Let's say you have to catch a plane, and you are packing your suitcase and moving fast. Most people would call that stress. Most people live stressed like that all the time.
At a certain point, you have to convince the actors that you've done the right thing. The way I work, if I can't convince them, I've got to move on. I can't coerce them or browbeat them.
Usually when I put my focus on the pacing, the plot, the specific characterizations, - it's ironic - but then I actually increase my chances of writing something that moves people because I haven't become too self-conscious of the goal.
It's not interesting enough if you don't know who you are, what you want. You need to make educated decisions about your moves and talk to people who care about you. And you need to have people who will have your back.
I'm far, far, far from that. But of course, that's one of the joys of acting is that you can move up in the world, even if - you know, in the characters that you're playing, even if you don't.
I do tend to move on anyway. This is a part of my life, but it doesn't rule my life.
I just try to, in my own way, contribute to making a better Hollywood, to move Hollywood to be a leader in social justice, as it always has been, and not to have any holes in their own backyard while they continue to push for equality and all the things that they always stand up for.
I was born and raised in Dallas, Texas and seasonally lived in New Orleans and Boston. Given that this was all at a tender age, I imagine I was very impressionable. I was a kid that was always moving, city to city, school to school. I adapted easily wherever I was, I knew how to blend.
Everyone has a different route to success, recognition, and peace. Don't be afraid to move instinctually.
People who move to New York always the same mistake. They can't see the place.
If anyone should have a reason to not be afraid, to move beyond the expectations of culture, that is kind of the whole message of Christianity.
I can move around the way I want to. It's a beautiful thing. I don't know how long it'll last, but I'll certainly take advantage of it and try to be part of shifting and shaping the culture and preserving it.
Making the ballet really taught me how to get things moving. Ballet dancers don't stand still.
I think there is a tendency for people to become more isolated as they move along a spiritual path. With more development, people get more isolated. Also, as they have more wealth, they get more isolated.
JPMorgan was already, for the most part. Our businesses at JPMorgan share the same cash-management systems. The commercial bank, the private bank, the retail bank, they all use the branches. The cash-management system moves the money around the world - for global corporations, and for you, the consumer, too.
Our investment bank looks like it does because its customers like our expansive network and want to do equity, debt, M&A, custody, move money, deposit money, et cetera.
The toughest are people mistakes, when you put the wrong person in a job. Sometimes you're too slow to move them out. Or not getting the right people involved to solve a problem, or doing something out of anger; you learn, just don't do that. But I'd have to say the Whale was one of them, and I would also have to put Bear Stearns and Washington Mutual on the list at this point.
My favorite go-to modeling move was called "Be hungry." That was it. You just stand there, and be hungry. And that's all I have to say about the modeling industry.
Things move so quickly on set. When you're about to do another take and you have a minute to figure out what you're doing, you just kind of determine how you're going to do it on the spot.
It was hard for me to move forward, because I take responsibility for what I introduce into the world through my paintings. So to actually introduce something evil or bad was quite hard for me.
The hardest part about moving from nice California weather was the freezing cold New York.
After moving to New York, I started to love vintage shopping.
The world is both big and small at the same time. So you really do need to know TV, film and theater. Everyone is kind of moving through all different mediums. So I think it's important to be able to do those things.
I guess home is where the heart is, as they say. I've moved around the stage a lot - but I had intended on moving to New York anyway so I could live closer to Ireland and to Europe. That's where my sensibility is. This has just facilitated that process.
New York feels like a sublet of Europe. And Europe is a sublet of New York. Put it that way. It's so accessible. When I was in LA, I felt so far away from my home. Home, for the moment, is here until it's not. I like to move around with my work. I feel it's a great way to learn about life, about new cultures, and to learn. We'll see where the wind takes me.
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