I feel pain everywhere. A lot of guys in chairs do feel their legs. But if you don't, there's a thing called disreflex, so you know if something happens, say, you can't feel your foot or your leg and your body reacts. You know something's not right and you survey what's going on.
My father was a dreamer - my hero. He was a smart, tough guy from Poland, a cutter of lady's handbags, an old socialist-unionist who always considered himself a failure. His big line was: 'Don't end up like me.'
If the Constitution says that the little guy should win, the little guy is going to win in court before me, ... But if the Constitution says that the big guy should win, well, then the big guy is going to win because my obligation is to the Constitution.
"Great guys" can make great husbands.
I grew up a child of Watergate. It gave me a good dose of skepticism about authority. One of my favorite movies is 'All the President's Men.' Woodward and Bernstein, those guys were my heroes. I have a degree in journalism.
Happy endings are absolutely ludicrous, they're not true at all. We see the guy carry the girl across the threshold and everybody lives happily ever after -- that's bullshit. Three weeks later he's beating her up and she's suing for divorce and he's got cancer.
How could you look more stupid than to be the guy accepting a bronze medal in gold shoes?
The world of comic book collecting is not a pretty place. For a bunch of guys who like good-over-evil stories, you sure meet a lot of morally bankrupt assholes.
I hope somebody hits .400 soon. Then people can start pestering that guy with questions about the last guy to hit .400.
Imagine this guy hits Mike Hammer over the head with a wooden coathanger and knocks him out. You hit Mike Hammer over the head with a wooden coathanger, he'll beat the crap out of you.
I don't want to take anything away from Roger Maris and Mickey Mantle. They're both great hitters, but they're batting against guys they never would have seen in previous years.
Hell, we spent $200 Billion to get a scared guy who needed a shave out of a fox-hole! And he may even die of prostate cancer before we even get a chance to try him, dammit!
I don't consider myself to be a media guy. It just happens to be that I've had opportunities in the media. I don't consider myself to be on a career path. I'm just a Christian and a Catholic priest.
I'm not any different from you or the guy down the street or across the globe, we're all connected in some way and hopefully my music can integrate that feeling of human connectedness.
The more I hung out with detective squads, the more there was always one guy or two guys or a woman who had a case that they were the primary on years ago, it was never solved, and they take that case into their retirements.
There's something about the Oscar that gives you sort of stripes where you feel you can dare to walk into a studio like Universal and say, "Hey guys, how about an idea of me playing the wolf man?"
I'm never going to be the lead actor guy. I'm real quiet and real happy and real fortunate to keep working. It's what I do. It's like the circus. I ran away and joined it a long time ago.
I think people got in touch with me either knowing my work, or probably more frequently just knowing a plot or sort of buzz about something I did and sort of saying, "Get that guy that writes the crazy stuff in here."
The only way I was able to defend myself was to be able to take punishment. Then I got a lot of respect. They said, "Oh, he's okay, he can take it. Don't hit him." The guys were pretty big, and I had asthma.
I'm only as successful as the guy that lives down the street from me.
I went to the archives to see what Dumbo work there was, not for current film, but just for my love of animation. And I couldn't believe all the artwork the guys had done to find this universal empathy to Dumbo. There was one drawing where they used his ears as a sign: "Eat at Joes!" These guys were continually searching and digging to see what that is.
Tom Stafford was an odd character, you know - a brilliant guy. He looked weird and I think he took a really defensive attitude about being a hunchback. You know how people can be, giving him a hard time. So he turned that into a defensive mechanism. He would strike first, a lot of times. But he was a great guy, and really those talks we had when I was about 15, out of all of that came the studio over the drugstore and everything else. I'm not saying - I'm no big deal, but I was a part of the birth of the music there.
The guys that I played with, Hollis Dixon and the Keynotes - just about all the great musicians from Muscle Shoals.We played fraternity parties and kids' dances. They were called "lead outs" for kids in high school. We played wherever we could - in the down time when you weren't recording, people had to make money.
I was writing for a publishing company in this old building right next to the RCA Victor Studio in Nashville. We were on the top floor, and Combine Music was on the bottom floor. I was friends with all those guys.
I'm not a film-school guy. I was a high-school dropout. I was on a nuclear submarine. I was an electrician. I was a house painter. So if you get in my face, I'm going to fight you.
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