Comedy is a very delicate business, especially comedies that sort of attempt to do things in an honest way and in a very naturalistic way the way that 'No Strings Attached' is.
A really good stand-up comic is a poet; it's about the use of language. It can be really poetic. And I like politically conscious comedy.
I was fifteen, or sixteen. I was in high school. I was spending a summer in California with my second cousins. And I wanted to be a director really bad. I was making a lot of 8mm home movies, since I was twelve, making little dramas and comedies with the neighborhood kids.
I love comedy and I hope I never stop doing it.
I always wore cowboy boots and drove a truck, and talked like this. So everywhere I would go in comedy people would say, "Foxworthy, you ain't nothing but a redneck from Georgia!" It kind of became a formula joke.
Working at the magic shop really gave me a sense of comedy because it was all jokes.
I never know what my next thing is going to be, and I'm not out there specifically searching for one thing in particular. I'm just looking for something that's new and different. It could be a drama or a comedy, I just want to challenge myself and work with people that inspire me.
I do subscribe to the maxim that generally comedy is like jazz. Either you get it or you don't. You can't learn it and you can't be taught it. I don't think that if you are not a funny person, you can fake it.
I don't want to be a facilitator for other funny people. It doesn't seem smart for me to be in a comedy and not be funny. My spirit can't take it.
I feel so confident and awesome and sexy when I'm with people who are older than me, and I've always been surrounded by people who are older than me. But to be vital in comedy, you have to exist in a world that's dominated by young people.
I think comedy Ive learned is really just about relaxing and trusting yourself and allowing yourself to fail.
I started doing stand-up at the age of 20. This was back in 1976, around the time (coincidence?) that the first comedy clubs were starting. The young comedians of today gasp when I tell them how many shows I did that first year: 500. Five nights a week.
The masters of the comic spirit are often our prophets.
Winter's notion of poetry is tragedy. It knows nothing of comedy. Its laughter was frozen on its lips long ago.
I drank the Kool-Aid of being a network star. Once it didn't happen, I realized it wasn't the best version of my comedy.
I had envisioned doing comedy since childhood. For sure.
People who do comedy are always underrated because they make it look so easy.
I really, really, really want to do a silly romantic comedy where I can just have a crush on the guy, trip over myself, and laugh and be goofy. I just feel like all I do is cry, sob, and fight zombies and the bad guys.
My mom, she's like Why can't you just do a nice romantic comedy like Jennifer Love Hewitt? And I'm like: Mom, look at me. They just don't put me in those movies.
Comedy is the most palliative way to make a point. People are more willing to listen if they can laugh.
Acting by yourself is pretty darn hard, especially having to do physical comedy.
I'd say I've gone to grad school for comedy being on "Community."
I wasn't necessarily looking to do comedy on TV, but I don't think it's an accident that I ended up on 'Community.'
comedians are people who say funny things, and comics are people who say things funny.
Being a family in general is a comedy of errors.
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