A cop stopped me for speeding/ He said, 'Why were you going so fast?' I said, 'See this thing my foot is on? It's called an accelerator. When you push down on it, it sends more gas to the engine. The whole car just takes right off. And see this thing [mimes steering wheel]? This steers it'
One time a cop pulled me over for running a stop sign. He said, "Didn't you see the stop sign?" I said, "Yeah, but I don't believe everything I read"
I got my driver's license photo taken out of focus on purpose. Now when I get pulled over, the cop looks at it [moving it nearer and farther, trying to see it clearly], and says, "Here, you can go"
I got pulled over by a cop, and he said, 'do you know the speed limit here is 55 miles per hour?'. So I said, 'oh, that's OK, I'm not going that far.'
I don't think there's anything quite as dashing as a cop on horseback. To me it's wonderful.
There is a thin line between the policeman and the criminal. The best cops are always crossed. The best cops are the ones who are able to think like criminals. But for a quirk of fate, they might have been criminals.
It's really nice to be able to do something that you've never done. I think that's the gift of being an actor because I get to play a cop, a racist cop and I've never done that before. It's nice to inhabit these other worlds especially when you get to work with great actors.
I think every filmmaker wants... I don't know about every filmmaker. I certainly want my films to just exist. I want them to be judged for what they are and analyzed, accepted, criticized, whatever you want to call it, on their own terms, not as part of some mall-cop genre.
It's funny, I was talking to somebody who writes for a cop show, and he was saying how they aren't allowed to acknowledge Christmas, Thanksgiving, Valentine's Day, just because it has to be able to play forever.
I think people really don't like cops so much; they're kind of rude to them or treat them like they can't see them.
I went to Annapolis for tougher laws to hold cops accountable. I'm fighting to bring back the trust between the police and the community.
Ninety-plus percent of police/community relations is simply wonderful - where people obey the law, don't resist arrest, don't attack cops and don't threaten lives, everyone gets along just fine. When the president [Barack Obama] constantly sides with the worst thugs out there and with the Black Lives Matter terrorists, and the media lies constantly, we the people better get to the truth ASAP.
It wasn't [Barack] Obama per se; it was the feeling on the ground; it was seeing an old black woman in a wheelchair being wheeled by her son waving a big American flag, and then seeing a guy with his baby in his arms saying, "I didn't want her to miss tonight! I wanted to be able to tell her!" And to see all these people, a Hispanic cop dancing with an old white woman, wow! I mean, that's the world I want to live in, and because it's the world I want to live in, I had a hard time leaving.
No cop was ever born who wasn't a sucker for a finely-executed high-speed Controlled Drift all the way around one of those clover-leaf freeway interchanges.
Before I write anything, before I create any assumption in my mind about what it's like to be in that world, I go out there first. I'm very drawn to darkness and light, very drawn to cop drama, because there are very few places besides war and murder and a homicide investigation where you see the extremes of human nature - the darkest crevices and cracks in what people do to one another.
And as cynical and jaded as many have become, you see the heroic nature of cops, who put aside a lot of their own personal concerns and their families to speak for the dead, which is a sacred thing. Over time there is this thing in them that is very powerful and interesting and provocative to me.
There are a couple of specific things about the show [Into the Badlands]. We didn't want to do a contemporary show, which is always "Chinese cop comes to New York, teams up with racist cop, together they fight crime..."
From an early age I loved horror movies. I read books about horror, cops, firemen and military. Over the course of the years I started to see that there's a reality to this. The first movie I was really conscious of seeing was THE EXORCIST and I don't know if any of you have seen that but it scared the sh*t out of me. It really frightened me.
In America uniformed cops eat in coffee shops, diners and restaurants and I always feel safer having them around.
If you have a problem in mass society, you call the cops. The experts. You no longer have any operative connection with yourself or others, or with a functioning community.
I just want to keep the diversity and the options open. In terms of what I'm looking for, I'd like to do a lead action role. Whilst I'm still young and I still have the looks, I want to take the helm and be a renegade cop, or something like that. He's got to have a bit of an edge, but that would be nice.
Know my feelings about traffic laws? Cop didn't see it? I didn't do it.
My parenting style could be described as not good cop or bad cop so much as nervous cop. I'm always yelling for somebody to stop because they're about to get hurt. I'm the take a jacket, slow down guy.
A chef who doesn't wash his hands is like a cop who steals. It's a cry for help.
I think the best thing about being dumb is that it makes magic a lot better. Where the hell did that rat come from? I dunno, but I'm calling the cops because he just cut that lady in half.
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