Comedy shows in D.C. are so much fun. I think because of the intense area that is connected to politics that people need, they need their down time. D.C. audiences are almost universally praised by comedians.
I think there is more comedians now than ever, more venues now than ever. There are stand-ups who live in towns where they don't have many comedy clubs where they are organizing more comedy nights in bars. I just think this is a fantastic time for stand up.
I like LA because it has a giant supply of great comedians.
You could be a poet, an artist, a comedian - if you're in the culture of innovation then you embrace those who do and you're going to protect the science curriculum in the classroom because you understand the meaning and the value of it. And science discoveries don't scare you. You say, "Give me more science", not less. "Give me more technology", not less.
Growing up, I didn't know anything about comedy and didn't know anything about comedians or what standup was. I grew up in the projects with no dream of anything, it was in my formatting when i got older and started talking to my friends about how I felt, they would be like, "dude, that's funny." Then one day my friend was like, "Dude, you don't understand how funny you are, you need to do standup"!
Branne's [Pavlovic] parents wanted him to become a taxi driver, but he became a stand-up comedian instead. So they died of shame.
I've never considered myself a comedian. I'm a comedic actor.
Certain comedians work with certain actors; like Adam Sandler worked with Jack Nicholson.
My favorite, favorite, favorite, and the greatest comedian that could ever exist if you could Frankenstein a comedian together, would be one part Richard Pryor, one part Peter Sellers. That would be the greatest comic actor.
I'm not referring to an up-and-coming comedian. I am referring to the host of The Profit. He invests his own money into small businesses that need to be turned around. He becomes partners in them. And I love the way he does business, and I love his integrity, and I love where his head's at, and I love what he has to say, and I learn from him.
I think Eddie Izzard is one of the brightest minds of our generation. I don't see him as a comedian as much as I see him as a philosopher. I hope I get to work with him on everything until I die, because I think he has a great mind and is a very talented actor.
If you're a musician, you create what you love and hope other people love it as well. Amongst musicians, the starting point is what they love, and then they bring people to them. As a comedian, you have to say something that people relate to, or nobody laughs. As an actor, you have to perform the character in the way that people relate to.
What you have to do as a comedian, that I suppose is quite difficult, is you have to end it. All the stuff that I've ever done in the past - all the tours - no matter how good it was last year or the year before, that's gone. What exists this year only exists in this time, and then it will be gone.
That's one of the things about comedy that annoys me the most from a comedian perspective. Comedy has gotten so segregated. Now it's like if you don't agree with somebody, you probably aren't going to like their jokes. I think comedians are starting to write for their audience and not towards the country.
If you want to be a stand-up comedian or an artist, you move to New York.
Filming in Cloak & Dagger I was trying to get my Screen Actors Guild card. Everybody tries to get their SAG card if they want to be an actor. People might say that it was their dream to be an actor, but for me, I was a comedian. I already had a job. But I felt like there could be money there, and comedians don't make very much money, or they didn't in 1984.
I just had a throwaway part, really, if you think about it. I'm not a natural actor, you know? I'm a comedian, through and through. And I really love my lines. Those are the lines I want to do.
In L.A., there could be a million delusional comedians or actors and they all blend in together and no one is ever like, "You're living a lie." But if you're in a small town and you're like, "I'm the funniest person here," but you're not that good, everyone's going to notice and call you out on it.
I've been a comedian for a long time so writing and performing is a big part of what I do. If anybody's doing comedy they should also work on writing.
I mostly want to highlight things that feel like an injustice, and that's not really political. No one is going to - or should - say that bigotry toward Muslims is partisan. It's a matter of being just or not being just. So that's why I started calling myself a social justice comedian.
I try not to focus on politics too much - I would never be described as a hugely political woman - but the fact of the matter is, just me being a female, immigrant, stand-up comedian, single-mother ... that is political. We still live in a world where a woman with a voice is a political gesture.
I believe I am God's favorite comedian. I think he is a really big comedy writer. He writes scripts. And I just follow along.
I'm not a broad comedy guy. I've been funny in movies, but I'm not a comedian. I'm an actor who's sometimes funny.
I love music. I've always wanted to do music, even when I started out as a comedian.
When I began doing theatre in high school I saw that I could get laughs from people but I didn't really connect that to going on and becoming a comedian. I was interested in acting and while I was at Boston College I was part of an improv group, Mother's Fleabag, which had a long history and has been known as one of the best college improvisation groups in the U.S.
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