When I see someone filming me, I don't usually think, 'No, man, don't put this up online!' I'd think, 'Hey man, you don't get to go to shows very often, put down the camera and enjoy it!' I love going to theatre and to shows so much.
I'm an old-fashioned theatre major at heart.
Places like the National Theatre or Sheffield, these great engines of theatre, make us cutting edge because they can be experimental. They can do plays that nobody else can afford to do in ways nobody else can afford to do.
I've found that the only way to make theatre that gets the audience thinking is when I feel uncomfortable making it.
Whether you are a writer, or an actor, or a stage manager, you are trying to express the complications of life through a shared enterprise. That's what theatre was, always. And live performance shares that with an audience in a specific compact: the play is unfinished unless it has an audience, and they are as important as everyone else.
I submit all my plays to the National Theatre for rejection. To assure myself I am seeing clearly.
The logistic requirements for a large, elaborate mission to Mars are no greater that those for a minor military operation extending over a limited theatre of war.
As much as the mystery element is all a lot of fun, when you do go to 'Edwin Drood,' you're going to a theatre to see a show about going to a theatre and what that relationship between actors and audiences has been for years.
The most beautiful thing I have ever seen in a movie theatre is to go down to the front and turn around, and look at all the uplifted faces, the light from the screen reflected upon them.
My parents wanted me to be a doctor, and they weren't very happy at the idea of me choosing acting as a career. Everyone in my family went to university - my older brother is a lawyer - but when they saw me for the first time at the theatre, they thought, "OK". They like it very much now.
I've actually been looking at plays, and I have read a bunch of stuff. I would love to do it. I have thought about theatre on and off over the years, but other things kept getting in the way. Maybe now's the time.
The grand scale and immersive nature of The IMAX Experience gives Spiderwick a brand new level of excitement. In IMAX theatres, fans will be drawn into the movie even further and feel as if they are actually part of the story.
I did my New York debut at 21. It was “On the Town” at the George Gershwin Theatre. New York is my artistic home.
Men go to the theatre to forget; women, to remember.
Towns are full of people, houses full of tenants, hotels full of guests, trains full of travelers, cafés full of customers, parks full of promenaders, consulting-rooms of famous doctors full of patients, theatres full of spectators, and beaches full of bathers. What previously was, in general, no problem, now begins to be an everyday one, namely, to find room.
Most Americans would agree that Plowshares is a Theatre of the Absurd.
Sometimes we go to a play and after the curtain has been up five minutes we have a sense of being able to settle back in the arms of the playwright. Instinctively we know that the playwright knows his business.
I do believe that there are African Americans who have thick accents. My mom has a thick accent; my relatives have thick accents. But sometimes you have to adjust when you go into the world of film, TV, theatre, in order to make it accessible to people.
I've done both theatre and film and the fact is if you start believing, if you start reading things and they're good reviews - you believe that and you're lost, and then you read bad reviews and you think that's true and you read that and you're lost.
My teachers encouraged me to audition for some professional work during our summer vacation. I landed my first job. It was for the National Theatre Company's Mimika Pantomime troupe. I ended up touring with them for the next two years.
It's great to be in a film that's able to have people really want to become socially conscious, to walk out of the theatre and want to do something.
I pursued a theatre career, and Hollywood came calling.
I've been acting my whole life. I have this huge imagination! I'm a dancer and my mom's a dance teacher, and I was always performing and entertaining people. I'd go to see live theatre or a movie, and I'd become the main character for a few days afterwards. I loved being somebody new for a temporary amount of time.
I love storytelling and I love just relating directly to an audience. That's why we do theatre, it's because we love contact with the audience. We love the fact that the audience will change us. The way the audience responds makes us change our performance.
It's all good fun - television and movies and so on - but the good thing in theatre is there's nothing and no one between you and the audience so you can do what you want really.
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