I was seeking comic originality, and fame fell on me as a byproduct.
Stand-up comedy seems like a terrifying thing. Objectively. Before anyone has done it, it seems like one of the most frightening things you could conceive, and there's just no shortcut - you just have to do it.
I keep my stand-up comedy notes in a pile on my desk. I don't organize my act. I keep myself in a state of confusion. It stresses me out, but I prefer creative chaos.
I think stand-up comedy is this - it's this kind of indulgence and narcissism.
I do podcasts for the same reasons I do stand-up comedy. I love it, and I don't care if anybody else gets it.
I just love entertaining. I will do anything - stand-up comedy, video games, fencing, internet shorts - I just want to keep being lucky enough to entertain people anyway I can. I try never to limit my art to a medium.
My mom and dad are both in stand-up comedy, so that's where I started, that's where I got everything. My roots are holding the mic.
Stand-up comedy is tough right now. Anybody can come to a concert, tape you, and put you up on the Internet. You either fight it or embrace it.
I do think that stand-up comedy in general heavily favors masculinity and so I like to act a little feminine onstage.
I took a job in a comedy club - not doing stand-up comedy, because that's my idea of hell, but in the office - and I went traveling.
When I was 14, I told my mother I was going to drop out of high school and go do stand-up comedy. All she said was 'Oh maybe it's better if you just die,' because it was killing her that I was doing this.
The beautiful thing about podcasting is it's just talking. It can be funny, or it can be terrifying. It can be sweet. It can be obnoxious. It almost has no definitive form. In that sense it's one of the best ways to explore an idea, and certainly much less limiting than trying to express the same idea in stand up comedy. For some ideas stand up is best, but it's really, really nice to have podcasts as well.
My sense of stand up comedy would be so esoteric.
It's weird with stand-up comedy. It doesn't really translate worldwide. I want to figure out how do I make it worldwide. Do a special in Africa. Can't beat that. Pull that off, then I will have done something.
Stand-up comedy - I love this job, and I gotta tell you, folks - knock wood - it's been working. 'Cause I was one of those kind of people, even when I had a regular job, I couldn't even call in sick right. You know, I was like, 'Hello? Yeah, I can't come in today. I have scurvy.
I usually have sex to my stand-up comedy album. Power move.
An aspiring comedian must be determined to get to his or her true feelings on a subject and convey that to the audience. Figure out what you're feeling or interested in because the goal is to get the audience interested in what you're interested in. Good stand up comedy is drawing people into your head.
Learn as much as you can about performing. Live theater, improv classes, music, stand up comedy, dance, anything to make yourself confident and comfortable in front of an audience. It'll all come in handy when auditioning for producers and performing with other actors. The best voice actors all have a live performance background. And are competent, fearless, incredibly creative actors.
I'm going to try really hard not to be bossy, but I've only done stand-up comedy and then my own show where you're the total boss of everything!
I'd been doing some light-beer commercials for Budweiser and Coors, and I was doing stand-up comedy. I wanted to get into the acting world, and my agent sent me on audition and they liked it.
I was doing stand up comedy when I was 11, that's how I got started; not because I wanted to do comedy, but because we were broke, living in Echo Park in Downtown Los Angeles, from 1986, I saw the Rodney King riots; my parents didn't really work. But I wanted a new backpack, that's how I got into this business - I wanted a new backpack.
To me, being brave is an element that is so important with stand-up comedy. It's not essential. There are many comics who were just funny, and that's fine, too. But that's never been what I was trying to do in comedy. I was always trying to do something that involved not pandering to the audience.
I can't imagine being a woman in the world of acting, like where you age starts to weigh you down - you go from being attractive to where they [directors] decided you're out... I feel like with stand-up comedy, it doesn't matter if I've gotten fatter.
For me, stand-up comedy is a conversation between me and the audience. I have to keep them listening. When I'm making jokes about cake for twenty minutes, I have to make sure my audience is interested and following where I'm going.
In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.
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