I never have goals or dreams. My sister says it's pathetic and lazy, but I had a goal, to tell jokes to pay bills and not have to live in a trailer. So, I think I'm living my fantasy. I don't have another.
In 1990 I did a story with Helena Christensen about a woman who lives in a trailer in the middle of the desert and finds a little crushed UFO with a martian who has survived the crash. She takes him home, and they fall in love. Later he has to meet with his fellow martians who have arrived to rescue him. It's a sad ending. This was my first truly narrative story and apparently the first narrative story in fashion photography.
There are certain aspects of acting that I don't like. I'm not a person who loves being on set. I mean, I know people that have their espresso machines in their trailers and they like being in there and they put pictures on walls. But I don't like it. I don't like sitting around.
I have this fantasy that the second movie would begin with a brief statement by all of the young actors who had played the children in the first movie, explaining how it had ruined their lives, so we would catch up with Emily Browning drinking heavily in the back of a burlesque bar, and maybe Liam Aiken would be living underneath a bridge, and then instead of the twins who played Sunny, we would just try to find the oldest woman in the world, and get an interview with her sitting in a trailer park.
Actually I want to scare away method actors because it's a pain. It's like, 'Come on, what are you doing? It's not real. What are you doing? Oh, you're really brooding. Okay, good. Go to your trailer. I'll see you in an hour.'
When I'm working, it's those actors (you know who you are) who sit around moaning that their trailer isn't big enough, or how bad their facilities are. I can't be doing with any of that, I just like to get on with it.
I'm a mad Gummi fan. I always have Gummis in my trailer. But you can't eat too many because then you get Gummi tummy, and that's no good. I can't believe I'm saying this.
I used to want to be a movie star so I wouldn't have to live in trailers anymore. And now that I make movies, I spend a lot of my life living in trailers.
I love sitting in the makeup trailer and getting my makeup done in 15 minutes as opposed to an hour and a half.
My sister wanted to be an actress, but she never made it. She does live in a trailer. She got halfway. She's an actress, she just never gets called to the set.
The unsaid rule for living in a trailer park is: 'If the door's shut, don't come a-knockin.' But if it's open and you're walkin' by, feel free to say, 'Hello.'
The excitement really didn't start to build until the trailer - which was carrying me, with a space suit with ventilation and all that sort of stuff - pulled up to the launch pad.
For the women in California, they're just downtrodden because they're so gorgeous here. Every hot cheerleader comes to California to make it. The men don't want to get married, they're lazy lions. Matthew McConaughey is their poster boy so they can procreate and live on the beach in the trailer and have kids and have money and be hedonistic.
Making films can be absolutely fantastic, but it can also be incredibly dull. You spend the whole day sitting by yourself in your trailer and then you get called to deliver one sentence - then you're told to come back and do it again at 5:30 the following morning.
In Hollywood, I'm lucky, I only do big movies like 'Blade.' It's much more comfortable: you have a trailer.
High-level actors can be all about their close-ups and the size of their trailers. I'd heard these horror stories of how a really powerful actor can come in and change your script.
If I have to spend prolonged periods of time in a trailer, I go mad. Stuck in a metal box doing nothing, I lie there paralysed with boredom.
That stupid saying "What you don't know can't hurt you" is ridiculous. What you don't know can kill you. If you don't know that tractor trailer trucks hurt when hitting you, then you can play in the middle of the interstate with no fear - but that doesn't mean you won't get killed.
It's always strange being a kid on the set, because you're treated like an equal when you're working. But then when you break, the other actors go back to their trailers to take naps and drink beer, and I have to, like, go do school.
You know the difference between a tornado and divorce in the south? Nothing! Someone is losing a trailer.
And in a world without heroes, as the movie trailer voice-over guy might say, the slightly awkward can be slightly cool.
I watch ESPN all day. If you come into my trailer, ESPN is on. That's the first thing I do when I leave the set.
It's a bit like school camp, shooting a film. Everyone's on heat. It's a strange energy. It's full of adrenalin. I funnel my excess energy in funny little ways. I do a lot of dancing in my trailer. I love music.
I couldn't care less about actors' trailers and food on sets and stuff like that - I just want to act.
There is a thing that happens when you are not as privileged and you start hanging out with a seedier crowd because you can afford to do the same things, And all of a sudden the big night out is sitting in somebody's trailer, smoking something or getting hold of something to put up to your nose.
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