I think the progressive audience that loves Star Trek will be happy that we're continuing that tradition being progressive and all-inclusive. Star Trek's not necessarily a universe where I want to hear a lot of profanity.
My poems are certainly in the lyric tradition, but perhaps a reader can tell me more precisely who I am as a poet. How can I be so old and not know? I have always been deeply grateful for the urge to write, the desire to create, that's certain. Writing has always been the way I make sense of life. Perhaps my poems define me, rather than the other way around. They do constantly surprise me.
There's definitely a melancholic ingredient in our concerts in the United States versus in other places. Many times people feel far away from their place of origin, from their traditions, from their people. And in a way, Café Tacvba's music brings them memories. It seems to connect them with all that they miss, because the concerts are very emotive and have lots of energy. We're very fortunate to have our music connect in that way.
There are hard texts in each tradition which we must confront and ask ourselves, 'Can we reinterpret those texts to allow us to live peaceably, and respectfully, with people of other faiths?' That is a job only Jews can do for Judaism, only Christians can do for Christianity, and only Muslims can do for Islam. But sometimes the sight of someone in one faith wrestling with that faith can empower you to wrestle with another faith.
Jorge Luis Borges was lamenting a variety of Orientalism that was used to measure the alleged authenticity of Argentine and Latin American writers in the midcentury. The Argentine literary tradition was believed by many, including many Argentines, to be concerned with a national imaginary in which the gauchos and the pampas and the tango were fundamental tropes. Borges, in part to legitimize his own Europhilia, correctly pointed out that expecting writers to engage with these romantic nationalist tropes was arbitrary and limiting, a genre that was demonstrative of its own artificiality.
I started playing polo when I was nine years old. I'm from Argentina, so in Argentina polo is more of a common thing. We have a lot of horses and a polo tradition and it's something that goes from generation to generation.
The communal experience of sharing something, and being part of it, and watching something visually striking, that's what film is all about. Seeing everything on a big screen, and to be able to see something phenomenal in that way, and being moved by it. We have kind of lost the tradition of that, and we're not nurturing the next generation in that tradition, and maybe that's why they're not turning up.
It is clear that friendship is by and large crucial to human life. And I believe, in contrast with most of the philosophical tradition deriving from Aristotle, that it is not limited to a very few perfect individuals.
Americans, Poles, and the nations of Europe value individual freedom and sovereignty. We must work together to confront forces, whether they come from inside or out, from the South or the East, that threaten over time to undermine the values and to erase the bonds of culture, faith and tradition that make us who we are.
First I went to a Jewish school, when I was very little. But when I was 12, they put me in a school with a lot of traditions, and they were educated people and they were talking about Greece and the Parthenon and I don't know what. All the kids, all the girls they had already seen that and knew that from their family, and I would say, "What are you talking about, what's that?" It's not my world. My grandparents were very well-educated people, but in the Jewish tradition. They knew everything about the Bible.
Donald Trump hasn't been specific, but if you go back over some of the campaign rhetoric, well, obviously, there's the bully pulpit, just publicly shaming out-sourcing companies. And that again is not new to Trump. If you remember, back in 2004, John Kerry was making noises about Benedict Arnold CEOs in a similar context. So, that's got a long and gloried tradition.
Any country is hard to govern, even a very small country. It's not a question of whether the country is large or small. It's a question of how you relate to the work, to what extent you feel responsible for it. Russia is also hard to govern. Russia is at the development stage of both its political system and the creation of a market-based economy. It's a complicated process, but very interesting. Russia, actually, is not just a large country, it's a great country. I mean its traditions, and its cultural particularities.
Marvel has this tradition, and I think that Sony has this tradition too, of hiring directors for Spider-Man who are dramatic directors. That are directors who are interested in human beings, in characters, in drama, and who are really good with actors. That kind of feels like a Spider-Man director to me. And because Spider-Man is always as big as the films that are being made at Marvel, it always is character and story. You can never take that out.
Waiting for someone to propose to you only passes the "Really, it's tradition!" sniff test when both of you think it's the man's job to propose and both of you think that's awesome.
What is interesting is that John Lewis actually got interested initially in the civil rights movement because of a comic book. So part of it, he's paying homage to this tradition that you can tell serious stories and talk about serious issues in graphic form.
For President Donald Trump, questions about transparency start with his taxes, and why he's breaking with tradition and not releasing his returns.
I think parenting is one of the most important jobs, because you can hit two or three generations with the values in your house and the traditions you establish. But I don't think I'm very good at it, and I don't know anybody who thinks they're very good at it. Probably almost everyone gets an A in grandparenting, but in parenting, if you get a B- you're doing pretty good.
The novel tradition is the closest thing I have to a religion, and being a part of that tradition means a lot to me. I don't really see - I never have seen - why I should have to forfeit that feeling, or hope, of belonging, just because the stories I want to tell are close to my own experience.
A great deal of what is being published by writers in the religious tradition is a scandal and is actually turning people away from the church. The liberal writers who are continually accommodating and whittling down the truth of the Gospel are responsible.
I connect with techno way more than house. I find it frustrating people call me a house artist because I think my music in general is more in the tradition of techno. House is celebratory and extroverted. I don't connect with that sentiment.
The traditional roots of Scandinavian cuisine are not that spectacular, to say the least. When we write about the traditions that we are inspired by, it's more techniques like smoking, preserving. Many of them are not made to make food delicious; they're just around so that you can make food last through the winter. There isn't a great deal of tradition to tap into.
Native people such as the Cherokees are just as human and complex and real as Americans are, and our nation needs to respect American Indian cultures and traditions.
I love the idea of carrying on some kind of tradition using some of the artifacts from people that touched my life. They're a continuum, too. I still use my father's tools and some of my grandfather's tools. There's a very romantic streak in me. I confess, I'm a romantic, but I like the idea.
All I want to do is realism and follow the tradition of realism. And explore what realism should be now be after the ubiquity of smartphones. I'm trying to answer the question. I don't think I'll ever have the words, but hopefully I'll have a few images.
In Italy there is a supreme know-how and a desire to achieve that doesn't really exist anywhere else. You can't make clothes like that in America, because it's just not in the tradition.
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