We hold these truths to be self-evident: that all men are created equal; that they are endowed by their Creator with certain inalienable rights; that among these are life, and the right to make that of another miserable by thrusting upon him an incalculable quantity of acquaintances; liberty, particularly the liberty to introduce persons to one another without first ascertaining if they are not already acquainted as enemies; and the pursuit of another's happiness with a running pack of strangers.
Death is a dignitary who when he comes announced is received with formal manifestations of respect, even by those most familiar with him. In the code of military etiquette silence and fixity are forms of deference
NECTAR, n. A drink served at banquets of the Olympian deities. The secret of its preparation is lost, but the modern Kentuckians believe that they come pretty near to a knowledge of its chief ingredient.
BAIT, n. A preparation that renders the hook more palatable. The best kind is beauty.
HOMILETICS, n. The science of adapting sermons to the spiritual needs, capacities and conditions of the congregation.
BATH, n. A kind of mystic ceremony substituted for religious worship, with what spiritual efficacy has not been determined.
ASPERSE, v.t. Maliciously to ascribe to another vicious actions which one has not had the temptation and opportunity to commit.
FEMALE, n. One of the opposing, or unfair, sex.
Hope is desire and expectation rolled into one.
RUIN, v. To destroy. Specifically, to destroy a maid's belief in the virtue of maids.
PREFERENCE, n. A sentiment, or frame of mind, induced by the erroneous belief that one thing is better than another.
INFALAPSARIAN, n. One who ventures to believe that Adam need not have sinned unless he had a mind to - in opposition to the Supralapsarians, who hold that that luckless person's fall was decreed from the beginning.
EXPOSTULATION, n. One of the many methods by which fools prefer to lose their friends.
YOUTH, n. The Period of Possibility, when Archimedes finds a fulcrum, Cassandra has a following and seven cities compete for the honor of endowing a living Homer.
WOMAN, n. An animal usually living in the vicinity of Man, and having a rudimentary susceptibility to domestication.
RACK, n. An argumentative implement formerly much used in persuading devotees of a false faith to embrace the living truth. As a call to the unconverted the rack never had any particular efficacy, and is now held in light popular esteem.
PARDON, v. To remit a penalty and restore to the life of crime. To add to the lure of crime the temptation of ingratitude.
OPERA, n. A play representing life in another world, whose inhabitants have no speech but song, no motions but gestures and no postures but attitudes.
INCOMPATIBILITY, n. In matrimony a similarity of tastes, particularly the taste for domination. Incompatibility may, however, consist of a meek-eyed matron living just around the corner. It has even been known to wear a moustache.
DUEL, n. A formal ceremony preliminary to reconciliation of two enemies. Great skill is necessary to its satisfactory observance; if awkwardly performed . . . deplorable consequences sometimes ensue. A long time ago a man lost his life.
CENTAUR, n. One of a race of persons who lived before the division of labor had been carried to such a pitch of differentiation, and who followed the primitive economic maxim, "Every man his own horse."
CALAMITY, n. A more than commonly plain and unmistakable reminder that the affairs of this life are not of our own ordering. Calamities are of two kinds: misfortune to ourselves, and good fortune to others.
WRATH, n. Anger of a superior quality and degree, appropriate to exalted characters and momentous occasions; as, "the wrath of God," "the day of wrath," etc. . . .
RADICALISM, n. The conservatism of to-morrow injected into the affairs of to-day.
ART, n. This word has no definition. Its origin is related by the ingenious Father Gassalasca Jape as "One day a wag - what would the wretch be at? Shifted a letter of the cipher RAT, And said it was a god's name! . . ."
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