Hip-hop as a culture itself goes through stages. It grows - it's breathing, living. I've noticed that we usually start off conscious, then we wind up very highly sexual, and then we thug it out. Then things get a little funny again, with comedy and that kind of thing.
The best way to do comedy is to not filter yourself, and then you could always fix it later. You want to be able to push the envelope.
Comedy always works better when you're tracking the story and you care about the characters. That's why there's a lot of movies where there's not a ton of jokes, but you get huge laughs because there's a moment of relief.
I try to give all my characters a sense of humor, so I guess I feel like I have done comedy, but maybe I'm better known for drama.
Eugene Mirman is the Andy Warhol of comedy. People look to him for what's next in comedy, and he emails these people back promptly. The Will to Whatevs put me in a great mood because I was laughing out loud. Alone. That's hard to do.
In comedy, the witty style wins out over every mishap of the plot.
Donald Trump announced today he is running for president of the United States. Traditionally that means six more weeks of comedy.
It has become cliché to say I laughed until I cried, but when I'm done reading one of [Kupperman's] underground comics my shirt is literally soaking wet. This guy may have one of the best comedy brains on the planet right now.
Comedy is hostile to profundity, and brings everything to the surface.
I have observed that in comedies the best actor plays the droll, while some scrub rogue is made the fine gentleman or hero. Thus it is in the farce of life. Wise men spend their time in mirth; it is only fools who are serious.
I think comedy is the most difficult thing in the world, I really do.
The world of men show like a comedy without laughter: populations, interests, government, history; 't is all toy figures in a toyhouse.
I used to think it was clever to confuse comedy with tragedy. Now I wish I could distinguish them.
There is material among us for the broadest comedies and the deepest tragedies, but, besides money and leisure, it needs patience, perseverance, courage, and the hand of an artist to weave it into the literature of the country.
In Maureen Owen's perfectly titled Erosion's Pull, words and lines map, unmap, and revamp our everyday postcontemporary geographies: ironies and ambiguities, surrealistic conundrums, kaleidoscopic comedies, puzzlements, certain and uncertain loves and losses.
The happy ending of the fairy tale, the myth, and the divine comedy of the soul, is to be read, not as a contradiction, but as a transcendence of the universal tragedy of man. The objective world remains what it was, but, because of a shift of emphasis within the subject, is beheld as though transformed. Where formerly life and death contended, now enduring being is made manifest-as indifferent to the accidents of time as water boiling in a pot is to the destiny of a bubble, or as the cosmos to the appearance and disappearance of a galaxy of stars.
There is nothing far-fetched about disappointment as a subject for comedy. It's something we are all too familiar with.
I had my own insecurities, which a lot of my comedy would come from, about not being able to live up to their academic expectations. Acting out those insecurities was a way of confronting them, like, “Let me just lean into being a guy who can’t read or write.”
The actress (Heidi Swedberg) is this wonderful girl, and ... I love her! i couldn't figure out how to play off of her. Her instincts for doing a scene - where the comedy was - and mine were always misfiring.
First and foremost, I just want to write comedy.
I think that people who do enjoy my stand-up comedy and the people who get it and the people who are taken in by it, they see that I'm a guy that has love of the game.
In the 1990s, it's OK to do comedy about the Chernobyl disaster or the Space Shuttle blowing up. It's acceptable to ridicule the Pope or the President of the United States, but God forbid you do a joke... about gays. The gay community is the last sacred cow in this society.
I like the honesty of standup comedy. People don't fake laugh. If they're truly laughing at you, you know they like you.
I think you're bound to get a sense of any character that you play. It's not something you often do in comedy.
What you want in a romantic comedy, is to have two people that you want to see together and how do they overcome the obstacles that are in the way for that to happen.
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