons in Westbury, so get outta here."
I think the part of media that romanticizes criminal behavior, things that a person will say against women, profanity, being gangster, having multiple children with multiple men and women and not wanting to is prevalent. When you look at the majority of shows on television they placate that kind of behavior. If you go through a weekly Monday through Friday, it's all there. It's in how people on the sitcoms and cop shows talk to each other.
I love doing sitcoms and I love performing in front of a live audience, so [Payne] was a really fun experience.
Actors are embracing a new aesthetic, which is leaning more toward truthful and simple and direct, as opposed to what we would normally call sitcom acting.
The only thing that I'm not willing to do is really stupid, horribly written sitcoms. It can be tempting during pilot season time, but I realized this a while ago when I almost signed my life away to a stupid pilot.
Some writers and producers are currently writing a sitcom for me, so we'll see what happens there. I'm somewhat reluctant to talk about some of the upcoming projects that I'm working on; I've a lot of stuff on the go, including five pictures that I'm looking at producing.
If you're on a network show, it's either some wacky sitcom or a drama where you're servicing a procedure.
Sitcom hours are silly easy compared to drama. Whenever an actor on a sitcom complains, I feel like smacking them!
I'll get to make a lot of money and do some bad sitcoms.
Television is a powerful medium that has to be used for something better than sitcoms and police shows. On the other hand, if you don't recognize the forces that play on what people watch and what they don't then you're a fool and you should be in a different business.
If I could live a parallel life, I would be a sitcom star; being in front of a live audience would be great.
I was only 11 when we filmed the pilot. The idea of a rapper being a star on a sitcom just wasn't heard of.
I do choose to write for a living - in addition to writing plays. I no longer write sitcoms, and I no longer feel shame.
I have been approached now and again about sitcoms, but, with very few exceptions, one simply needs to move to L.A. for at least a year or two these days if one wants to develop a series - which is what writing a pilot means. I've also been approached about writing episodes for sitcoms, but in order to do that one actually has to watch sitcoms. . . . Life's too short for television, and I don't what it on my actual gravestone, HE STARED AT A BOX FOR 10,000 HOURS.
So many of these comics are just frustrated singers or actors - they want to get a gig doing a sitcom. It's paint-by-the-numbers comedy, lame joke-telling. They're drawn to it as a career move.
What you aspire to on a sitcom is the feeling of live comedy.
A sitcom. I hate that word.
I loved doing sitcoms.
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