Wherever we've travelled in this great land of ours, we've found that people everywhere are about 90% water.
I feel that a lot of British comedy is often too bombastic, too obvious, dressing up and shouting and pulling funny faces.
I don't see myself as part of an acting fraternity or a comedy fraternity.
I know it's going to sound cheesy, but I love show business. I love doing comedy, I love that I get to do all this with my friends.
Comedy is a very delicate business, especially comedies that sort of attempt to do things in an honest way and in a very naturalistic way the way that 'No Strings Attached' is.
It's fun for me to couple emotion with comedy. I think it helps comedy. I think a lot of times American comedies don't play on emotion too much.
I was fifteen, or sixteen. I was in high school. I was spending a summer in California with my second cousins. And I wanted to be a director really bad. I was making a lot of 8mm home movies, since I was twelve, making little dramas and comedies with the neighborhood kids.
Working at the magic shop really gave me a sense of comedy because it was all jokes.
In my Comedy Club sets, I just work on what is fresh and try to build that show as long as I can. I don't like to do burnt material on stage. Even though my crowd loves to hear me do old stuff, I don't like to do old stuff.
I never know what my next thing is going to be, and I'm not out there specifically searching for one thing in particular. I'm just looking for something that's new and different. It could be a drama or a comedy, I just want to challenge myself and work with people that inspire me.
I do subscribe to the maxim that generally comedy is like jazz. Either you get it or you don't. You can't learn it and you can't be taught it. I don't think that if you are not a funny person, you can fake it.
I feel so confident and awesome and sexy when I'm with people who are older than me, and I've always been surrounded by people who are older than me. But to be vital in comedy, you have to exist in a world that's dominated by young people.
A really good stand-up comic is a poet; it's about the use of language. It can be really poetic. And I like politically conscious comedy.
I'm not a professional comedian. Nobody comes to my comedy shows. That's just a little hobby.
I don't like stand-up comedy that requires a lot of props. I really respect people who can walk out onstage alone and with no other tool but their own minds and can make you laugh and maybe even think a little.
People kept passing our [ with Robert Ben Garant] script around, and suddenly we had this reputation as screenwriters, which we're not - we're sketch comedy guys.
I think people were not expecting us [with Robert Ben Garant] to, they were just like, "Well here come the writers," but we both were coming out of a sketch comedy background, so when we pitch a movie, we play every character in the film. You act it out, you perform it - you do a 10-minute performance of the movie.
The ability to workshop in stand-up comedy is incomparable to any art form, in my opinion.
I had envisioned doing comedy since childhood. For sure.
jokes are ideally pleasurable. They are an act of assassination without a corpse, a moment of total annihilation that paradoxically makes anything possible.
I drank the Kool-Aid of being a network star. Once it didn't happen, I realized it wasn't the best version of my comedy.
I think serious situations actually make for the best kind of belly laughs. But theyre also the hardest to convert into comedy at the outset.
I believe that people, more often than not, act with the best possible intentions. And when they don't, that's funny to me. That's why comedy ends up seeming cynical, because you're talking about the gap between what people say and what they do.
The most important thing in comedy - apart from empathy, which I think is important even if disguised - is surprise. I like surprising people with the fact that something's even a joke at all.
Most of the people I know in comedy are not weird or messed up.
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