Earlier I`ve done hatever I could get my hands on to do for a living. I tried a couple of different things, but kitchen work was the best for me, because I took to a nomadic lifestyle before I started doing comedy. If you travel and get to a town and need a job, restaurants are always there.
The comedies are not a million laughs on the set. Its business and the dramas are business as well, really. When I'm writing it I struggle more with drama because I started out in comedy.
I'd always wanted to be a dramatic. Comedy comes more naturally to me. I can do it with more facility. So I feel more comfortable with it.
I didn't come from a wealthy family. I had no money. Maybe it goes back to naivete which is your greatest asset when you're young. If I was starting in comedy today and if it didn't work the first time, I'd probably quit. But I kept at it, kept at it.
At first I had no skills in writing comedy. I didn't know what a joke was, but, as someone once told me, your emotions follow your intent. If you create the intention of starting a comedy act, slowly your mind starts adjusting and you arrive at a new emotional state.
I think the best kind of comedy is the least self conscious. I think if you just sort of let the comedy happen without the elbow nudge, did you get it, did you get it. I love straight face comedy or subtle - relatively subtle comedy.
I think there's a difference between making comedy and reporting comedy. When you're a joke teller you can easily fall into the second, you can show up and just say the jokes.
Comedy and drama are different sides of the same coin. And the thing about comedy and drama is about likability. It's about character first. It's about story. And for me, it's about empathy, and I think the realer someone is, the further you can go either way with them.
Most of the people I know in comedy are not weird or messed up.
I think I would love a shot at remaking 'The Philadelphia Story,' as daunting as it is. I still think it's fantastic. I love the '30s comedies because they're allowed to be both comic and elegant, and the women are so complicated in them.
There can be a science to joke writing, there are certainly rules and patterns that can be followed, but I think most of the best comedy goes beyond the rules.
Spurious prudence, making the senses final, is the god of sots and cowards, and is the subject of all comedy. It is nature's joke, and therefore literature's. True prudence limits this sensualism by admitting the knowledge of an internal and real world.
Writing comedy is the greatest spiritual gift you can give to anybody anytime.
In Australia, I'm built up as this comedy hero, which was never my intention.
I love a lot of comedy movies. I think I fell in love with comedy when I was younger. My brother and I would always sit down and watch some of the classics. Bottle Rocket is one of my favorite comedies.
One of my favorite comedies is Three Amigos! Oh my gosh, me and my brother quote that all the time.
At first, there was a separation of clubs and sketch comedy. Now there's all kinds of comedy, making us one big happy family.
I grew up watching British comedy on TV, really.
I cant imagine getting bored with comedy or thinking comedy is beneath us suddenly.
Deeply funny musings and adventures elevate Paul Rudnick to the highest level of American comedy writing.
After I saw a couple of pictures put out by my fellow comedy-directors, which seemed to have abandoned the fun in favor of the message, I wrote Sullivan's Travels to satisfy an urge to tell them that they were getting a little too deep-dish, to leave the preaching to the preachers.
There are a lot of comics at the top end making staggering amounts of money and selling out stadiums. I think stand-up is a more intimate thing than that. Maybe because of the kind of comedy I do. It's like a discussion, but I'm the one with the microphone.
Either over neither, both over either/or, live-and-let-live over stand-or die, high spirits over low, energy over apathy, wit over dullness, jokes over homilies, good humor over jokes, good nature over bad, feeling over sentiment, truth over poetry, consciousness over explanations, tragedy over pathos, comedy over tragedy, entertainment over art, private over public, generosity over meanness, charity over murder, love over charity, irreplaceable over interchangeable, divergence over concurrence, principle over interest, people over principle.
My parents are desperate, they keep saying: 'Please stop doing these angsty roles; make it easier for us.' So, yeah, I'd love to do some comedy.
I love 30 Rock. It's one of my favorite shows. It's certainly the gold standard of comedy writing.
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