Cameras Quotes - Page 20

• I am going to get officers training to deescalate situations, ban racial profiling, and make body cameras available.

  Hillary Clinton

  Training, Body, Bans

  Source: www.cosmopolitan.com

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• Like, she had a caterer, she had wardrobe people, she had two makeup artists... I mean, we have makeup and we have wardrobe, but Felicia [Day] was, like, on it. She had two cameras operating, sets, extras everywhere. It was unbelievable. I don't know what her budget was or is, but she had sponsors for her show, and we don't have a sponsor yet, so basically, the difference is, our moms make our costumes.

  Brent Spiner

  Mom, Mean, Makeup

  Source: www.avclub.com

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• We gave each other a hug, [Richard Pryor] said how much he admired me, I said how much I admired him, and we started working the next morning, and we hit it off really well, and he taught me how to improvise on camera.

  Gene Wilder

  Morning, Hug, Next

  Source: keranews.org

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• I had improvised a lot in classes and at the Actors Studio, but I never did it in front of the camera.

  Gene Wilder

  Class, Actors, Studios

  Source: keranews.org

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• After directing the first film it feels kind of tricky being back to being in front of the camera, because I've always got one eye over there, kind of thinking of what they are doing, and how the shot is being composed. I think it takes a couple of films to just get back to just being an actor.

  Denzel Washington

  Couple, Eye, Thinking

  Source: www.getfrank.co.nz

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• People tend to relax when they're off camera. That's when they should be working the hardest.

  Denzel Washington

  People, Relax, Should

  Source: shadowandact.com

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• Yume is a no-nonsense dog. There are many people here, with camcorders running, lights shining and cameras clicking. She is being a guard dog.

  Vladimir Putin

  Running, Dog, Light

  Source: www.rt.com

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• I like the ending of the movie [War Horse], simply because it's such a demanding scene emotionally, and yet [the look] is all done on camera. I like the work not to be manipulated digitally. And it's all done on camera [in that scene].

  Janusz Kaminski

  Horse, War, Done

  Source: screenrant.com

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• Buddy Hackett [was] talking - this is Hackett, not me - about the Virgin Mary, a limerick sort of thing, and all these children and families ... the look of absolute horror. He's going on and on and on, and finally he stops. It's just total horror, and the camera's still rolling. You can hear it, sort of a grinding noise. And the director says, "Anything else, Bud?"

  Bill Murray

  Children, Talking, Say Anything

  Source: www.esquire.com

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• Working on "Pieces of April" with Peter Hedges at a young age was really very powerful. It was a different kind of work. We shot that in 10 days and Peter was right there with us, right next to the camera. It was very grounded and I really liked working that way. I liked the way he directed us.

  Katie Holmes

  Powerful, Age, Different

  Source: www.businessinsider.com

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• When I was on set I tried not to bug Steven Soderbergh too much. "Why did you put the camera there?" But he was very open to my questions and definitely being on his set was really thrilling because he's such a master.

  Katie Holmes

  Too Much, Bugs, Masters

  Source: www.businessinsider.com

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• I was paying attention to where Steven Soderbergh had the camera and his shots. I was blown away.

  Katie Holmes

  Attention, Shots, Blown Away

  Source: www.businessinsider.com

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• Because I'm CGI, [John Swartz] gave me a role of an Imperial pilot in one scene, so I had a day where I was on camera dressed as a black suit and a little cap that they wear.

  Alan Tudyk

  Black, Littles, Pilots

  "Alan Tudyk on making Moana's chicken noises and his fear of becoming Rogue One's Jar Jar". Interview with Esther Zuckerman, film.avclub.com. December 7, 2016.

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• 'How the West was Won' was very hard, because it was a three cameras technique, meaning three cameras wide. Therefore I wasn't speaking to my fellow performer, I was speaking to a camera, or a line next to the camera. It was difficult to do, because its not real acting. I had to pretend that I was 'seeing' Agnes Moorhead or Jimmy Stewart or Carroll Baker. I wasn't, I was acting to a drawn line. It took me personally two years to make the film, because my character starts at age 16 and I end up being 92 years old in the film. By the end of that production, I was ready for a long nap.

  Debbie Reynolds

  Real, Character, Naps

  Source: www.hollywoodchicago.com

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• There are women in makeup and hair and wardrobe, but not in camera, not in sound, you know, and not in special effects. It's all men.

  Carrie Fisher

  Makeup, Men, Hair

  "Remembering 'Star Wars' Actress Carrie Fisher". "Fresh Air" with Terry gross, www.npr.org. December 28, 2016.

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• To make things just that much more interesting, the changes can't be captured on camera, so anyone who doesn't see them firsthand thinks it's all some mass hallucination.

  Jenna Black

  Thinking, Interesting, Hallucinations

  Source: happyeverafter.usatoday.com

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• Apart from those other riders there is a whole production team [ of The Fourth Phase] behind the cameras too, hauling hundreds of kilos of fragile and awkward filming equipment up those same frozen landscapes. They're the real heroes.

  Travis Rice

  Team, Real, Hero

  Source: www.snowmagazine.com

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• I love to snowboard with no cameras: 100 percent.

  Travis Rice

  Percent

  Source: www.snowmagazine.com

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• I'm passionate about capturing amazing snowboarding action. I get so much out of the artistic endeavor of even getting one amazing shot in a pristine environment, using specialist cameras to showcase how fun and dynamic snowboarding is. That's what I live for.

  Travis Rice

  Fun, Snowboarding, Passionate

  Source: www.snowmagazine.com

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• It's very easy with the camera to show the positive side of something.

  Sergio Leone

  Sides, Easy, Shows

  Source: www.americansuburbx.com

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• Having done stand-up on television and in stand-up specials for like Comedy Central, you learn quickly that for that type of performance you're playing to the camera.

  John Mulaney

  Done, Television, Comedy

  Source: uproxx.com

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• If I was at the Comedy Cellar at midnight you yelled at the back of the room. But you, for television, play it to the camera because yes you're communicating to the people at home using the studio audience that's right in front of you as a guide for that.

  John Mulaney

  Home, Play, People

  Source: uproxx.com

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• That was an interesting thing I learned I think the first time I did a late night show or something. It was like, "Oh, this is for the camera and a performance that you're giving to the people at home."

  John Mulaney

  Home, Night, Thinking

  Source: uproxx.com

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• I remember when someone told me phones were going to have cameras on them, and I thought that was the dumbest idea I'd ever heard. Why would you want a camera on your phone? But as we see the impact of it, it has allowed for a mass verification of what black people have been saying.

  Arthur Jafa

  Impact, Phones, Ideas

  Source: www.interviewmagazine.com

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• The film [ Wyatt Earp and the Holy Grail] was shot on a KODAK Zi8 camera as well as on multiple camera phones. It was processed using the effects of FINAL CUT X and then edited in FINAL CUT 7.

  Evan Jacobs

  Cutting, Phones, Holy Grail

  Source: xstuckinthepastx.blogspot.com

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