A lot of people would flee from what they think is award-show cheesiness, and I don't. I often joke that my speeches are very personal moments that play themselves out in front of billions of people.
[The Outsiders] was very competitive, in the best possible way. Full of love, full of companionship and fellowship, pranks and practical jokes and ball-busting.
At the time, it was a really funny joke [Fluffy] and I went back and forth with going against the joke or embrace it. I decided to embrace it and now we're talking about it, so it was a good call.
The reason everybody is so amazed and enamored with me right now is because I have worked every angle, I have worked every formula, I have worked every equation, I have seen every club, I have seen every performance, I have seen every joke, I have studied, I have done my job. That's why I'm good. It's not because I got up one night and decided I wanted to tell some f - -ing jokes.
If I see someone not laughing, the first thing I'm thinking is, "OK, am I cursing too much? Am I doing a joke he doesn't understand? Is he resting?" Then he starts becoming my focal point. Once I see him laugh, I'm like, [snap] "All right, now I'm funny."
We're not going to have a wall [on Southern border] like now which is either non-existent or a joke.
My general approach to writing fiction is that you try to have as few conceptual notions as possible and you just respond to the energy that the story is making rather than having a big over plan. I think if you have a big over plan, the danger is that you might just take your plan and then you bore everybody. I always joke that it's like going on a date with index cards. You know, at 7:30 p.m. I should ask about her mother. You keep all the control to yourself but you are kind of insulting to the other person.
The vast majority of people that have gotten mad at me for a joke that I've made were people that were, A, never going to see me in the first place, or, B, were dragged to see me by somebody else.
I am an artist who's just tryin' to do something different, and basically not caring about everybody's opinions and wanting to follow what everybody else is doing. At the same time, I know when to be serious, but I know when to joke.
In college I took an acting class as a joke. It sounded like something fun and easy at the time. I had originally wanted to go to art school, but I gave all that up because I didn't want to be a starving artist.
In the Senate race I went for some candidate endorsement meetings and three people there asked me: Do you go to a therapist? Because they could not believe that with the beating I took in the mayor's race I could still come in there cracking jokes and talking about the issues!
I am an artist and a writer, and I do think that one always places oneself in the picture to see where one fits. I left home when I was sixteen and lived in places where it was very easy for me to have fallen the other way. I could have been on the large convoy because I was a woman and I was alone. In India, that's not a joke. I could have ended up very, very badly. I'm lucky that I didn't.
It's important to remember that life is a joke and that outlook grants a lot of perspective, but I don't think comedy should change and become political due to other things. It should just laugh at that cosmic joke that life is all the time.
I think the biggest shift for me is - this is going to sound like a wanky actor, but - getting in touch with, and learning to not just appreciate, but actually really enjoy being a woman. Because for so long I was a jock, and I was an athlete, and I was a tomboy, and people would joke about like, fancy dress, you should go as a girl.
I remember talking to, 40 years ago, one of the leading people in the government who was involved in arms control, pressing for arms control measures, détente, and so on. He's very high up, and we were talking about whether arms control could succeed. And only partially as a joke he said, "Well it might succeed if the high tech industry makes more profit from arms control than it can make from weapons-related research and production. If we get to that tipping point maybe arms control will work." He was partially joking but there's a truth that lies behind it.
I don't think fast enough on my feet in terms of the writing to change the script too much when I'm shooting it. I like to have it set and done and know that I feel good about it and I might add a few lines here and there while we're shooting, if I think of a new joke, I might toss it in, but for the most part, I try to stick to the written script and have all the latitude exist within that.
Under the current high energy / high entropy regime, sustainable development is a joke.
The Muppets are no joke. They are for real. Each one has an agent and manager and all that stuff. I'm not even kidding.
I find it incredibly boring when people are mean about some individuals, especially if the individual has no power. I can understand how someone deems it necessary if somebody is in power to tear them down - I think that's really crucial. I make a lot of mean jokes about myself; as a theme, suffering seems to me a very interesting thing for comedy, but not the suffering of a particular individual.
You have to have that emotional investment in the jokes that you're saying otherwise they actually don't work. You can say exactly the same thing, but if you don't believe it's funny at the time that you're saying it, it won't be.
For me, a tour show should have a narrative; it should have an arc. It shouldn't just be, "Here's one joke, here's another joke." That's not my style. They all have to somehow link together.
There is no reason why a joke should not be appreciated more than once. Imagine how little good music there would be if, for example, a conductor refused to play Beethoven's Fifth Symphony on the ground that his audience might have heard it before.
There is a sensuousness to language, there's a pace to it. There's a deliciousness to it. I do have pleasure when I'm writing. I mean, I'm aware of pleasure. And sometimes I make myself laugh, with a joke or something; or I feel gleeful. But that's just momentary. And then it's about how to make it work. Your medium has to be alive to you, no matter what you do.
The fact of the matter is that Buddhism has changed a lot. When St. Francis of Xavier arrived in Japan, he wrote back to the Vatican and made a joke. "It is unfortunate," he said, "that the Lutherans were here before me." By this he meant that Pure Land Buddhism was so much like Lutheranism.
I certainly had qualms about writing my piece in the first place, since I knew I couldn't express my disdain for many of Rev. Falwell's teachings. But I don't regret having written about the sides of Rev. Falwell that had nothing to do with politics or religion - his grandkids, his ministry for ex-alcoholics, his penchant for practical jokes. I think it's important to recognize the humanity in everyone, even those we strongly disagree with.
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